Billionaire businessman by day, fighter by night . . .Anna is relieved to leave her small hometown behind and get a fresh start with an internship in Dublin. What she doesn't expect is to bump into a strange man in her new apartment on her first night there. A man who, it turns out, also owns the company she's joined.As Adam and Anna are thrust together more and more, she discovers he's a man with secrets and a dark past - a past that seems to be reaching for her. 
Although Anna can sense how dangerous Adam is, she can't seem to resist him. And while he fights his feelings, longing to keep Anna safe, neither of them can see that their only hope for survival is each other.On the Line:On the day of Adam and Anna's wedding, she won't be there, and he'll lay everything on the line to get her back.With the help of former covert operatives, Adam works to track down Anna's last steps to discover what happened to her, never believing her to be a "runaway bride."But as the truth unravels, and the McGregor family finds themselves under attack--Adam must not only rescue Anna in time but keep his family from danger as well.Find out what happens in the suspenseful follow-up novella to the international bestselling book, On the Edge. On the Line also features scenes from Holly McGregor's perspective.

    Bayles now turns that same attention to his native West.When European Americans “discovered” the American West, they fell in love with the resplendent landscape. The love affair and its congenital flaws persists to this day.Bayles writes: “. . . the question is why my people bungled our occupation of the West so badly when no one really wanted to, when there was every chance to get it right, when voices of caution were constantly raised, when what needed to be done was frequently obvious, and when, occasionally, we did get it right (think: National Parks).”Notes on a Shared Landscape engages the issues that make the West the West—widely ranging over the autobiographical and the cultural, the ecological and the epistemological, the cow and the potato. This is an intensely personal book, and though the Western library is huge, there is not another book like it. Much of the text unfolds in Yellowstone, where Bayles writes:In the Lamar valley of the Yellowstone, beaver gnaw the trunks of cottonwoods, elk browse their leaves. The shadows are long, even in summer. Even so, it is just another place. In it, just as elsewhere, we see the marks of our own hands faintly because we don’t have to know very much about the land we live in, because we are equally a part of and apart from nature, and because there is hardly any moment when humans are more delusional than when self recognition is required.

    Unfortunately for Daria, her allotted place was decided by her father’s reputation. Salvador ran away with the King’s wife. As the daughter of the wife-thief, she’s been made to suffer for her father’s transgressions, pushed to the edges of proper society. When a vampire kidnaps a human child, Daria volunteers to go in search. The promise of learning magic is enough to entice her. It is her one chance to go from being a scullery maid to becoming someone else–maybe even prince’s true love. Along with the drunken elf, a prince and her panther Bruce, Daria sets off on the adventure that could change her life forever.

    It seems an unlikely destination for a holiday: a cold, desolate land where two nations remain perpetually locked in combat. Most citizens lucky enough to tour the Continent do so to observe the spectacle and violence of battle, a thing long vanished in the peaceful realm of the Spire. For Vaela, the war holds little interest. As a smart and talented apprentice cartographer and a descendent of the Continent herself, she sees the journey as a dream come true: a once-in-a-lifetime opportunity to improve upon the maps she’s drawn of this vast, frozen land.But Vaela’s dream all too quickly turns to nightmare as the journey brings her face-to-face with the brutal reality of a war she’s only read about. Observing from the safety of a heli-plane, Vaela is forever changed by the sight of the bloody battle being waged far beneath her. And when a tragic accident leaves her stranded on the Continent, Vaela finds herself much closer to danger than she’d ever imagined—and with an entirely new perspective as to what war truly means. Starving, alone, and lost in the middle of a war zone, Vaela must try to find a way home—but first, she must survive.

    Unspeakable Things is a book that is eye-opening not only in the critique it provides, but also in the revolutionary alternatives it imagines.

    Featuring brutally compassionate photographs taken from 1990-99, inspired by an overwhelming belief in the human possibility of change, this volume is a definitive selection from Nachtwey's astonishing portfolio. It documents today's conflicts and their victims, from Somalia's famine to genocide in Rwanda, from Romania's abandoned orphans and 'irrecoverables' to the lives of India's 'untouchables', from war in Bosnia to conflict in Chechnya. Inferno is an evocative visual insight into modern history, bringing it disturbingly close to our consciousness.

