For years, Walter has striven to impose his family values – stairs must be regularly washed, noise kept down, and wheelie bins moved back and forth at the correct times. When Walter is found murdered, there are plenty of suspects among his ungrateful neighbours. Comic book dealer Billy Briggs is estranged from his daughter, with his business in ruins, and Tony Miller is jobless and facing eviction, all because of Walter. Henrietta Quayle, bullied and belittled by the dead man, conceals a murderous obsession beneath her timid exterior. And alcoholic solicitor Gus Mackinnon has even more reason to hate Walter than anyone else. As Close Quarters takes a look back over the years at the various turbulent relationships between Walter and his neighbours, one thing becomes clear: although only one may be the murderer, none of them will mourn his passing.

    Minutes to Midnight is the ambitious photographic record of that adventure, in which Parke presents a proud but uneasy nation struggling to craft its identity from different cultures and traditions. Minutes to Midnight merges traditional documentary techniques and imagination to create a dark visual narrative portraying Australia with a mix of nostalgia, romanticism and brooding realism. This is not a record of the physical landscape but of an emotional one. It is a story of human anxiety and intensity which, although told from Australia, represents a universal human condition in the world today.

    His present lifestyle is complicated enough before past indiscretions come back to haunt him. Once a gung-ho investigator of murderous criminals and violent crime, Fyfe has been taken off the frontlines and reassigned to the low-profile Fraud Squad — mistakes from years earlier conspired to condemn him to dull work that he doesn’t much enjoy. His enforced distance from solving murders bothers him particularly at the moment, as a series of seemingly drug dealing–related murders in the city is all anyone can talk about. When Chief Constable Sir Duncan Morrison asks him to look into the several hundred thousand dollars missing from the Catholic Church’s accounts, Fyfe expects the job to be little more than soothing the Archbishop’s worries — only to discover that things are considerably more complicated than they first appear. As he begins his investigation into the licentious Father Byrne and the accused embezzler Father Quinn (Byrne’s superior), Fyfe begins to find evidence that link the corrupt priests to racketeering kingpin Gus Barrie…and an armed robbery that occurred nearly a decade previously. For Fyfe himself, the spectre of the past rises with not only the reappearance of his ex-lover Sylvia, whose impending marriage throws him for a loop, but the return to British soil of the beautiful Angela — a sexy widow whose acquaintance he first made in the aftermath of the robbery ten years earlier. But this time Angela has blood on her hands and a million pounds in unmarked notes stuffed into her luggage. Any ordinary policeman would make the arrest and wrap up the inquiry. But David Fyfe is no ordinary policeman… Sleeping Dogs is a fast-moving, wryly humorous, expertly plotted crime novel with an outrageous finale. Praise for William Paul ‘Fyfe's engrossing ruminations on the human condition [means] readers will find themselves absorbed from beginning to end’Booklist Sleeping Dogs is the first of three books featuring DCI David Fyfe. William Paul has also authored a number of other books, including Seasons of Revenge and The Lion Rampant.

    Mairi makes no secret of the fact that she would rather be out taking down a wild pig with her childhood friend Iain, the fletcher’s son, than plying a needle with the women. Her mother despairs of her, and never stops comparing her to her beautiful and successfully married sister Una. Her father, tired of her rejection of one suitable match after another, finally presents her with an ultimatum: Marry Alastair Maclean or spend the rest of her life in the priory. Mairi knows that she would never survive in a priory, locked away from her beloved outdoor pursuits. But nor can she endure the thought of a loveless marriage to Alastair, who has never stopped mourning the loss of his adored first wife Madeline in childbed. Left without choices, Mairi becomes Alastair’s wife. Life is every bit as bad as she feared. Alastair’s sister Rhona clearly does not want to see her brother married to the Chisholm wildcat, and Alastair himself is as cold as the frigid wind that blows across the Highlands. Mairi resolves to resign herself to the demands of the marriage bed, and devote her life to raising bairns with the love she was never shown. But one day, she finds herself in more danger than she has ever known… and everything changes.

    Initially, it appears to be a simple case of a girl escaping to start a new life but it soon becomes apparent that there are ominous undertones.When a woman's body is found on a nearby beach the case takes an even darker turn. Craig focuses his attention on the seedy world of escorts and their clients. A pimp with a violent history and a number of witnesses with their own secrets to protect block his investigation.He finally breaks through the wall of lies and discovers a gruesome truth that leads to a dramatic and explosive climax.

