When he meets 16-year-old Lucía on an outing from her boarding school, he offers to narrate a story of dire consequences—that of the Spanish Queen Juana of Castile and her legendary love for her husband, Philippe the Handsome.Promised to Prince Philippe the Handsome to solidify ties between the Flemish and Spanish crowns, Queen Juana immediately fell in love with her betrothed with all the abandon and passion of her fiery personality. Theirs was one of the most tumultuous love stories of all time.But Juana, who was also one of the most learned princesses of the Renaissance, was forced to pay a high price for being headstrong and daring to be herself. Those at court who could not fathom Juana as heir to the throne of the most important empire of its day conspired against her and began to question her sanity. Eventually she came to be known as Juana the Mad. But was she really insane, or just a victim of her impetuosity and unbridled passion?As the novel unfolds, Lucía and Manuel become enmeshed in a complex psychological web that seduces and incites them to relive Juana and Philippe's story, and eventually leads them to a mysterious manuscript that may hold the key to Juana's alleged madness.

    It was first written in 1335.The book is divided into four parts. The first and most well-known part is a series of 50 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales. Story 28, "Of what happened to a woman called Truhana", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.Tales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.

    As he revisits the details of the investigation, he is reacquainted with his similarly long, unrequited love for Irene Hornos, then just an intern, now a respected judge. Absorbing and masterfully crafted, The Secret in Their Eyes is a meditation on the effects of the passage of time and unfulfilled desire.Eduardo Sacheri’s tale is imbued with the subdued terror that characterized the Dirty War of 1970s Argentina, and was made into the Academy Award winning film of the same name in 2009.

    This renowned Internet blogger, daytime sleeper, and dedicated hedonist is yanked into family business matters when the president of the business, his older, accomplished brother, disappears. Thus begins The Best Thing That Can Happen to a Croissant, an easy-riding, reluctant-detective story. Tusset's prodigious talents as both a satirist and creator of one of the most hilarious underachievers in recent memory make this an exquisitely entertaining read.

    Set on a mysterious island, Bioy’s novella is a story of suspense and exploration, as well as a wonderfully unlikely romance, in which every detail is at once crystal clear and deeply mysterious.Inspired by Bioy Casares’s fascination with the movie star Louise Brooks, The Invention of Morel has gone on to live a secret life of its own. Greatly admired by Julio Cortázar, Gabriel García Márquez, and Octavio Paz, the novella helped to usher in Latin American fiction’s now famous postwar boom. As the model for Alain Resnais and Alain Robbe-Grillet’s Last Year at Marienbad, it also changed the history of film.

    An inland expedition ends in disaster when the group is attacked by Indians.The Witness explores the relationship between existence and description, foreignness and cultural identity.Juan Jose Saer was born in Argentina in 1937 and is considered one of Argentina's leading writers of the post-Borges generation. He died in 2005.

    The subject of that love is Matilde Urrutia de Neruda, Pablo's 'beloved wife'.

    Bellatin’s work, Beauty Salon is pithy, allegorical and profoundly disturbing, with a plot that evokes The Plague by Camus or Blindness by José Saramago."--New York Times"Including a few details that may linger uncomfortably with the reader for a long time, this is contemporary naturalism as disturbing as it gets."--BooklistA strange plague appears in a large city. Rejected by family and friends, some of the sick have nowhere to finish out their days until a hair stylist decides to offer refuge. He ends up converting his beauty shop, which he’s filled with tanks of exotic fish, into a sort of medieval hospice. As his “guests” continue to arrive and to die, his isolation becomes more and more complete in this dream-hazy parable by one of Mexico’s cutting-edge literary stars.Mario Bellatin, the author of numerous short novels, was born in Mexico City in 1960. In 2000, Beauty Salon was nominated for the Médicis Prize for best novel translated into French. This is its first translation into English.

    In their dreams, they catch glimpses of Estrella’s braids, hear echoes of her voice, and read old letters that eventually, mysteriously, stopped arriving. They recall regimented school assemblies, nationalistic class performances, and a trip to the beach. Soon it becomes clear that Estrella’s father was a ranking government officer implicated in the violent crimes of the Pinochet regime, and the question of what became of her after she left school haunts her erstwhile friends. Growing up, these friends―from her pen pal, Maldonado, to her crush, Zúñiga―were old enough to sense the danger and tension that surrounded them, but were powerless in the face of it. They could control only the stories they told one another and the “ghostly green bullets” they fired in the video game they played obsessively.One of the leading Latin American writers of her generation, Nona Fernández effortlessly builds a choral and constantly shifting image of young life in the waning years of the dictatorship. In her short but intricately layered novel, she summons the collective memory of a generation, rescuing felt truth from the oblivion of official history.

