Throughout the 1970s, there was no more feared group of terrorists. On the surface, they were militant revolutionaries. But in reality they were 'Hitler's Children' - both in the sense that most of them were born during the Nazi regime, and in the sense that they were fiercely opposed to individual freedom and liberal democracy. In this ground-breaking book, Jillian Becker examines the roots of the Gang. The terrorists in the Federal Republic of Germany came out of the pacifist ‘new left’ student protest movement of the late 1960s. Few in number, almost all of them came from prosperous, educated families. Unaware how closely they resembled their Nazi predecessors, they described themselves as ‘anti-fascist’. ‘Fascism’, they claimed, lay just under the surface of liberal democracy and would be called into the open by the use of terrorist violence. They were beneficiaries of American aid, and of the West German ‘economic miracle’, and they had no cause of their own to fight for. And so they identified themselves with Third World victims of wars, poverty and oppression, whose plight they blamed on ‘Western imperialism’. In the name of ‘peace’, ‘national liberation’, ‘anti-imperialism’, and ‘anti-capitalism’, they killed Germans, Americans, Jews and others with bullets and bombs. Their dreams of leading a revolution were ended when one after another of them died in shoot-outs with the police, or was blown up with him own bomb, or was arrested and condemned to long terms of imprisonment. All four leader of the Gang eventually committed suicide in prison. Detailed biographical portraits, especially of Ulrike Meinhof and Gudrun Ensslin, reveal how they laid waste their own lives, and drove themselves furiously to their own destruction. 'A first rate piece of journalism in the best sense of the word ... Ms Becker is the only person who has managed in recent years to tell me something which I had not heard before about these desperate, hysterical, perverted idealists whose revolt against authoritarianism ... made them indistinguishable from fascists' The Times 'Jillian Becker finds an uncanny similarity between those supposedly leftist views and those expressed in Mein Kampf more than 50 years ago' TIME 'An important and highly readable book, thoroughly researched and written with the pace and excitement of a crime thriller' TLS 'A serious and readable study of events which few people in Britain have seriously tried to understand' The Observer 'Superbly researched . . . Mrs Becker has performed a great service with this book' Sunday Telegraph Jillian Becker was born in Johannesburg in 1932. She has had a strong interest in Germany for many years, a concern which now finds expression in Hitler's Children. Jillian Becker also writes fiction. Her titles include ‘The Keep’, ‘The Union’, and ‘The Virgins’, all of which have been highly praised by the critics.

    In search of affordable housing, young couple Anja and Louis move into a community on an artificial mountain, The Berg—yet another "eco-friendly" initiative run by a corporation called Finster. They're offered a home rent-free in exchange for keeping quiet about the seriously malfunctioning infrastructure of the experimental house. But when Louis returns home from his mother's funeral in America, Anja is convinced he has changed. He seems to be in denial of his grief and newly idealistic, consumed by a secret project at the NGO where he works as an artist-consultant. Anja is horrified when she discovers what Louis has invented: a pill called Oval that temporarily rewires the user's brain to be more generous. Louis is convinced that if he can introduce the drug into the Berlin club scene, he can finally remedy the income disparity that has made Berlin so unlivable. Oval is a fascinating portrait of the unbalanced relationships that shape our world, as well as a prescient warning of what the future may hold.

    Stalin and his secret police set out to convert a dozen radically different countries to Communism, a completely new political and moral system. In Iron Curtain, Pulitzer Prize-winning journalist Anne Applebaum describes how the Communist regimes of Eastern Europe were created and what daily life was like once they were complete. She draws on newly opened East European archives, interviews, and personal accounts translated for the first time to portray in devastating detail the dilemmas faced by millions of individuals trying to adjust to a way of life that challenged their every belief and took away everything they had accumulated. Today the Soviet Bloc is a lost civilization, one whose cruelty, paranoia, bizarre morality, and strange aesthetics Applebaum captures in the electrifying pages of Iron Curtain.

    Today, it is America's densest urban environment and most vital city, boasting one of the most recognizable skylines in the world.• New York Then and Now places today's post 9/11 cityscape within the context of history, reflecting the changing and enduring aspects of life in the Big Apple.• Remarkable past-and-present photographs showcase Manhattan's development and the amazing architecture that defines the city. See side-by-side images of the lavish Waldorf-Astoria, Radio City Music Hall, Union Square, St. Patrick's Cathedral, Penn Station, Empire State Building, and the Chrysler Building.• The Twin Towers, part of the World Trade Center, redefined the Manhattan skyline when they opened in 1976. After the tragedies of 9/11, the skyline is defined as much by their absence.• New York continues to be one of the most popular destinations in the world-everyone who has experienced the energy and magic of the Big Apple will want this compact edition of New York Then and Now. It's the perfect souvenir or gift!

