And it is true; the center of the Beast's palace, the glittering glasshouse that brings Beauty both comfort and delight in her strange new environment, is filled with leafless brown rosebushes. But deep within this enchanted world, new life, at once subtle and strong, is about to awaken.Twenty years ago, Robin McKinley dazzled readers with the power of her novel Beauty. Now this extraordinarily gifted novelist returns to the story of Beauty and the Beast with a fresh perspective, ingenuity, and mature insight. With Rose Daughter, she presents her finest and most deeply felt work--a compelling, richly imagined, and haunting exploration of the transformative power of love.

    Every people or nation has its own way of experiencing this psychic reality, and so a study of the world's fairy tales yields a wealth of insights into the archetypal experiences of humankind. Perhaps the foremost authority on the psychological interpretation of fairy tales is Marie-Louise von Franz. In this book—originally published as An Introduction to the Interpretation of Fairy Tales —she describes the steps involved in analyzing and illustrates them with a variety of European tales, from "Beauty and the Beast" to "The Robber Bridegroom." Dr. von Franz begins with a history of the study of fairy tales and the various theories of interpretation. By way of illustration she presents a detailed examination of a simple Grimm's tale, "The Three Feathers," followed by a comprehensive discussion of motifs related to Jung's concept of the shadow, the anima, and the animus. This revised edition has been corrected and updated by the author.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    . . .So begins this dark, unusual retelling of the story of Snow White by the writer reviewers have called “the Angela Carter of the fantasy field”—a whole novel based on a beloved story, turning it into a dark and sensual drama full of myth and magic.Arpazia is the aging queen who paces the halls of a warlord’s palace. Cold as winter, she has only one passion—for the mysterious hunter who courts the outlawed old gods of the woodland. Coira is the princess raised in the shadow of her mother’s hatred. Avoided by both her parents and half forgotten by her father’s court, she grows into womanhood alone . . . until the mirror speaks, and blood is spilled, and the forest claims her.The tragic myth of the goddess Demeter and her daughter, Persephone, stolen by the king of the underworld, is woven together with the tale of Snow White to create a powerful story of mothers and daughters and the blood that binds them together, for good or ill. Black queen. White maid. Royal huntsman. Seven little folk who live in the forest. Come inside, sit by the fire, and listen to this fairy tale as you’ve never heard it told before. Once upon a time there was a mirror, and a girl as white as snow. . . .

    But one boy, Ardwin, was left with the scar of the spell's last gasp: one arm remained a wing. And while Ardwin yearned to find a place in his father's kingdom, the wing whispered to him of open sky and rushing wind. Marked by difference, Ardwin sets out to discover who he is: bird or boy, crippled or sound, cursed or blessed. But followed by the cold eye of a sorceress and with war rumbling at his kingdom's borders, Ardwin's path may lead him not to enlightenment, but into unimaginable danger.

    A quiescent mother. A house that feels like anything but a home. Natasha gathers the strength to leave, and comes upon a little house in the wood: A house that walks about on chicken feet and is inhabited by a fairy tale witch. In finding Baba Yaga, Natasha finds her voice, her power, herself...

    Of Arthur, destined to be a king. Of the beautiful Guinevere, who will betray him with his most loyal knight, Lancelot. Of the bitter sorceress, Morgana, who will turn against them all. But Elaine alone carries the burden of knowing what is to come--for Elaine of Shalott is cursed to see the future.On the mystical isle of Avalon, Elaine runs free and learns of the ancient prophecies surrounding her and her friends--countless possibilities, almost all of them tragic.When their future comes to claim them, Elaine, Guinevere, Lancelot, and Morgana accompany Arthur to take his throne in stifling Camelot, where magic is outlawed, the rules of society chain them, and enemies are everywhere. Yet the most dangerous threats may come from within their own circle.As visions are fulfilled and an inevitable fate closes in, Elaine must decide how far she will go to change fate--and what she is willing to sacrifice along the way.The Lady of Shalott reclaims her story in this bold feminist reimagining of the Arthurian myth from the New York Times bestselling author of Ash Princess.