    Inspector Petra Delicado has been chained to a tiresome desk job in the documentation department of the Barcelona police force for months. But things are about to change. The department is short-handed and there's a serial rapist on the loose. Delicado is partnered with the portly and impossibly compliant Sergeant Fermin Garzon with orders to solve the case before it succeeds in ruining the good name of the Barcelona police force. However, the only lead they have is the rapist's mysterious signature; a circular mark of unknown origins he leaves on his victims' forearms. No witnesses, no other leads, and no help from the victims themselves. To further complicate her life, Inspector Delicado is trying to shake off two ex-husbands, Hugo, who persists in shamelessly belittling her, and Pepe, as helpless and hapless as a little boy in her absence. (from the cover blurb)Tough, sexy, at times apparently pitiless, Petra Delicado is a new kind of cop in Spanish crime writing. As she does battle with sexist colleagues, ruthless reporters, indifferent witnesses, hardened criminals, ex-husbands, and houseplants that just won't flower, she sometimes thinks her thirst for new challenges and perpetual change is more trouble than its worth.

    In the face of enormous personal tumult, he sits down to write. What follows is an audacious chronicle of his childhood and an unsparing account of his life's trials, failures, and triumphs that becomes a moving look at what family gives and takes away.With the intimacy of a diarist, he reckons with the ghosts of his parents and the current specters of his divorce, his children, his career, and his addictions. In unswervingly honest prose, Vilas explores his identity after great loss--what is a person without a marriage or without parents? What is a person when faced with memories alone? Already an acclaimed poet and novelist in Spain, Vilas takes his work to a whole new level with this autobiographical novel; critics have called it "a work of art able to cauterize pain."Elegiac and searching, Ordesa is a meditation on loss and a powerful exploration of a person who is both extraordinary and utterly ordinary--at once singular and representing us all--who transforms a time of crisis into something beautiful and redemptive.

    Iago and his family are longevos—people who never seem to age after reaching adulthood. The ancient family is divided: Iago’s brother and sister seek the source of their longevity in hopes of creating more like themselves, while Iago and his father fear the repercussions of the true Fountain of Youth.A dangerous game of power and knowledge that has played out over eons becomes even more complicated when Adriana attracts both brothers’ attention—and learns their secret.Filled with science, history, and passion, The Immortal Collection transports the reader through time and space, from the days of cavemen, through the Roaring Twenties, to the charming plazas of contemporary Spain. Ancient history meets cutting-edge research in this modern love story and sweeping historical saga.

    Jobless and ashamed, he takes them into a stranger’s house, a place that will become the site of the greatest humiliation of his life. In an impoverished fishing town, four teenage boys try to allay their boredom during an endless summer by translating lyrics from the Smiths into Spanish using a stolen dictionary. Their dreams of fame and glory twist into a plan to steal musical instruments from a church, an obsession that prevents one of them from anticipating a devastating ending. Meanwhile a young woman goes home with a charismatic man after finding his daughter wandering lost in a public place. She soon discovers, like so many characters in this book, that fortuitous encounters can be deceptions in disguise.Themes of pride, shame, and disgrace—small and large, personal and public—tie the stories in this collection together. Humiliation becomes revelation as we watch Paulina Flores’s characters move from an age of innocence into a world of conflicting sensations.

    Two love stories. Three voices.Lito is ten years old and is almost sure he can change the weather when he concentrates very hard. His father, Mario, anxious to create a memory that will last for his son's lifetime, takes him on a road trip in a truck called Pedro. But Lito doesn't know that this might be their last trip: Mario is gravely ill. Together, father and son embark on a journey takes them through strange geographies that seem to meld the different parts of the Spanish-speaking world. In the meantime, Lito's mother, Elena, restlessly seeks support in books, and soon undertakes an adventure of her own that will challenge her moral limits. Each narrative--of father, son, and mother--embodies one of the different ways that we talk to ourselves: through speech, through thought, and through writing. While neither of them dares to tell the complete truth to the other two, their individual voices nonetheless form a poignant conversation.Sooner or later, we all face loss. Andrés Neuman movingly narrates the ways the lives of those who survive loss are transformed; how that experience changes our ideas about time, memory, and our own bodies; and how the acts of reading, and of sex, can serve as powerful modes of resistance. Talking to Ourselves presents a tender yet unsentimental portrait of the workings of love and family; a reflection both on grief and on the consolation of words. Neuman, the author of the award-winning Traveler of the Century, displays his characteristic warmth, bittersweet humor, and wide-ranging intellect, giving us the rich, textured, and strikingly different voices and experiences of three singular characters while presenting, above all, a profound tribute to those who have ever had to care for a loved one.

    Intended as a starting point for a better understanding and appreciation of literature, each analysis also imparts information about the author, the social and historical background, structure and traditions of literary genres, facts about characters, and a bibliography to encourage further intellectual exploration. Esta colección es una herramienta indispensable para el estudio y análisis de obras clásicas de la literatura universal. Los libros de formato agradable y presentación moderna ofrecen un análisis crítico, información sobre los personajes y los géneros literarios, una bibliografía, y un compendio de la obra en particular junto a un estudio del autor y su época.