    Critically acclaimed novelist Cristina Garcia brings the people of this famed city alive, their stories bristling with regret, desire, and longing.An unnamed Visitor travels to Berlin with a camera looking for reckonings of her own. The city itself is a character--vibrant and post-apocalyptic, flat and featureless except for its rivers, its lakes, its legions of bicyclists. Here in Berlin she encounters a people's history: the Cuban teen taken as a POW on a German submarine for five months, only to return home to a family who doesn't believe him; the young Jewish scholar whose husband hides her in a sarcophagus until he can find them safe passage to England; the female lawyer haunted by a childhood of deprivation in the bombed-out suburbs of Berlin who still defends those accused of war crimes, setting personal guilt against the larger flow of history; a young nurse with a checkered past who joins the Reich on the Russian front, at a medical facility more intent to dispense with the wounded than to heal them; and the son of a zookeeper at The Berlin Zoo, fighting to keep the animals safe from both war and an increasingly starving populace.A meditation on war and mystery in the spirit of Christopher Isherwood and Robert Walser's classic Berlin Stories, this an exciting new work by one of our most gifted novelists, one that seeks to align the stories of the past with the stories of the future.

    And people are killing for it… London, 1992. Late one night, Edward Crane, 76, is declared dead at a London hospital. An obituary describes him only as a 'resourceful career diplomat'. But Crane was much more than that – and the circumstances surrounding his death are far from what they seem. Fifteen years later, academic Sam Gaddis needs money. When a journalist friend asks for his help researching a possible sixth member of the notorious Trinity spy ring, Gaddis knows that she's onto a story that could turn his fortunes around. But within hours the journalist is dead, apparently from a heart attack. Taking over her investigation, Gaddis trails a man who claims to know the truth about Edward Crane. Europe still echoes with decades of deadly disinformation on both sides of the Iron Curtain. And as Gaddis follows a series of leads across the continent, he approaches a shocking revelation – one which will rock the foundations of politics from London to Moscow…

    Kennedy ever loved. Follow their affair in this fictional diary of the woman murdered for asking too many questions after the JFK assassination.   John F. Kennedy said he needed sex every three days or he got a headache. In the White House, he never had a headache. Kennedy met Mary Pinchot in 1935, when he was eighteen and she was sixteen. Twenty years later, when she was living in Virginia and married to Cord Meyer, a high-ranking CIA official, she was Jack and Jackie Kennedy’s next-door neighbor. In 1962, she was an artist, divorced, living in Washington—and Kennedy’s first serious romance. Mary Pinchot Meyer was more than a bedmate. She was Kennedy’s beacon light: his sole female adviser, spending mornings in the Oval Office, and, at night, discussing issues. After the 1964 election, Kennedy said, he would divorce Jackie and marry her.   After the assassination, Mary didn’t believe Lee Harvey Oswald acted alone, and she shared that view, loudly and often, in Washington’s most elite circles. Her ex-husband urged her to be silent, but when the report of the Warren Commission was released, she was even more loudly critical. On October 10, 1964, two days before her forty-forth birthday, as she walked in Georgetown, a man shot her in the head and the heart. That night, Mary's best friend called her sister. “Mary had a diary,” she said. “Get it.”   The diary was filled with sketches, notes for paintings—and ten pages about an affair with an unnamed lover. Her sister burned it. In JFK and Mary Meyer: A Love Story, Jesse Kornbluth recreates the diary Mary might have written. Working from a timeline of Kennedy’s presidency and every documented account of their public relationship, he has written a high-octane thriller that tracks this secret, doomed romance—and invites readers to solve Mary’s murder.

    In 1941, Marie Jalowicz Simon, a nineteen-year-old Berliner, made an extraordinary decision. All around her, Jews were being rounded up for deportation, forced labor, and extermination. Marie took off her yellow star, turned her back on the Jewish community, and vanished into the city.In the years that followed, Marie lived under an assumed identity, forced to accept shelter wherever she found it. Always on the run, never certain whom she could trust, Marie moved between almost twenty different safe-houses, living with foreign workers, staunch communists, and even committed Nazis. Only her quick-witted determination and the most hair-raising strokes of luck allowed her to survive.

    Historian Todd Robinson studies the issues surrounding school integration and bureaucratic reforms as well as the role of black youth activism to detail the diversity of black resistance. He focuses on respectability within the African American community as a way of understanding how the movement was formed and held together. And he elucidates the oppositional role of northern conservatives regarding racial progress. a"A City within a City" cogently argues that the post-war political reform championed by local Republicans transformed the city's racial geography, creating a racialized city within a city, featuring a system of managerial racism designed to keep blacks in declining inner-city areas. As Robinson indicates, this bold, provocative framework for understanding race relations in Grand Rapids has broader implications for illuminating the twentieth-century African American urban experience in secondary cities.

