Between 1900 and 1920, Russia underwent a complete and irreversible transformation: by the end of these two decades, a new regime was in place, the economy had collapsed, and over 20 million Russians had died during the revolution and what followed. Still, Bolshevik power remained intact due to a remarkable combination of military prowess, violent terror tactics, and the failures of their opposition. And as McMeekin shows, Russia's revolutionaries were aided at nearly every step by countries like Germany and Sweden who sought to benefit—politically and economically—from the chaotic changes overtaking the country.The first comprehensive history of these momentous events in a decade, The Russian Revolution combines cutting-edge scholarship and a fast-paced narrative to shed new light on a great turning point of the twentieth century.

    Largely basing his account on Russian sources and interviews he shows the war through the eyes of the Russians themselves - politicians, officers, soldiers, advisers, journalist, women. As former ambassador to Moscow, Rodric Braithwaite brings his unique insights to the Soviet war in Afghanistan. The story has been distorted not only by Cold War propaganda but also by the myths of the nineteenth century Great Game. It moves from the high politics of the Kremlin to the lonely Russian conscripts in isolated mountain outposts. The parallels with Afghanistan today speak for themselves. 'A superb achievement of narrative history, sensitive writing and exciting fresh research': so wrote Simon Sebag Montefiore about Rodric Braithwaite's bestseller Moscow 1941. But those words, and many others of praise that were given it, could equally apply to his new book.

    Fans of Sebastian Faulks’s Charlotte Gray, Ian McEwan’s Atonement, and Margaret Atwood’s The Blind Assassin will adore this gripping tale of secrets and suspicion—as a beautiful Russian woman, one of World War Two’s most decorated snipers, is caught between her government’s deadly intrigues and First Lady Eleanor Roosevelt.

    These were captured virtually complete, and to this day give up secrets. One that emerges from Alan Moorehead's research is the extent to which Germany was involved in the Russian Revolution. The ironic result of this clandestine maneuver was Germany's sure defeat on the Eastern front in WW II. "It all forms a fascinating chapter in the history of our century," states The Book-of-the-Month Club, "and the man ignorant of how that chapter unrolled is minus the keys to an understanding of his own time and so in part himself--Moorehead hands us that key."

    Russia experts Fiona Hill and Clifford Gaddy argue that Putin is in fact a man of many and complex identities. Drawing on a range of sources, including their own personal encounters, they describe six that are most essential: the Statist, the History Man, the Survivalist, the Outsider, the Free Marketeer, and the Case Officer. Understanding Putin's multiple dimensions is crucial for policy-makers trying to decide how best to deal with Russia.Hill and Gaddy trace the identities back to formative experiences in Putin's past, including his early life in Soviet Leningrad, his KGB training and responsibilities, his years as deputy mayor in the crime and corruption-ridden city of St. Petersburg, his first role in Moscow as the "operative" brought in from the outside by liberal reformers in the Kremlin to help control Russia's oligarchs, and his time at the helm of a resurgent Russian state. The authors examine the nature of the political system Putin has built, explaining it as a logical result of these six identities.Vladimir Putin has his own idealized view of himself as CEO of "Russia, Inc." But rather than leading a transparent public corporation, he runs a closed boardroom, not answerable to its stakeholders. Now that his corporation seems to be in crisis, with political protests marking Mr. Putin's return to the presidency in 2012, will the CEO be held accountable for its failings?

    To the south, through the Dardanelles and the Aegean Sea, lay the Mediterranean, around which the Greek, Roman, Persian, and Arab worlds revolved. To the north, through the Bosporus, lay the Black Sea, with its Russian and eastern European coastline. And across the narrow Bosporus was Asia Minor, bridge to the Orient. Because of its strategic location, the city on the Golden Horn was coveted by a succession of different peoples. But even though it frequently was under siege, even though control of it often changed hands, and even though, indeed, it was conquered and leveled more than once, the city proved to be virtually immortal. Founded nearly twenty-seven centuries ago as the Greek colony of Byzantium, the city was harassed by the barbaric Thracians, attacked by the Persians, vied for by the Athenians and Spartans. Weakened and dispirited, its citizens finally were forced to seek the protection of Rome, and the city became little more than a Roman outpost. Then, in the fourth century, the Roman Emperor Constantine I decided to build his capital on the site. It was in the new city of Constantinople that ancient Greco-Roman culture was married to Eastern Orthodox Christianity and that Western civilization became Christian civilization. As the center of the vast Byzantine Empire, the city was one of the richest and most important on earth. But because of its wealth, it was sacked by the Crusaders in 1204. And because of its strategic location, it was conquered by the Ottoman Turks in 1453. Since then, as the city of Istanbul, it has remained an international metropolis, a city of East and West, a city whose great paintings, mosaics, statuary, and architecture reflect the many cultures that have been centered there and the many ages the city has survived. Here is its story.

