Prestigious Blackwood-Patterson isn’t the perfect fit, but a bizarre set of circumstances leads to her hire and a firm mandate: Lussi must find the next horror superstar to compete with Stephen King, Anne Rice, and Peter Straub. It’s the ’80s, after all, and horror is the hottest genre.But as soon as she arrives, Lussi finds herself the target of her co-workers' mean-spirited pranks. The hazing reaches its peak during the company’s annual Secret Santa gift exchange, when Lussi receives a demonic-looking object that she recognizes but doesn't understand. Suddenly, her coworkers begin falling victim to a series of horrific accidents akin to a George Romero movie, and Lussi suspects that her gift is involved. With the help of her former author, the flamboyant Fabien Nightingale, Lussi must track down her anonymous Secret Santa and figure out the true meaning of the cursed object in her possession before it destroys the company—and her soul.

    But we weren’t witches. We were five Chicanas living in San Antonio, Texas, one year out of high school.” One hot summer night, best friends Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. It’s all fun and games at first, but their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, shy, modest Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes begins to suspect it’s something else—something far more ancient and powerful. As Father Moreno's obsession with Fernanda grows, Lourdes enlists the help of her “bruja Craft crew” and a professor, Dr. Camacho, to understand what is happening to her friend in this unholy tale of possession-gone-right.

    They find a beautiful old country mansion on Long Island -- restful, secluded, with pool and private beach -- perfect, for the right people. But their "perfect" summer home hides terrors beyond their wildest imaginings. During that long summer the house becomes a nightmare from which there seems to be no escape.

    The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the "Saturday Night Ghost Club." But as the summer goes on, what begins as a seemingly lighthearted project may ultimately uncover more than any of its members had imagined. With the alternating warmth and sadness of the best coming-of-age stories, The Saturday Night Ghost Club examines the haunting mutability of memory and storytelling, as well as the experiences that form the people we become.

    To a dark house deep in the Vermont woods, where two friends are spending a season of horror, apprenticed to a Master Magician.Learning secrets best left unlearned. Entering a world of incalculable evil more ancient than death itself. More terrifying. And more real.Only one of them will make it through.

    David Hobbs, vacationing with his wife Miriam, inadvertently stumbles upon a small cloth 'keepsake' bag and a broken tooth. A human tooth. Miriam begs David to hand the bag and tooth over to park officials, but he ignores his wife's pleas and secretly keeps the 'harmless' items. The action opens a doorway that had been closed for nearly a hundred years and unleashes hell on earth, or at least hell in the lives of David and Miriam.Following the brutal murder of his best friend in Denver, and an aborted attack on his oldest son, David desperately seeks to understand why a mysterious teenage girl has chosen to terrorize him and the males closest to him. To prevent further devastation to his family and end the wanton bloodshed, he returns to the enchanted hills of eastern Tennessee, where a terrible truth awaits discovery...one that forces him to face the consequences for the unpaid sins of his ancestors.

    She will be on her own, in a new place hopeful to meet new friends. On the night she moves in, she is taken off the street by two masked men. She is placed in a room which is little more than a cell. A pink cell. A room made for a doll. She is now part of their collection.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    She remembers the darkness of the water and the briny taste as it fills her throat. She remembers the cold shock of going under. She remembers her mother pulling her to safety before disappearing forever. But Sophia has never been in the ocean. And her mother died years ago in a hospital. Or so she has been told her whole life.A series of clues have led Sophia to the island of Bitter Rock, Alaska, where she talked her way into a summer internship at the Landon Avian Research Center, the same center her mother worked at right before she died. There, she meets the disarmingly clever Liam, whose own mother runs the LARC, as well as Abby, who's following a mystery of her own: a series of unexplained disappearances. People have been vanishing from Bitter Rock for decades, leaving only their ghostly echoes behind. When it looks like their two mysteries might be one and the same, Sophia vows to dig up the truth, no matter how many lies she has to tell along the way. Even if it leads her to a truth she may not want to face.

    It’s been seventeen years, and though desperate to start a new life with her fiancé, Hannah is compelled to question the events of her last summer at Brackenhill.When a human bone is found near the estate, Hannah is convinced it belongs to her long-lost sister. She launches her own investigation into that magical summer that ended in a nightmare. As strange happenings plague the castle, Hannah uncovers disturbing details about the past and startling realizations about her own repressed childhood memories.Fueled by guilt over her sister’s vanishing, Hannah becomes obsessed with discovering what happened all those years ago, but by the time Hannah realizes some mysteries are best left buried, it’s too late to stop digging. Overwhelmed by what she has exposed, Hannah isn’t sure her new life can survive her old ghosts.

    Its bloody past, endless rain, and the decay of its downtown portend a hopeless future. With the death of its paper mill, Bedford's unemployed residents soon find themselves with far too much time to dwell on thoughts of Susan Marley. Once the local beauty, she's now the local whore. Silently prowling the muddy streets, she watches eerily from the shadows, waiting for . . . something. And haunting the sleep of everyone in town with monstrous visions of violence and horror.Those who are able will leave Bedford before the darkness fully ascends. But those who are trapped here-from Susan Marley's long-suffering mother and younger sister to her guilt-ridden, alcoholic ex-lover to the destitute and faithless with nowhere else to go-will soon know the fullest and most terrible meaning of nightmare.

    . . until now.But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before.

    It’s haunted every night by a creature the townsfolk refer to as Halloween. Once the sun sets each day, Halloween emerges to collect its treats: a small, live offering from each household. The residents comply because no one wants to be the target of Halloween’s tricks. But the nightmare of residing in Strang is nothing compared to the yearly ritual Halloween demands of the citizens on All Hallows’ Eve.

    With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder.But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day.But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainments include horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests. As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.

    Dunvegan School for Girls has been closed for many years. Converted into a family home, the teachers and students are long gone. But they left something behind...Sophie arrives at the old schoolhouse to spend the summer with her cousins. Brooding Cameron with his scarred hand, strange Lilias with a fear of bones and Piper, who seems just a bit too good to be true. And then there's her other cousin. The girl with a room full of antique dolls. The girl that shouldn't be there. The girl that died.