An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century & the First World War. The story opens in 1906 in New Rochelle, NY, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. Almost magically, the line between fantasy & historical fact, between real & imaginary characters, disappears. Henry Ford, Emma Goldman, J.P. Morgan, Evelyn Nesbit, Sigmund Freud & Emiliano Zapata slip in & out of the tale, crossing paths with Doctorow's imagined family & other fictional characters, including an immigrant peddler & a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.

    The book quickly won a respected readership and later an audience for the movie with the same name starring Paul Newman and Jackie Gleason. The Hustler is about the victories and losses of one "Fast" Eddie Felson, a poolroom hustler who travels from town to town conning strangers into thinking they could beat him at the game when in fact, he is a skillful player who has never lost a game. Until he meets his match in Minnesota Fats, the true king of the poolroom, causing his life to change drastically. This is a classic tale of a man's struggle with his soul and his self-esteem.

    William Dean Howells' richly humorous characterization of a self-made millionaire in Boston society provides a paradigm of American culture in the Gilded Age.After establishing a fortune in the paint business, Silas Lapham moves his family from their Vermont farm to the city of Boston, where they awkwardly attempt to break into Brahmin society.

    If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.

    The satire is broad, and uses southern culture cliches but is often very funny. Some of the names of the girls at the school, for example, are Mimsy Borogoves, Barbara Celarent, and Pengwynn Custiss.The story is said to be based on Theroux's years of teaching at Longwood University, and places described in the book are easily recognized buildings on the campus.[citation needed]

    This magnificent trilogy also contains two other superb short novels. In Revenge, love causes the course of a man's life to be savagely and irrevocably altered. Nordstrom, in The Man Who Gave up his Name, is unable to relinquish his consuming obsessions with women, dancing and food.'

    by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.Swan song --The bear --The proposal --Ivanov --The seagull --A reluctant tragic hero --The wedding reception --The festivities --Uncle Vanya --Three sisters --The dangers of tobacco --The cherry orchard.

    Yet there are moments of exquisite tenderness in these troubled lives. Georgette, the transvestite who falls in love with a callous hoodlum; Tralala, the conniving prostitute who plumbs the depths of sexual degradation; and Harry, the strike leader who hides his true desires behind a boorish masculinity, are unforgettable creations. Last Exit to Brooklyn was banned by British courts in 1967, a decision that was reversed the following year with the help of a number of writers and critics including Anthony Burgess and Frank Kermode.Hubert Selby, Jr. (1928-2004) was born in Brooklyn, New York. At the age of 15, he dropped out of school and went to sea with the merchant marines. While at sea he was diagnosed with lung disease. With no other way to make a living, he decided to try writing: 'I knew the alphabet. Maybe I could be a writer.' In 1964 he completed his first book, Last Exit to Brooklyn, which has since become a cult classic. In 1966, it was the subject of an obscenity trial in the UK. His other books include The Room, The Demon, Requiem for a Dream, The Willow Tree and Waiting Period. In 2000, Requiem for a Dream was adapted into a film starring Jared Leto and Ellen Burstyn, and directed by Darren Aronofsky.'Last Exit to Brooklyn will explode like a rusty hellish bombshell over America, and still be eagerly read in 100 years'Allen Ginsberg'An urgent tickertape from hell'Spectator

    "Roth is better than he's ever been before.... The prose is electric." (The Atlantic)Gil Gamesh is the only pitcher who ever tried to kill the umpire, and John Baal, The Babe Ruth of the Big House, never hit a home run sober. But you've never heard of them -- or of the Ruppert Mundys, the only homeless big-league ball team in American history -- because of the communist plot and the capitalist scandal that expunged the entire Patriot League from baseball memory.

    Among other fine works, the collection also includes “Wunderkind,” McCullers’s first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Café is a brilliant study of love and longing from one of the South’s finest writers.

    Once there, they've stayed to hear about the young brave with the magic moccasins, who talks with animals and uses his supernatural gifts to bring peace and enlightenment to his people. This 1855 masterpiece combines romance and idealism in an idyllic natural setting.

    It is the story of Lassiter, a gunslinging avenger in black, who shows up in a remote Utah town just in time to save the young and beautiful rancher Jane Withersteen from having to marry a Mormon elder against her will. Lassiter is on his own quest, one that ends when he discovers a secret grave on Jane’s grounds. “[Zane Grey’s] popularity was neither accidental nor undeserved,” wrote Nye. “Few popular novelists have possessed such a grasp of what the public wanted and few have developed Grey’s skill at supplying it.”

    Originally published in 1934, it was praised by Carl Sandburg as "a bold and beautiful book, many a page priceless and unforgettable."

    With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers. Burr is a portrait of perhaps the most complex and misunderstood of the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. Burr retains much of his political influence if not the respect of all. And he is determined to tell his own story. As his amanuensis, he chooses Charles Schermerhorn Schuyler, a young New York City journalist, and together they explore both Burr's past and the continuing political intrigues of the still young United States.

    And J R is a book of comparable magnitude, substance, and humor--a rushing, raucous look at money and its influence, at love and its absence, at success and its failures, in the magnificently orchestrated circus of all its larger- and smaller-than-life characters; a frantic, forlorn comedy about who uses -- and misuses -- whom.At the center: J R, ambitious sixth-grader in torn sneakers, bred on the challenge of "free enterprise" and fired by heady mail-order promises of "success." His teachers would rather be elsewhere, his principal doubles as a bank president, his Long Island classroom mirrors the world he sees around him -- a world of public relations and private betrayals where everything (and everyone) wears a price tag, a world of "deals" where honesty is no substitute for experience, and the letter of the law flouts its spirit at every turn. Operating from the remote anonymity of phone booths and the local post office, with beachheads in a seedy New York cafeteria and a catastrophic, carton-crammed tenement on East 96th Street, J R parlays a deal for thousands of surplus Navy picnic forks through penny stock flyers and a distant textile-mill bankruptcy into a nationwide, hydra-headed "family of companies."The J R Corp and its Boss engulf brokers, lawyers, Congressmen, disaffected school teachers and disenfranchised Indians, drunks, divorcées, second-hand generals, and a fledgling composer hopelessly entangled in a nightmare marriage of business and the arts. Their bullish ventures -- shaky mineral claims and gas leases, cost-plus defense contracts, a string of nursing homes cum funeral parlors, a formula for frozen music -- burgeon into a paper empire ranging from timber to textiles, from matchbooks to (legalized) marijuana, from prostheses to publishing, inadvertently crushing hopes, careers, an entire town, on a collision course with the bigger world . . . the pragmatic Real World where the business of America is business, where the stock market exists as a convenience, and the tax laws make some people more equal than others . . . the world that makes the rules because it plays to win, and plays for keeps.Absurdly logical, mercilessly real, gathering its own tumultuous momentum for the ultimate brush with commodity trading when the drop in pork belly futures masks the crumbling of our own, J R captures the reader in the cacophony of voices that revolves around this young captive of his own myths -- voices that dominate the book, talking to each other, at each other, into phones, on intercoms, from TV screens and radios -- a vast mosaic of sound that sweeps the reader into the relentless "real time" of spoken words in a way unprecedented in modern fiction. The disturbing clarity with which this finished writer captures the ways in which we deal, dissemble, stumble through our words -- through our lives -- while the real plans are being made elsewhere makes J R the extraordinary novel that it is.--From the first-edition dustjacket