There’s a famous piece of writing advice—offered by Ernest Hemingway, Stephen King, and myriad writers in between—not to use -ly adverbs like “quickly” or “fitfully.” It sounds like solid advice, but can we actually test it? If we were to count all the -ly adverbs these authors used in their careers, do they follow their own advice compared to other celebrated authors? What’s more, do great books in general—the classics and the bestsellers—share this trait?In Nabokov’s Favorite Word Is Mauve, statistician and journalist Ben Blatt brings big data to the literary canon, exploring the wealth of fun findings that remain hidden in the works of the world’s greatest writers. He assembles a database of thousands of books and hundreds of millions of words, and starts asking the questions that have intrigued curious word nerds and book lovers for generations: What are our favorite authors’ favorite words? Do men and women write differently? Are bestsellers getting dumber over time? Which bestselling writer uses the most clichés? What makes a great opening sentence? How can we judge a book by its cover? And which writerly advice is worth following or ignoring?

    She knows Trey is innocent—he was with her when Danny was killed. So who is the real killer and why are the cops framing an innocent man?While retracing Danny’s last hours, they discover that his death may be tied to a mystery from the past: the destruction of a Central Corps starship at a wormhole near Volhynia. For twenty-five years, Central Gov has been lying about the tragedy, even willing to go to war with the outlaw tribe PSI to protect their secrets.With the authorities closing in, Elena and Trey head to the wormhole, certain they’ll find answers on the other side. But the truth that awaits them is far more terrifying than they ever imagined—a conspiracy deep within Central Gov that threatens all of human civilization throughout the inhabited reaches of the galaxy . . . and beyond.

    From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband’s heart in her desk drawer. But have you heard of Margaret “Mad Madge” Cavendish, who wrote a science-fiction epic 150 years earlier (and liked to wear topless gowns to the theater)? If you know the astounding work of Shirley Jackson, whose novel The Haunting of Hill House was reinvented as a Netflix series, then try the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era. You’ll meet celebrated icons (Ann Radcliffe, V. C. Andrews), forgotten wordsmiths (Eli Colter, Ruby Jean Jensen), and today’s vanguard (Helen Oyeyemi). Curated reading lists point you to their most spine-chilling tales.Part biography, part reader’s guide, the engaging write-ups and detailed reading lists will introduce you to more than a hundred authors and over two hundred of their mysterious and spooky novels, novellas, and stories.

    The one thing they didn't find was intelligent life. And so the terraforming of worlds began, with eager immigrant families temporarily housed in space stations till their new home planets were ready.But the technicians made one all-important mistake by introducing the alien Quill to worlds where they did not belong. The Quill were supposed to be destroyed when the crews finished their work, but some survived, multiplied, and mutated till they were no longer harmless. They were deadly.Suddenly mankind was in retreat, leaving colonists stranded in space. In the ensuing chaos many stations failed. For the survivors, the only hope lay in finding a way to wipe out the Quill. Earth scientist, Dr. Gail Smith thought one special human, Aaron Pardell, might hold the answer. Found as a baby and raised by a stationer in the "Outsider" settlement that clung to Thromburg Station, Aaron may have survived Quill contact. Still, finding Aaron and winning his help might be the least of Dr Smith's problems...

    For instance:AND I AWOKE AND FOUND ME HERE ON THE COLD HILL'S SIDEMan seeks to get into bed with anything new and different, or die trying. But when the new and different was not human...would he die trying?THE MAN WHO WALKED HOME - The first-time astronaut, stuck in the far future, slid ever so slowly toward a present whose past was his future and whose future was his past...I'M TOO BIG BUT I LOVE TO PLAY - If genuine aliens are to communicate meaningfully, one must make himself into an analogue of the other. But how can you tell the difference between what is human - and what is merely identical?Contents:And I Awoke and Found Me Here on the Cold Hill's Side (1972)The Snows Are Melted, the Snows Are Gone (1969)The Peacefulness of Vivyan (1971)Mamma Come Home (1968)Help (1968)Painwise (1972)Faithful to Thee, Terra, in Our Fashion (1969)The Man Doors Said Hello To (1970)The Man Who Walked Home (1972)Forever to a Hudson Bay Blanket (1972)I'll Be Waiting for You When the Swimming Pool Is Empty (1971)I'm Too Big but I Love to Play (1970)Birth of a Salesman (1968)Mother in the Sky with Diamonds (1971)Beam Us Home (1969)

    Every day, she provides customers with personalized recommendations for greater contentment. She's good at her job, her office manager tells her, successful. But how does one measure an emotion?Meanwhile, there's Pearl's teenage son, Rhett. A sensitive kid who has forged an unconventional path through adolescence, Rhett seems to find greater satisfaction in being unhappy. The very rejection of joy is his own kind of "pursuit of happiness." As his mother, Pearl wants nothing more than to help Rhett—but is it for his sake or for hers? Certainly it would make Pearl happier. Regardless, her son is one person whose emotional life does not fall under the parameters of her job—not as happiness technician, and not as mother, either.Told from an alternating cast of endearing characters from within Pearl and Rhett's world, Tell the Machine Goodnight delivers a smartly moving and entertaining story about relationships and the ways that they can most surprise and define us. Along the way, Katie Williams playfully illuminates our national obsession with positive psychology, our reliance on quick fixes and technology. What happens when these obsessions begin to overlap? With warmth, humor, and a clever touch, Williams taps into our collective unease about the modern world and allows us see it a little more clearly.