    This beautifully illustrated guide will not only enhance your understanding of how to bring out the best in every woman, but also sharpen your photography skills in order to capture her successfully. Whether shooting with a pro model, plain-Jane, curvy gal, or soccer mom, Christa gets to know her subject intimately in order to help her look and feel beautiful, sexy, and confident. Christa shares her personal tips and techniques throughout the entire process, creating an amazing experience that produces photographs packed with emotion. She covers every step in creating a successful boudoir shoot, including how to prepare a subject who has never posed before, coaching sensual movement, beautiful lighting setups with minimal equipment, how to flatter every figure, and more. With "Before and After" profiles and "Do and Don't" scenarios throughout, essential lists, practical tips for male photographers, metadata for every shot, as well as post-processing techniques in Adobe Lightroom and Photoshop, this book offers clear and inspiring instruction. The Art of Boudoir Photography is about transformation. It's about cultivating sex appeal and enthusiastic positivity. It's that jolt of confidence and bolt of sexual prowess to tease out of your subject. It's for each woman to recognize her individual beauty, provide an opportunity for her to break through her comfort zone, honor her body, and celebrate femininity. For photographers with varying levels of experience, this book is for you-to appreciate and embrace boudoir photography, enhance your understanding of what it is, what it can do for women, and most importantly, how to have fun with it!

    . . Perfect for fans of Diney Costeloe, Rita Bradshaw and Nadine Dorries.5-star reader reviews for The Shipbuilder's Daughter'Beautifully written with a great deal of empathy, very satisfying plot. Lovely mix of old Glasgow and the western Isles''A definite must-buy''A lovely read''Fabulous reading'Glasgow, 1928. Margaret Bannatyne lost both of her brothers in the Great War and is now the last remaining child of wealthy and powerful shipyard owner William Bannatyne. Without a male heir to carry on the family business, William expects his daughter to do her duty, marry well and provide him with a grandson to inherit his business.Margaret cares deeply for her father but she has ambitions of her own: after witnessing a horrific accident when she was sixteen, she's determined to become a doctor. Her father, convinced she will never practise medicine, permits Margaret to complete her training. But he doesn't count on her falling in love with Alasdair Morrison.Alasdair, a union man at the shipyard, has been a thorn in William's side for years, and he didn't become one of the richest men in Glasgow only for Alasdair to take it all away - even if it means destroying his only daughter's happiness by forcing her to make a heartbreaking and impossible choice . . .

    One of the country's foremost nature photographers offers closeup techniques and covers exposure, equipment and composition along with special equipments and lenses.

    I believe this is a function of the vector that the documentary photographer must have, to show one person's existence to another."—Sebastião SalgadoIllustrated with a compelling image from each photographer, Witness in Our Time traces the recent history of social documentary photography in the words of twenty-two of the genre's best photographers, editors, and curators, showing that the profession remains vital, innovative, and committed to social change. Featuring interviews with Hansel Mieth, Walter Rosenblum, Michelle Vignes, Wayne Miller, Peter Magubane, Matt Herron, Jill Freedman, Mary Ellen Mark, Earl Dotter, Eugene Richards, Susan Meiselas, Sebastião Salgado, Graciela Iturbide, Antonin Kratochvil, Donna Ferrato, Joseph Rodriguez, Dayanita Singh, Fazal Sheikh, Gifford Hampshire, Peter Howe, Colin Jacobson, and Ann Wilkes Tucker.Introduction: Seeing and believing / Kerry Tremain --Hansel Mieth: the depression and the early days of Life --Walter Rosenblum: Lewis Hine, Paul Strand, and the Photo League --Michelle Vignes: Magnum Photo Agency : the early years --Wayne Miller: World War II and the family of man --Peter Magubane: a black photographer in Apartheid South Africa --Matt Herron: the Civil Rights movement and the Southern documentary project --Jill Freedman: Resurrection City --Mary Ellen Mark: streetwise photographer --Earl Dotter: the United Mine Workers --Eugene Richards: Americans we --Susan Meiselas: Central America and human rights --Sebastião Salgado: workers --Graciela Iturbide: the indigenous of Mexico --Antonin Kratochvil: the fall of the Iron Curtain --Donna Ferrato: living with the enemy : domestic violence --Joseph Rodriguez: in the barrio --Dayanita Singh: a truer India --Fazal Sheikh: portrait of a refugee --Gifford Hampshire: the Environmental Protection Agency's Project DOCUMERICA --Peter Howe: Life magazine and Outtakes --Colin Jacobson: Independent magazine and Reportage --Anne Wilkes Tucker: the museum context --Fred Ritchin: the fish are last to know about the water: the emerging digital revolution --Rondal Partridge: Dorothea Lange in the field --Don McCullin: Vietnam : the Battle of Hue, 1968 --Bill Owens: Suburbia and a passion for seeing his world --Larry Fink: Social graces --David Goldblatt: once an enemy : Apartheid and the New South Africa --Maya Goded: Tierra Negra --Afterword: Witness in our time / Ken Light

    Its goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, Larry Fink--well-known for his layered pictures in social settings--explores composing photographs and improvising within a scene to create images with both feeling and meaning. Through words and photographs, he reveals insight into his own practice and discusses a wide range of creative issues, from connecting with the subject in front of the lens to shaping a vision that is authentic. Photographer Lisa Kereszi, a student of Larry Fink, provides the introduction.Larry Fink (born 1941) has been a professor at Yale University School of Art; Cooper Union School of Art and Architecture; Parsons the New School for Design; and Tyler School of Art, Temple University. Currently, he is a tenured professor of photography at Bard College. His work has been widely exhibited in the United States, including solo exhibitions at Light Gallery, New York; Massachusetts Institute of Technology, Cambridge; Museum of Modern Art, New York; and San Francisco Museum of Modern Art.Lisa Kereszi is a photographer and educator. She is now the director of undergraduate studies at the Yale University School of Art, where she has taught since 2004. She has published five books, including "Fun and Games" and "Joe's Junk Yard." Her work is in the collections of the Whitney Museum of American Art, New York, and the Brooklyn Museum, and has appeared in the "New Yorker," "Harper's" and the "New York Times Magazine."

