He explains how certain kinds of music—particularly hip hop, but also jazz, Gnawa, Andalusian, Judeo-Arabic, Latin, and others—have come to represent a heightened racial identity and a Muslim consciousness that crisscrosses the globe. He describes how Western governments—particularly the U.S. and England—use music in an attempt to deradicalize Muslim youth abroad.

    The great heritage of western civilization - from the Greek and Roman classics to Jewish and Christian works - would have been utterly lost were it not for the holy men and women of unconquered Ireland. In this delightful and illuminating look into a crucial but little-known "hinge" of history, Thomas Cahill takes us to the "island of saints and scholars, " the Ireland of St. Patrick and the Book of Kells. Here, far from the barbarian despoliation of the continent, monks and scribes laboriously, lovingly, even playfully preserved the west's written treasures. With the return of stability in Europe, these Irish scholars were instrumental in spreading learning. Thus the Irish not only were conservators of civilization, but became shapers of the medieval mind, putting their unique stamp on western culture.

    For more than a thousand years, Sepharad (the Hebrew word for Spain) was home to a large Jewish community noted for its richness and virtuosity. Summarily expelled in 1492 and forced into exile, their tragedy of expulsion marked the end of one critical phase of their history and the beginning of another. Indeed, in defiance of all logic and expectation, the expulsion of the Jews from Spain became an occasion for renewed creativity. Nor have five hundred years of wandering extinguished the identity of the Sephardic Jews, or diminished the proud memory of the dazzling civilization which they created on Spanish soil. This book is intended to serve as an introduction and scholarly guide to that history.

    Much of the serious work on her life and historical importance has never been translated from German, and almost all has concentrated on the years of her struggle with Stephen for the English crown. This book examines her career as a whole, including the years as consort of the Emperor Henry V and as regent in Normandy for her son Henry II. It illustrates the problems of female succession in the early twelfth century, and gives a balanced assessment of Matilda's character and achievements in the context of her own times.

    In this attractively illustrated and updated edition, Geoffrey Parker discusses the major changes in the military practice of the West during this time period--establishment of bigger armies, creation of superior warships, the role of firearms--and argues that these major changes amounted to a military revolution that gave Westerners a decided advantage over people of other continents. A new chapter addresses the controversies engendered by the previous edition.

    Bennison contradicts the common assumption that Islam somehow interrupted the smooth flow of Western civilization from its Graeco-Roman origins to its more recent European and American manifestations. Instead, she places Islamic civilization in the longer trajectory of Mediterranean civilizations and sees the ‘Abbasid Empire (750–1258 CE) as the inheritor and interpreter of Graeco-Roman traditions.At its zenith the ‘Abbasid caliphate stretched over the entire Middle East and part of North Africa, and influenced Islamic regimes as far west as Spain. Bennison’s examination of the politics, society, and culture of the ‘Abbasid period presents a picture of a society that nurtured many of the “civilized” values that Western civilization claims to represent, albeit in different premodern forms: from urban planning and international trade networks to religious pluralism and academic research. Bennison’s argument counters the common Western view of Muslim culture as alien and offers a new perspective on the relationship between Western and Islamic cultures.

    Yet the author of the Muqaddima, the most important study of history ever produced in the Islamic world, is not as well known as he should be, and his ideas are widely misunderstood. In this groundbreaking intellectual biography, Robert Irwin provides an engaging and authoritative account of Ibn Khaldun's extraordinary life, times, writings, and ideas. Irwin tells how Ibn Khaldun, who lived in a world decimated by the Black Death, held a long series of posts in the tumultuous Islamic courts of North Africa and Muslim Spain, becoming a major political player as well as a teacher and writer. Closely examining the Muqaddima, a startlingly original analysis of the laws of history, and drawing on many other contemporary sources, Irwin shows how Ibn Khaldun's life and thought fit into historical and intellectual context, including medieval Islamic theology, philosophy, politics, literature, economics, law, and tribal life. Because Ibn Khaldun's ideas often seem to anticipate by centuries developments in many fields, he has often been depicted as more of a modern man than a medieval one, and Irwin's account of such misreadings provides new insights about the history of Orientalism.In contrast, Irwin presents an Ibn Khaldun who was a creature of his time—a devout Sufi mystic who was obsessed with the occult and futurology and who lived in an often-strange world quite different from our own.

    Using original sources in Arabic, Greek, Latin, and Turkish, preeminent historian Raymond Ibrahim describes each battle in vivid detail and explains the effect the outcome had on larger historical currents of the age and how the military lessons of the battle reflect the cultural faultlines between Islam and the West.The majority of these landmark battles are now forgotten or considered inconsequential. Yet today, as the West faces a resurgence of this enduring Islamic jihad, Sword and Scimitar provides the needed historical context to understand the current relationship between the West and the Islamic world, and why the Islamic State is merely the latest chapter of an old history.

    Its purpose is to detach human beings from their homes and, by bringing them to Islam's birthplace, to emphasize the equality of all people before God. Since its inception in the seventh century, the Hajj has been the central theme in a large body of Islamic travel literature. Beginning with the European Renaissance, it has also been the subject for a handful of adventurous writers from the Christian West who, through conversion or connivance, managed to slip inside the walls of a city forbidden to non-Muslims. One Thousand Roads to Mecca collects significant works by observant writers from the East and West over the last ten centuries. These two very different literary traditions form distinct sides of a spirited conversation in which Mecca is the common destination and Islam the common subject of inquiry.

    The Civilizing Process stands out as Norbert Elias' greatest work, tracing the civilizing of manners and personality in Western Europe since the late Middle Ages by demonstrating how the formation of states and the monopolization of power within them changed Western society forever.

    This chronicle of the Byzantine Empire, beginning in 1025, shows a profound understanding of the power politics that characterized the empire and led to its decline.

    www.aabra.us Amazon: www.amazon.com/taliban-escape-woman&#...

    This text sets out to explain what life was like in the most immediate way, through taking the reader to the Middle Ages, and showing everything from the horrors of leprosy and war to the ridiculous excesses of roasted larks and haute couture.

    The textbook discusses three important issues: languages and language change are systematic; the inner history of a language is profoundly affected by its outer history of political and culural events; and the English of the past has everywhere left its traces on present-day English. By uncovering the language's past, one can better communicate with it.

    CHAPTER III - THE FRATICELLI CHAPTER IV - POLITICAL HERESY UTILIZED BY THE CHURCH CHAPTER V - POLITICAL HERESY UTILIZED BY THE STATE CHAPTER VI- SORCERY AND OCCULT ARTS CHAPTER VII - WITCHCRAFT CHAPTER VIII - INTELLECT AND FAITH CHAPTER IX - CONCLUSION