    The inner dimensions are at odds with the outer; there are different chambers to be breached, some containing deserted cities; and the furthest chamber contains the greatest mystery ever to confront the Stone's scientists.EternityHere, from the other side of time, come: THISTLEDOWN, the asteroid starship of a future that is not quite our future; GAIA, a parallel reality where Alexander the Great's empire has ruled for two thousand years; and THE WAY, an infinite corridor through space-time which traverses and encompasses whole universes. And as the strands of these mysteries are unravelled, so the ordering and the end of mankind -- and our entire Universe -- come into question.

    Le Guin is one of the greatest science fiction writers and many times the winner of the Hugo and Nebula Awards. Her career as a novelist was launched by the three novels contained in Worlds Of Exile And Illusion. These novels, Rocannon's World, Planet Of Exile, and City Of Illusions, are set in the same universe as Le Guin's ground-breaking classic, The Left Hand Of Darkness.Tor is pleased to return these previously unavailable works to print in this attractive new edition.

    Close by is Sound, where you mustn’t make any, apart from one designated hour a day when you can scream your lungs raw. Then there’s Red – get off at Fuck Station Zero if you want to see a tactical nuclear battle recreated as a sales demonstration.Stark has friends in Red, which is just as well because Something is about to happen. And when a Something happens it’s no good chanting ‘Duck and cover’ while cowering in a corner, because a Something is always from the past, Stark’s past, and it won’t go away until you face it full on.

    Speculative fiction is the literature of questions, of challenges and imagination, and what better to question than the ways in which gender and sexuality have been rigidly defined, partitioned off, put in little boxes? These seventeen stories explore the ways in which identity can go beyond binary from space colonies to small college towns, from angels to androids, and from a magical past to other worlds entirely, the authors in this collection have brought to life wonderful tales starring people who proudly define (and redefine) their own genders, sexualities, identities, and so much else in between.

    Once she was somebody’s enemy. Now the former Canadian special forces warrior lives on the hellish streets of Hartford, Connecticut, in the year 2062. Racked with pain, hiding from the government she served, running with a crime lord so she can save a life or two, Jenny is a month shy of fifty, and her artificially reconstructed body has started to unravel. But she is far from forgotten. A government scientist needs the perfect subject for a high-stakes project and has Jenny in his sights. Suddenly Jenny Casey is a pawn in a furious battle, waged in the corridors of the Internet, on the streets of battered cities, and in the complex wirings of her half-man-made nervous system. And she needs to gain control of the game before a brave new future spins completely out of control.

    For the most part, they are happy with their lot, living in a preserve at the bottom of a gravity well. Those who are unhappy have emigrated, joining one or another of the swarming densethinker clades that fog the inner solar system with a dust of molecular machinery so thick that it obscures the sun.The splintery metaconsciousness of the solar-system has largely sworn off its pre-post-human cousins dirtside, but its minds sometimes wander...and when that happens, it casually spams Earth's networks with plans for cataclysmically disruptive technologies that emulsify whole industries, cultures, and spiritual systems. A sane species would ignore these get-evolved-quick schemes, but there's always someone who'll take a bite from the forbidden apple.So until the overminds bore of stirring Earth's anthill, there's Tech Jury Service: random humans, selected arbitrarily, charged with assessing dozens of new inventions and ruling on whether to let them loose. Young Huw, a technophobic, misanthropic Welshman, has been selected for the latest jury, a task he does his best to perform despite an itchy technovirus, the apathy of the proletariat, and a couple of truly awful moments on bathroom floors.

    Barely surviving a harrowing escape from a prison colony, Emerson Ngu shoots, talks, and invents his way into becoming the hero of Curringer, a libertarian paradise on the terraformed asteroid, Pallas.

    (In fact, he says, in certain situations reading the book is the worst thing you could do). Using examples from such writers as Graham Greene, Oscar Wilde, Montaigne, and Umberto Eco, he describes the varieties of "non-reading"—from books that you've never heard of to books that you've read and forgotten—and offers advice on how to turn a sticky social situation into an occasion for creative brilliance. Practical, funny, and thought-provoking, How to Talk About Books You Haven't Read is in the end a love letter to books, offering a whole new perspective on how we read and absorb them. It's a book for book lovers everywhere to enjoy, ponder, and argue about—and perhaps even read.Pierre Bayard is a professor of French literature at the University of Paris VIII and a psychoanalyst. He is the author of Who Killed Roger Ackroyd? and of many other books. Jeffrey Mehlman is a professor of French at Boston University and the author of a number of books, including Emigré New York. He has translated works by Derrida, Lacan, Blanchot, and other authors.

    Fully illustrated and exhaustively comprehensive, this book covers everything you need to know, including how to understand zombie physiology and behavior, the most effective defense tactics and weaponry, ways to outfit your home for a long siege, and how to survive and adapt in any territory or terrain.Top 10 Lessons for Surviving a Zombie Attack 1. Organize before they rise! 2. They feel no fear, why should you?3. Use your head: cut off theirs.4. Blades don’t need reloading.5. Ideal protection = tight clothes, short hair.6. Get up the staircase, then destroy it. 7. Get out of the car, get onto the bike.8. Keep moving, keep low, keep quiet, keep alert!9. No place is safe, only safer. 10. The zombie may be gone, but the threat lives on. Don’t be carefree and foolish with your most precious asset—life. This book is your key to survival against the hordes of undead who may be stalking you right now without your even knowing it. The Zombie Survival Guide offers complete protection through trusted, proven tips for safeguarding yourself and your loved ones against the living dead. It is a book that can save your life.