    Her brothers have given her the task of deciding what to do with their parents’ farm, which is slowly falling into disrepair. Imogen will not be rushed into passing judgement on the place. When she starts to carry out some research into the history of Kilduggan Farm, she inadvertently sets off a chain of events that ends in tragedy. Suddenly, Imogen and her psychologist husband, Hugh, find themselves faced with a seemingly insoluble puzzle. How can it be possible that an unexplained death in the present day can match, in every detail, an unsolved case from 40 years ago?As the past begins to catch up with Imogen, she realises that she must strive to discover the truth about her family, even if it means that nothing will ever be the same again…This is an intricately plotted novel, cleverly interwoven with subtle clues and the occasional red-herring. It will keep you guessing and the pages turning, right up until its final, shocking conclusion.Aoife's Chariot is the first novel in the Imogen and Hugh Croft Mysteries Series. It is an absorbing family saga, full of mystery and suspense. Husband and wife sleuths Imogen and Hugh Croft are first introduced to readers in this tense genealogical mystery with deathly consequences.

    This is a vision of the contemporary world (since the fall of the Berlin Wall in 1989) by the photographers of Magnum - from Henri Cartier-Bresson to the organization's newest recruits and presented in a sequence of photo-essays introduced by the photographers themselves.

    Knowing their chief, Lyall Campbell will stop at nothing to find her, she escapes on a massive warhorse, and travels across the snow-blanketed countryside, searching for safety and shelter. She finds both in the arms of Alexander MacPherson, the Laird of Blackstone, and the Highlander who rescues her. Ceana soon finds herself in love with the handsome laird, but will she trust him enough to tell him the secret she's keeping? After the battle, Lyall Campbell is satisfied that he has ended the lives of even more MacGregors, once again proving his loyalty to the king. Then the Campbell chief becomes both outraged and baffled when he learns the MacGregor laird's daughter has taken his devil of a warhorse. He swears to hunt her down and reclaim his horse, then to use the bonnie lass anyway he sees fit—before ending her life. When he learns she—and his prize stallion—are at Blackstone Castle, nothing will keep him from seeking revenge—no matter how many MacPhersons he has to kill. Alex is captivated by the dark-haired lass he rescues in a snowstorm and can think of little else. Ceana tells him almost nothing about herself, but it's obvious, she's running form something—or someone. And in order to protect her, he needs to know what to protect her from. He falls deeper and deeper in love with her and wants her for his wife. But first, he intends to find out what it is she's hiding from him. Will the truth bring them closer together, or forever keep them apart?

    Nesbitt, told as he uncovers his dramatic family history.Growing up in the Glasgow suburbs, Gregor was 14 when he asked where he was christened and was told that he was adopted. But it wasn’t quite that simple. And so began an unfolding of truths, half-truths and polite cover-ups from his various families. In 2014 Gregor approached Times columnist Melanie Reid to help him tell his story. Together they travelled through the mining villages of central Scotland to uncover the mystery of his birth and early life. What emerged was a story of secrets, deception, tragic accidents and early death, coldness and rejection from the very people who should have cherished him most, but a welcome from the most unexpected of quarters.From the squalor of industrial Coatbridge after WW1 to his own 1950s Glasgow childhood, via a love letter found in the wallet of a dead man and meeting his sister outside lost luggage at Glasgow Central, Gregor shares his family story with warmth and blunt Scottish humour.

    Maybe after he made a deal they would stop their raids and maintain the peace of the Laird’s lands and keep the promises they had broken again, and again. But what my father hadn’t bargained on was that Lachlann Mackay, the fearsome leader of the warlike clan at our doorstep, would want a bride in exchange for his peace. A promise is a promise, and my sister will do her duty to our father, but when she disappears on her wedding day there is only one person who could take her place, but the last thing I want is to be tied to a filthy barbarian for the rest of my life. But if I do not—if I go against my father’s wishes and break the oath that was made, all of our lives are in danger. Reader beware — “An Unwilling Bride” features lots of plaid, possible historical inaccuracies, a high-spirited heroine facing off against a sword-swinging alpha-hero worthy of some serious swooning, and a dastardly plot that could ruin everything. There is no cheating to be found here, and (by the trilogy's end) a Highland HEA is guaranteed. Inside every history book is a heartthrob waiting to be discovered... Highlander’s Honor Book 1 - An Unwilling Bride Book 2 - A Stolen Bride - COMING February 2020 Book 3 ~ A Warlord’s Prize - COMING March 2020