All the animals are sure they have the answer. The chicken wants to talk it out, but Taylor doesn't feel like chatting. The bear thinks Taylor should get angry, but that's not quite right either. One by one, the animals try to tell Taylor how to process this loss, and one by one they fail. Then the rabbit arrives. All the rabbit does is listen, which is just what Taylor needs.Whether read in the wake of tragedy or as a primer for comforting others, this is a deeply moving and unforgettable story sure to soothe heartache of all sizes.

    They may not always be together, but each time they part Grandma says, "If you miss me, look at the moon." Then winter brings unexpected change, and not even dancing feels the same. What will Charlie do? Will Grandma come to see her dance again? In the biggest show of the year, Charlie finds her answer. This tender exploration of loss from debut author-illustrator Jocelyn Li Langrand illuminates the boundless power of love to help and heal.

    

    . .. . . went inside.Outside, it was quieter, wilder, and different. Inside, we laughed, we cried, and we grew.We remembered to protect the ones we love and love the ones who protect us.While the world changed outside, we became stronger on the inside and believed that someday soon spring would come again.

    Ten Beautiful Things gently explores loss, a new home, and finding beauty wherever you are.Lily and her grandmother search for ten beautiful things as they take a long car ride to Iowa and Lily's new home with Gran. At first, Lily sees nothing beautiful in the April slush and cloudy sky. Soon though, Lily can see beauty in unexpected places, from the smell of spring mud to a cloud shaped like a swan to a dilapitated barn. A furious rainstorm mirrors Lily's anxiety, but as it clears Lily discovers the tenth beautiful thing: Lily and Gran and their love for each other.Ten Beautiful Things leaves the exact cause of Lily's move ambiguous, making it perfect for anyone helping a child navigate change, whether it be the loss of a parent, entering or leaving a foster home, or moving.

    In a three-generation family, the bag is transporter of objects and keeper of memories. And when Grandfather comes to the end of his life, the family finds a meaningful new way for the battered, but much-loved brown bag to continue its journey in the circle of life.

    He has balloons showing Dad when he was young and Grandma when they were married. Grandpa has balloons about camping and Aunt Nelle’s poor cow. Grandpa also has a silver balloon filled with the memory of a fishing trip he and James took together.But when Grandpa’s balloons begin to float away, James is heartbroken. No matter how hard he runs, James can’t catch them. One day, Grandpa lets go of the silver balloon—and he doesn’t even notice!Grandpa no longer has balloons of his own. But James has many more than before. It’s up to him to share those balloons, one by one.

    . . and his voice. The entire village is silenced by grief, and the young child's anger at the ocean grows. Then one day his neighbor, Mr. Hirota, begins a mysterious project—building a phone booth in his garden. At first Makio is puzzled; the phone isn't connected to anything. It just sits there, unable to ring. But as more and more villagers are drawn to the phone booth, its purpose becomes clear to Makio: the disconnected phone is connecting people to their lost loved ones. Makio calls to the sea to return what it has taken from him and ultimately finds his voice and solace in a phone that carries words on the wind.The Phone Booth in Mr. Hirota's Garden is inspired by the true story of the wind phone in Otsuchi, Japan, which was created by artist Itaru Sasaki. He built the phone booth so he could speak to his cousin who had passed, saying, "My thoughts couldn't be relayed over a regular phone line, I wanted them to be carried on the wind." The Tohoku earthquake and tsunami in 2011 destroyed the town of Otsuchi, claiming 10 percent of the population. Residents of Otsuchi and pilgrims from other affected communities have been traveling to the wind phone since the tsunami.

    With the help of his sympathetic mother, he gently wraps the injured bird and takes it home. In classic Bob Graham style, the beauty is in the details: the careful ministrations with an eyedropper, the bedroom filled with animal memorabilia, the saving of the single feather as a good-luck charm for the bird's return to the sky. Wistful and uplifting, here is a tale of possibility -- and of the souls who never doubt its power.

    "In the beginning there is light and two wide-eyed figures standing near the foot of your bed and the sound of their voices is love....A cab driver plays love softly on his radiowhile you bounce in back with the bumps of the city and everything smells new, and it smells like life."In this heartfelt celebration of love, Matt de la Peña and illustrator Loren Long depict the many ways we experience this universal bond, which carries us from the day we are born throughout the years of our childhood and beyond. With a lyrical text that's soothing and inspiring, this tender tale is a needed comfort and a new classic that will resonate with readers of every age.

    They would surf, climb mountains, and tour the country in their amazing camper. Gramps just made everything extra special. But after Gramps died, granddad hasn't felt like traveling anymore. So, their amazing granddaughter comes up with a clever plan to fix up the old camper and get Grandad excited to explore again.This beautiful picture book honors love and reminds us not only to remember those we have lost, but to celebrate them.

    Unable to sleep, a young boy climbs into his father's arms. Feeling the warmth and closeness of his father, he begins to ask questions about the birds, the foxes, and whether his mom will ever wake up. They go outside under the starry sky. Loss and love are as present as the white spruces, while the father's clear answers and assurances calm his worried son. Here we feel the cycles of life and life's continuity, even in the face of absence and loss, so strongly and clearly that we know at the end that everything will, somehow, be all right.Born in 1953, Stein Erik Lunde has written sixteen books, mostly for children and young adults. His books have been published in many countries. This is his first book to be published in the United States. He also writes lyrics and has translated Bob Dylan into Norwegian. In 2009 My Father's Arms Are A Boat was awarded the Norwegian Ministry's Culture Prize for the Best Book for Children and Youth. The book was also nominated for the 2011 German Children's Literature Award.Born in 1972, Øyvind Torseter is an artist and one of Norway's most acclaimed illustrators. He employs both traditional and digital picture techniques. Torseter has received numerous prizes for many of his books. In 2011 he received the Norwegian Book Art Prize. For 2012 he has been nominated for the ALMA Award and the Hans Christian Andersen Award.

    The family at the center of this timely story has to hunker down together, with no going outside - and that's hard when there's absolutely nothing to do, and everyone's getting on everyone else's nerves. One night, when the storm takes a scary turn that leaves them all in the dark, the fractured family finds a way to reconnect and face whatever the future brings, together.

    They are reassured when he nobly saves the day in imaginary-play sessions as a cowboy or cop and his mustache looks good-guy great. But as time passes, their worst fears are confirmed when little Billy’s mustache starts to curl up at the ends in a suspiciously villainous fashion. Sure enough, “Billy’s disreputable mustache led him into a life of dreadful crime.” Plenty of tongue-in-cheek humor and cartoonish illustrations make this the perfect baby-shower gift for a mustachioed father-to-be.

    He shuts all the windows to keep in his mother’s familiar smell and scratches open the cut on his knee to remember her comforting voice. He doesn’t know how to speak to his dad anymore, and when Grandma visits and throws open the windows, it’s more than the boy can take—until his grandmother shows him another way to feel that his mom’s love is near. With tenderness, touches of humor, and unflinching emotional truth, Charlotte Moundlic captures the loneliness of grief through the eyes of a child, rendered with sympathy and charm in Olivier Tallec’s expressive illustrations.