    Those of humble birth suffer their heartbreaks and celebrate their triumphs unnoticed by the bards, leaving no trace in the fables of their time.... And so begins Elise Dalriss's storyWhen she hears her great-granddaughter recount a tale about a beautiful princess awakened by a handsome prince, it pushes open a door to the past, a door Elise has long kept locked. For Elise was the companion to the real princess who slumbered - and she is the only one left who knows the truth of what happened so many years ago.As the memories start to unfold, Elise is plunged back in to the magnificent world behind the opulent palace walls. Fleeing a hardscrabble existence and personal tragedy, she builds a new life for herself as a servant to the royal family and quickly rises within the castle hierarchy. As Elise proves herself a loyal confidante, she is drawn into the lives of an extraordinary cast of women: a beautiful queen who wakes each morning with tears on her pillow, an elderly spinster who in heartache shuts herself away, a princess who yearns to be free, and the ambitious and frightening sister who cannot accept the fact that she will never rule. Elise has guarded their secrets - and her own - for a lifetime. While Beauty Slept is her story.In this rich and compelling novel of love and terror, friendship and fate, we are introduced to a heroine of extraordinary determination - the true heart of a legend - who reveals what it really takes to reach happily ever after.

    Ever since, Gretchen and her brother, Ansel, have felt the long branches of the witch's forest threatening to make them disappear, too.Years later, when their stepmother casts Gretchen and Ansel out, they find themselves in sleepy Live Oak, South Carolina. They're invited to stay with Sophia Kelly, a beautiful candy maker who molds sugary magic: coveted treats that create confidence, bravery, and passion.Life seems idyllic and Gretchen and Ansel gradually forget their haunted past -- until Gretchen meets handsome local outcast Samuel. He tells her the witch isn't gone -- it's lurking in the forest, preying on girls every year after Live Oak's infamous chocolate festival, and looking to make Gretchen its next victim. Gretchen is determined to stop running and start fighting back. Yet the further she investigates the mystery of what the witch is and how it chooses its victims, the more she wonders who the real monster is.Gretchen is certain of only one thing: a monster is coming, and it will never go away hungry.

    At the convent, she is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of bitter greens...After Margherita's father steals parsley from the walled garden of the courtesan Selena Leonelli, he is threatened with having both hands cut off, unless he and his wife relinquish their precious little girl. Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1512 and still inspiring him at the time of his death. She is at the center of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition.Locked away in a tower, Margherita sings in the hope that someone will hear her. One day, a young man does.Award-winning author Kate Forsyth braids together the stories of Margherita, Selena, and Charlotte-Rose, the woman who penned Rapunzel as we now know it, to create what is a sumptuous historical novel, an enchanting fairy tale retelling, and a loving tribute to the imagination of one remarkable woman.

    It is a contemporary bible, an atlas of feeling, and an absurdly funny guide to the great (and terrible) things about being alive. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.Here we are, just living in the first draft of Creation, which was made by some great artist, who is now getting ready to tear it apart.In this first draft of the world, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and his spirit passes into her. Together, they become a leaf on a tree. But photosynthesis gets boring, and being alive is a problem that cannot be solved, even by a leaf. Eventually, Mira must remember the human world she’s left behind, including Annie, and choose whether or not to return.

    Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal elf. Her father, a great elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost. Published on the tenth anniversary of the last Middle-earth book, the international bestseller The Children of Húrin, this new volume will similarly include drawings and color plates by Alan Lee, who also illustrated The Lord of the Rings and The Hobbit and went on to win Academy Awards for his work on The Lord of the Rings film trilogy.