    Born in Berlin in 1920 and raised by the same parents, one boy is Jewish, his adopted brother is Aryan. At first, their origins are irrelevant. But as the political landscape changes they are forced to make decisions with horrifying consequences.

    Promise me, Eadgyth, you will always be that for my son.”Eadgyth’s happy childhood as the adored daughter of King Edward of the Anglo-Saxons came to an abrupt end at the age of nine, when her mother was cast away. Distraught at the rejection by her father, she learnt to keep her heart closely guarded.After ten years shut in a convent Eadgyth is commanded by her half-brother, King Athelstan, to go with her younger sister to the court of King Henry of Germany, where his son, the brave, young Otto will choose one of them as his wife.Indifferent to her fate, she travels to Saxony where she is welcomed by King Henry and his wife, the beautiful Queen Mathilda. As her friendship with the Queen grows Eadgyth warms to her new life, while her relationship with Otto, little more than a boy at seventeen, takes a turn she had not anticipated. Despite the ever present threat of war on the nearby Slavic front, Eadgyth dares to believe she can be happy.But beneath the surface of this contented family, tensions are building. Otto’s brothers harbour concealed ambitions, Mathilda’s love for her son seems strangely uncertain and Otto himself reveals an unexpected secret. And as Otto prepares himself to take the throne of Germany, the hostility boils over leaving Eadgyth facing a desperate struggle to hold her family together, terrified that yet again she could lose the man at the heart of it…

    It is goodbye to a Berlin wild, wicked, breathtaking, decadent beyond belief and already -- in the years between the wars -- welcoming death in through the door, though more with a wink than a whimper.~from the back cover

    He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster." Thus begins Vladimir Nabokov's Laughter in the Dark; this, the author tells us, is the whole story except that he starts from here, with his characteristic dazzling skill and irony, and brilliantly turns a fable into a chilling, original novel of folly and destruction. Amidst a Weimar-era milieu of silent film stars, artists, and aspirants, Nabokov creates a merciless masterwork as Albinus, an aging critic, falls prey to his own desires, to his teenage mistress, and to Axel Rex, the scheming rival for her affections who finds his greatest joy in the downfall of others. Published first in Russian as Kamera Obskura in 1932, this book appeared in Nabokov's own English translation six years later. This New Directions edition, based on the text as Nabokov revised it in 1960, features a new introduction by Booker Prize-winner John Banville.

    Instead of working on the book he has proposed to write, he takes long walks and binge-watches Blue Lives--a violent cop show that becomes weirdly compelling in its bleak, Darwinian view of life--and soon begins to wonder if his writing has any value at all.Wannsee is a place full of ghosts: Across the lake, the narrator can see the villa where the Nazis planned the Final Solution, and in his walks he passes the grave of the Romantic writer Heinrich von Kleist, who killed himself after deciding that "no happiness was possible here on earth." When some friends drag him to a party where he meets Anton, the creator of Blue Lives, the narrator begins to believe that the two of them are involved in a cosmic battle, and that Anton is "red-pilling" his viewers--turning them toward an ugly, alt-rightish worldview--ultimately forcing the narrator to wonder if he is losing his mind.

     It was the heyday of this great city. Between November 1919 and September 1939, many of this century's most sensational events in politics, the arts, theatre, cinema and night life took place in Berlin, where vulgarity and greatness lived side by side. High culture, epitomized in the works of Brecht, Max Reinhardt and Erwin Piscator, was matched by the city's glamorously decadent night-life. Part-politicized and part-criminal clubs thrived, the cabaret of political life sharing the same colour and exoticism as the city's underworld elements. Anton Gill expertly describes both the political and cultural history of Berlin through those historic years. He sketches the characters of scientists, actors and actresses, composers, conductors, painters and businessmen in an era which is arguably the nearest thing to a Renaissance revival the 20th century has seen. Combining outstanding erudition with a compelling narrative, ‘A Dance Between Flames’ offers a consistently fascinating overview of a key period in Germany’s troubled history. ‘A permanently useful handbook...can be dipped into for facts or impressions about all aspects of this dynamo of a town during its most influential decades’ – Independent>/b> ‘Immensely informative and readable...Gill fills in the political history of Berlin between the wars with brilliantly evocative passages describing the cultural scene in theatre, opera, cinema, architecture, cafés and clubs’ – Stephen Spender in The Times Anton Gill has been a freelance writer since 1984, specialising in European contemporary history but latterly branching out into historical fiction. He is the winner of the H H Wingate Award for non-fiction for his study of survivors of the Nazi concentration camps, ‘The Journey Back From Hell’.