    Written in Noble’s absorbing voice, Show Don’t Tell illustrates how to develop a dramatic framework using similes and metaphors, a focused point of view, steady pacing, increasing tension, and an appeal to the senses to create solid dramatic impact. In other words, how to show, not tell!Perfect for novelists, short story writers, and those interested in writing creative nonfiction.

    As is the case with many teens looks can be deceiving.  When he's not at school or riding the metro, he is at the local comic shop cosplaying as his favorite Japanese animation character Peepo Choo!  A hardcore fan, Milton knows every line from the Peepo Choo animation by heart.  He can happily replicate the Peepo Dance with ease, and genuinely believes the world depicted in this cartoon is "the real" Japan.On the other side of the Pacific lives Reiko.  A teenage model on the rise, she also has another side of her.  Reiko is a feminist working hard to someday move overseas to a place where she could be treated equally and fairly by men and women.  In Japan, Reiko feels she is a teenage sex object, and after a number of interactions with young Americans in Tokyo she begins to believe that her American dream is going to be painfully similar to her worst Japanese nightmares.Chance would bring the two teens together. But in this case fate comes in the form of the underworld! "Now that Smith is producing works for a Japanese audience under the editorial guidelines of Kodansha--doing what Paul Pope in the 1990s ultimately could not do--it's going to be fascinating to see how his already amazing talents change and grow."--Jason Thompson, ComiXology

    Senate right up to the Pennsylvania presidential primary. More than 80% of these candid and stunning photographs capturing private and political moments have not been seen before. Souza provides extended commentary about each photo to place it in context, and describe the scene and participants. Photo-by-photo the viewer is allowed to examine the senator and candidate's path to the very cusp of history.

    Now, two years later, Noelle has escaped her captivity and is coming home, in one piece but not exactly intact, and definitely different. Tessa's life is about to change again as she tries to revive the best-friendship the two girls had shared before Noelle--now Elle--was kidnapped; puts up a futile resistance to the charming new guy at school; pursues her passion for photography while trying to build the bravado to show her photos to the public; and tries to balance her desire to protect and shelter Elle with the necessity to live her own life and put herself first.

    Discovering the rare BRCA1 gene meant Emma had a 50 percent chance of developing ovarian cancer and an 85 percent chance of developing breast cancer. This book tells her story.

     It is a remarkable portrait, too, of the life of a psychiatric asylum--the sort of community in which, for better and for worse, hundreds of thousands of people lived out their lives.More than four hundred abandoned suitcases filled with patients’ belongings were found when Willard Psychiatric Center closed in 1995 after 125 years of operation. They are skillfully examined here and compared to the written record to create a moving—and devastating—group portrait of twentieth-century American psychiatric care.

    While these buildings might stand as ghosts of the past today, their stories live on within these pages. The team behind BuildingsofDetroit.com brings you the memories of those who caught trains out of the majestic Michigan Central Station, necked with girlfriends in the balcony of the palatial Michigan Theatre, danced the night away at the Vanity Ballroom and kicked out the jams at the Grande Ballroom. As Detroit Free Press Architecture Critic John Gallagher said, the buildings in these pages held a central place in the story of Detroit's Auto Century. It was America's story, too. Detroiters lived, loved, toiled, played, celebrated and dreamed great dreams in these buildings and thereby helped shape a nation."

    The novel centres upon the hapless members of a love triangle united by their sexual obsessions and by their fascination with Catherine Tekakwitha, the 17th-century Mohawk saint. By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.

    She is living a lonely life. Her parents have died and her sister, Brooke, hasn't spoken to her in years. When Brooke shows up with her son in tow and asks Serra to watch him while she and her husband go on vacation to France, Serra's whole life is turned upside down. Serra's decision to hide from Brooke's in-law's create problems she doesn't anticipate. When the tires to her new SUV are slashed, she knows she has more to fear than having her nephew taken.