    The wicked pirate captain is flung overboard, caught in the jaws of the monster crocodile who drags him down to a watery grave. But it was not yet my time to die. It's my fate to be trapped here forever, in a nightmare of childhood fancy, with that infernal, eternal boy."Meet Captain James Benjamin Hook, a witty, educated Restoration-era privateer cursed to play villain to a pack of malicious little boys in a pointless war that never ends. But everything changes when Stella Parrish, a forbidden grown woman, dreams her way to the Neverland in defiance of Pan's rules. From the glamour of the Fairy Revels, to the secret ceremonies of the First Tribes, to the mysterious underwater temple beneath the Mermaid Lagoon, the magical forces of the Neverland open up for Stella as they never have for Hook. And in the pirate captain himself, she begins to see someone far more complex than the storybook villain.With Stella's knowledge of folk and fairy tales, she might be Hook's last chance for redemption and release if they can break his curse before Pan and his warrior boys hunt her down and drag Hook back to their neverending game. Alias Hook by Lisa Jensen is a beautifully and romantically written adult fairy tale.

    How would their stories unfold after the wedding bells stopped ringing? Set in a fictional realm based on New York City, DESPERATELY EVER AFTER sprinkles women’s fiction with elements of fantasy, and encourages readers to rethink everything they know about happy endings. Years after turning her husband from beast back to man and becoming his queen, Belle finds out she’s finally going to have a child. But before she can announce the wondrous news, she catches him cheating and watches her “happily ever after” go up in flames. Turning to her friends for the strength to land with grace, she realizes she’s not the only one at a crossroads: Cinderella, a mother of four drowning in royal duties, is facing her 30th birthday and questioning everything she’s done (or hasn’t) with her life. Rapunzel, a sex-crazed socialite and one-woman powerhouse, is on a self-destructive quest to make up for 20 years locked away in a tower. Penelopea, an outsider with a mother-in-law from hell, is harboring a secret that could ruin everything at any moment. One part Sex and the City, two parts Desperate Housewives, and three parts Brothers Grimm, DESPERATELY EVER AFTER picks up where the original tales left off—and reimagines them a la Gregory Maguire’s Wicked. With the wit of authors like Jennifer Weiner and the vision of ABC’s Once Upon a Time, the women of DESPERATELY EVER AFTER rescue each other from life’s trials with laughter, wine, and a scandalous new take on happily ever after.Press:“Laura Kenyon makes happily ever after desperately delicious!” ~ Stephanie Evanovich, New York Times bestselling author.“If you are looking for a fun and gossipy story to satisfy the holes left when Sex and the City and Desperate Housewives had their series finales (or even if you’re going through Once Upon a Time withdrawal come season finale time) look no further than Desperately Ever After.” ~ Chick Lit Central“An explosive cocktail that will have you laughing out loud and wanting more and more!” ~ Lost in Chick Lit“Kenyon’s colorful imagery and often quick, lighthearted style makes it easy to keep flipping pages.” ~ The New Canaan Advertiser“This book is hilarious, sweet, and ingenious.” ~ WordsWisdomWhitney“Laura Kenyon’s Desperately Ever After is part Disney princess, part Sex in the City, and part TMZ Celebrity Gossip Site … and it’s fabulous!” ~ Kristy Feltenberger Gillespie, Keep Calm and Write On“There are misunderstandings, secrets kept that should be shared (and vice versa), silly situations and reconciliations a-plenty, so summarizing the rest of the story would be no easy task and, besides, it would take away the fun of reading it.” ~ Girls Love to Read (formerly Chick Lit Reviews and News)“It’s sarcastic, it’s flirty, it’s cheeky, it’s hilarious! Laura gave those girls and their stories such an interesting, contemporary spin with some magic and lots of humor. I couldn’t stop reading and my cheeks hurt from grinning.” ~ Guest post from Maryline at Jenny in Neverland

    The housekeeper is unnerving. The castle-like house—with its massive chimney, mullioned windows, and ironwork gate with wrought-iron roses—gives her chills. And Lee himself is disfigured by a rare, genetic disease. In the long hours of work that follow, deep in the wintry woods, Alix discovers that beneath Lee's exterior lies a remarkable man, a man she could come to love. The problem lies in convincing Lee.