There’s no chance left. No hope. Just six precious months until impact. The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares. The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered?

    I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC has been hit with a nuclear bomb, then New York, then London, and finally Berlin. That’s all he knows before news outlets and social media goes black—and before the clouds on the horizon turn orange.Now, two months later, there are twenty survivors holed up at the hotel, a place already tainted by its strange history of suicides and murders. Those who can’t bear to stay commit suicide or wander off into the woods. Jon and the others try to maintain some semblance of civilization. But when the water pressure disappears, and Jon and a crew of survivors investigate the hotel’s water tanks, they are shocked to discover the body of a young girl.As supplies dwindle and tensions rise, Jon becomes obsessed with investigating the death of the little girl as a way to cling to his own humanity. Yet the real question remains: can he afford to lose his mind in this hotel, or should he take his chances in the outside world?

    The dead ones. They were dead, but they had lights. Why do the dead need light?Three hundred years ago, the settlers on the small Maine island of Sanctuary were betrayed to their enemies and slaughtered. Since then, the island has known peace. Until now. A gang of four men are descending on Sanctuary, intent on committing a brutal and relentless massacre. All that stands in their way are rookie police officer Sharon Macie and the strange, troubled officer Joe Dupree.But Joe is no ordinary policeman. He knows the island has been steeped in blood once and that it will never again tolerate the shedding of innocent blood. The band of killers who are set to desecrate Sanctuary will unleash the fury of its ghosts upon themselves and all who stand by them. On Sanctuary, all hell is about to break loose ...

    Instead they find every person in the village is dead, killed in a bloodless carnage. The sisters are aided only by a mysterious agent who holds the key to stopping a vicious weapon aimed at America.

    The novel is concerned with the conflict between the individual and the state, the punishment of young criminals, and the possibility or otherwise of redemption. The linguistic originality of the book, and the moral questions it raises, are as relevant now as they ever were.Source: anthonyburgess.org

    She's a binge drinker, her job with the airline making it easy to find adventure, and the occasional blackouts seem to be inevitable. She lives with them, and the accompanying self-loathing. When she awakes in a Dubai hotel room, she tries to piece the previous night back together, already counting the minutes until she has to catch her crew shuttle to the airport. She quietly slides out of bed, careful not to aggravate her already pounding head, and looks at the man she spent the night with. She sees his dark hair. His utter stillness. And blood, a slick, still wet pool on the crisp white sheets. Afraid to call the police—she's a single woman alone in a hotel room far from home—Cassie begins to lie. She lies as she joins the other flight attendants and pilots in the van. She lies on the way to Paris as she works the first class cabin. She lies to the FBI agents in New York who meet her at the gate. Soon it's too late to come clean—or face the truth about what really happened back in Dubai. Could she have killed him? If not, who did?

    The photo shows a shuttered, ramshackle house on top of a steep hill. On the back, a puzzling inscription: Destiny calls us.Ava is certain that it’s a clue to her elusive past. Twenty-three years ago, she’d been found wrapped in a yellow blanket in the narthex of the Holy Saviour Catholic Church—and rescued—or so she’d been told. Her mother claimed there was no more to the story, so the questions of her abandonment were left unanswered. For Ava, now is the time to find the roots of her mother’s lies. It begins with the house itself—once the scene of a brutal double murder.When Ava enlists the help of the two people closest to her, a police detective and her best friend, she fears that investigating her past could be a fatal mistake. Someone is following them there. And what’s been buried in Ava’s nightmares isn’t just a crime. It’s a holy conspiracy.

    An omnibus edition of three Ruth Rendell crime novels - A Demon in My View, A Judgement in Stone and The Face of Trespass.

    As the mayor's daughter, her kidnapping triggers mounting political pressure and forces the Chief of Police to put two senior detectives on the case. Rob Soliz and Frank Pierce have done the impossible in the past, but their methods are unconventional.The only evidence at the scene is a Bible found in the girl's car and soon Frank and Rob find themselves involved in a disturbing investigation shrouded by Bible prophecy, doomsday cults, and murder.Is Katrina still alive? And what exactly is Wormwood?As the trail leads them into the woods of rural East Texas, Frank must deal with his lingering religious doubts and solve the case. His worst fears will be realised when he must discover the ugly truth about Wormwood. But he and Rob will have to get out alive to tell the story…

    As a Family Liaison Officer he is always the bearer of bad news - it is his job to tell the friends and family of victims the fate of their loved ones.But Tom is weighted down by crimes both old and new - haunted by the death of his best friend Dani, whose murder has never been solved.When a rare opportunity emerges for Tom to take the lead in a horrific murder investigation, he is determined to get justice for the victim. A young girl has been found in her own home, cut so badly - and so carefully - that she has bled to death, leaving a deliberate pool of blood in the shape of angel wings....

    Decorated NYPD Officer John Coglin always thought his picture on the front page of the newspaper would be one for the scrapbook.That was before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.Now, instead of another commendation, Coglin is staring down the barrel of a media- and politics-stoked murder rap.But on the eve of his sure conviction arrives a fateful telephone call.It's not the governor, but his long-lost uncle, Aidan O'Connell.A veteran of the IRA and a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center."Before the Devil Knows You're Dead" is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.

    A girl is missing. Five years old, taken from outside her school. She has vanished, traceless. The police are at a loss; her parents are beyond grief. Their daughter is lost forever, perhaps dead, perhaps enslaved. But the biggest mystery is yet to come: one week after she was abducted, their daughter is returned. She has no memory of where she has been. And this, for her mother, is just the beginning of the nightmare.

    . . Welcome to Safe Haven, Wisconsin. Miles from everything, with one road in and out, this peaceful town has never needed a full-time police force. Until now . . . A helicopter has crashed near Safe Haven and unleashed something horrifying. Now this merciless force is about to do what it does best. Isolate. Terrorize. Annihilate. As residents begin dying in a storm of gory violence, Safe Haven's only chance for survival will rest with an aging county sheriff, a firefighter, and a single mom. And each will have this harrowing thought: Maybe death hasn't come to their town by accident . . .

    . .In the dark shadows of a sultry southern town, a serial killer strikes. It's an act of sinister precision that has happened many times before. . .every victim an offering to a hunger that can never be sated. . .Night After Night. . .The next morning, Caitlyn Montgomery Bandeaux wakes covered in blood. But Caitlyn has no memory of the night before, when her estranged husband was brutally murdered like so many others she has known. . . After Night. . .Wanted by the police and haunted by horrifying, fragmented memories, Caitlyn turns to Adam Hunt, the town's new psychologist. But how far can she really trust him? For as a twisted killer strikes again and again, Caitlyn's about to discover that those who appear the most innocent are usually the most evil. . .