    Eva had long believed that her father was a U.S. State Department employee. She had no idea that he was handling the CIA’s highest-ranking double agent—Dmitri Fedorovich Polyakov—a Soviet general whose code name was TOPHAT. Dillon’s father and Polyakov had a close friendship that went back years, to their first meeting in Burma in the mid-1960s. At the height of the Cold War, the Russian double agent offered the CIA an unfiltered view into the vault of Soviet intelligence. His collaboration helped ensure that tensions between the two nuclear superpowers did not escalate into a shooting war.Spanning fifty years and three continents, Spies in the Family is a deeply researched account of two families on opposite sides of the lethal espionage campaigns of the Cold War, and two men whose devoted friendship lasted a lifetime, until the devastating final days of their lives. With impeccable insider access to both families as well as knowledgeable CIA and FBI officers, Dillon goes beyond the fog of secrecy to craft an unforgettable story of friendship and betrayal, double agents and clandestine lives, that challenges our notions of patriotism, exposing the commonality between peoples of opposing political economic systems.Both a gripping tale of spy craft and a moving personal story, Spies in the Family is an invaluable and heart-rending work.

    In this singular study, Amanda Adams uses poetic language and invokes a wide range of representations and disciplines — from literature, poetry, and mythology to anthropology and folklore — to reclaim this icon of female power for modern readers. Beginning with Melusina, the bathing mermaid par excellence, Adams describes the seductive sirens and their honeyed songs, the powerful Arctic sea goddess Sedna, and the long-haired rusalki of Russian lore, among other legendary mermaids. As she tells their stories, she considers the womanly, passionate, rage-filled, and seductively sweet sides of the mermaid and how those traits reflect the lives and moods of women who live on drier shores. In discovering mermaids and their stories, the author presents a striking narrative of uncovering the unusual, the beautiful, and the extraordinary in her own life.

    

    It’s a bargain, too – Sunday TimesThis comprehensive, vibrant book leads you through the world’s iconic images – those that we encounter every time we open a newspaper, visit a gallery, or look at the front cover of a novel.Art: The Whole Story traces the development of art period by period, with the illustrated text covering every genre, from painting and sculpture to conceptual art and performance art. Cultural timelines are there too, to help to the reader with historical context.• The most accessible history of world art ever assembled• More than 1,100 colour illustrations of iconic pieces• Covers every genre of art, from painting and sculpture to conceptual art• Designed in an easily navigable and user-friendly fashionWritten by an international team of artists, art historians and curators, this absorbing and beautiful book will give you insight into the world’s most iconic images.Masterpieces that epitomize each period or movement are highlighted and analysed in detail. Everything from use of colour and visual metaphors to technical innovations is explained, enabling you to interpret the meanings of world-famous masterpieces – Mughal miniatures; Japanese prints in the nineteenth century; the colour theories behind Seurat’s remarkable La Grande Jatte; and why Picasso’s Les Demoiselles D’Avignon was so shocking in its day.

    In clear, simple language, Sandra Scofield shows both the beginner and the seasoned writer how to build better scenes, the underpinning of any good narrative.

    Yet, despite the astonishing discoveries of science, we still have only the vaguest idea of how the brain works. In The Idea of the Brain, scientist and historian Matthew Cobb traces how our conception of the brain has evolved over the centuries. Although it might seem to be a story of ever-increasing knowledge of biology, Cobb shows how our ideas about the brain have been shaped by each era's most significant technologies. Today we might think the brain is like a supercomputer. In the past, it has been compared to a telegraph, a telephone exchange, or some kind of hydraulic system. What will we think the brain is like tomorrow, when new technology arises? The result is an essential read for anyone interested in the complex processes that drive science and the forces that have shaped our marvelous brains.

    

    In the four decades between 1969 and 2008, these economists played a leading role in reshaping taxation and public spending and clearing the way for globalization. They reshaped the government's approach to regulation, assigning a value to human life to determine which rules are worthwhile. Economists even convinced President Nixon to end military conscription.The United States was the epicenter of the intellectual ferment, but the embrace of markets was a global phenomenon, seizing the imagination of politicians in countries including the United Kingdom, Chile and New Zealand.This book is also a reckoning. The revolution failed to deliver on its central promise of increased prosperity. In the United States, growth has slowed in every successive decade since the 1960s. And the cost of the failure was steep. Policymakers traded well-paid jobs for low-cost electronics; the loss of work weakened the fabric of society and of democracy. Soaring inequality extends far beyond incomes: Life expectancy for less affluent Americans has declined in recent years. And the focus on efficiency has come at the expense of the future: Lower taxes instead of education and infrastructure; limited environmental regulation as oceans rise and California burns.

    In Architects of the Culture of Death, authors Donald DeMarco and Benjamin Wiker expose the Culture of Death as an intentional and malevolent ideology promoted by influential thinkers who specifically attack Christian morality's core belief in the sanctity of human life and the existence of man's immortal soul. In scholarly, yet reader-friendly prose, DeMarco and Wiker examine the roots of the Culture of Death by introducing 23 of its architects, including Ayn Rand, Charles Darwin, Karl Marx, Jean-Paul Sartre, Alfred Kinsey, Margaret Sanger, Jack Kevorkian, and Peter Singer. Still, this is not a book without hope. If the Culture of Death rests on a fragmented view of the person and an eclipse of God, the future of the Culture of Life relies on an understanding and restoration of the human being as a person, and the rediscovery of a benevolent God. The personalism of John Paul II is an illuminating thread that runs through Architects, serving as a hopeful antidote.