Then, in late morning, a desperate and distraught gunman bursts in and opens fire, taking all inside hostage.After rushing to the scene, Hugh McElroy, a police hostage negotiator, sets up a perimeter and begins making a plan to communicate with the gunman. As his phone vibrates with incoming text messages he glances at it and, to his horror, finds out that his fifteen-year-old daughter, Wren, is inside the clinic.But Wren is not alone. She will share the next and tensest few hours of her young life with a cast of unforgettable characters: A nurse who calms her own panic in order save the life of a wounded woman. A doctor who does his work not in spite of his faith but because of it, and who will find that faith tested as never before. A pro-life protester disguised as a patient, who now stands in the cross hairs of the same rage she herself has felt. A young woman who has come to terminate her pregnancy. And the disturbed individual himself, vowing to be heard.Told in a daring and enthralling narrative structure that counts backward through the hours of the standoff, this is a story that traces its way back to what brought each of these very different individuals to the same place on this fateful day.Jodi Picoult—one of the most fearless writers of our time—tackles a complicated issue in this gripping and nuanced novel. How do we balance the rights of pregnant women with the rights of the unborn they carry? What does it mean to be a good parent? A Spark of Light will inspire debate, conversation . . . and, hopefully, understanding.

    They spend their time telling stories to the unborn baby, trying to pass on the lessons they've learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But each must keep their storytelling a secret from the other, as they've agreed to only ever tell the plain truth. Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window. As their tales build and grow along with their child, Liska and Ruth realise that the truth lives in their stories, and they cannot hide from one another. A Portable Shelter is a beautifully produced collection of elegant, haunting short stories from one of Britain's most exciting new talents. Each story is accompanied by an illustration by award-winning artist Liz Myhill. Produced with the assistance of the Dr Gavin Wallace Fellowship.

    Returning to the Paris hotel where he spent his honeymoon six years earlier, he decides to take what seems like the only way out - suicide. But a chance encounter with a Russian in a similar predicament leaves Nick with an unlikely obligation to fulfil, one that will take him to Italy, and offer him a chance at something like redemption. www.kevinwignall.com

    But after her little sister gets married, Cat wonders if she has condemned herself to a life of boredom by playing by the rules. She decides to take a chance for once, accepting an invitation to spend a month with an old flame in Italy. But her reunion with the slick and gorgeous Francesco is short-lived, and she finds herself suddenly alone in Rome. Now, she must see if she has the courage to live outside the lines for the first time – and to face a past she never understood. It will take an unexpected friendship with a fiery Italian waitress, a whirlwind Vespa tour of the Eternal City with a handsome stranger, and a surprise encounter with an old acquaintance to show Cat that life doesn’t always work out the way you expect, but sometimes you have to have fall in order to fly.

    Using the knowledge left by his father, the Plague Doctor, he seeks to unlock the secrets of the universe, but weakness of the flesh won’t be ignored. The sordid overtures of his nymphomaniac sister, combined with his own perverse desires, soil his subjects before revelation can be found.Now the return of Philip’s father is imminent. Judgment is at hand, and if the fate of his mother taught him anything, it’s that one mustn’t disappoint the Plague Doctor.

    He is also a psychopath. Taking us to head-on collision with America's greatest dream—and its worst nightmare—American Psycho is bleak, bitter, black comedy about a world we all recognise but do not wish to confront.

    While in Edinburgh he is sucked into the orbit of a charismatic, self-hating philosopher, Harry Sanderson, and his enigmatic artist wife, Carrie. Edgar has "always worked on the principle that a translator is a guest in somebody else's house"; as he listens to both versions of the breakdown of their marriage, he realises that he is a guest in Harry and Carrie's city, their language and their lives, and begins to wonder why he has never fully occupied his own.

    They live a simple life, rich in family and friends, in the beautiful Syrian city of Aleppo--until the unthinkable happens. When all they care for is destroyed by war, they are forced to escape. But what Afra has seen is so terrible she has gone blind, and so they must embark on a perilous journey through Turkey and Greece towards an uncertain future in Britain. On the way, Nuri is sustained by the knowledge that waiting for them is Mustafa, his cousin and business partner, who has started an apiary and is teaching fellow refugees in Yorkshire to keep bees.As Nuri and Afra travel through a broken world, they must confront not only the pain of their own unspeakable loss, but dangers that would overwhelm the bravest of souls. Above all, they must journey to find each other again.Moving, powerful, compassionate, and beautifully written, The Beekeeper of Aleppo is a testament to the triumph of the human spirit. It is the kind of book that reminds us of the power of storytelling.

    The Master is about his infective influence—on his younger, less attractive brother Henry; on Henry's wife Alison; and on those narrators whom Stevenson so skilfully employs to present their experiences of this charming, ruthless, and evil man.

    Now, for the first time in North America, we step back to her extraordinarily assured debut about a widowed Muslim mother living in Aberdeen who falls in love with a Scottish secular academic. Sammar is a Sudanese widow working as an Arabic translator at a Scottish university. Since the sudden death of her husband, her young son has gone to live with family in Khartoum, leaving Sammar alone in cold, gray Aberdeen, grieving and isolated. But when she begins to translate for Rae, a Scottish Islamic scholar, the two develop a deep friendship that awakens in Sammar all the longing for life she has repressed. As Rae and Sammar fall in love, she knows they will have to address his lack of faith in all that Sammar holds sacred. An exquisitely crafted meditation on love, both human and divine, The Translator is ultimately the story of one woman’s courage to stay true to her beliefs, herself, and her newfound love.

     Suzanne and Gertrude is a tale of intermittent griefs and wonderments. How do we live, not just with each other, but with memories, with impermanence, with the inevitable melancholy of being?   Suzanne and Gertrude is a spare novel with a profound impact.

    For her, nothing will be the same again. Decades later, in Edinburgh, Connie sews coded moments of her life into a notebook, as her mother did before her. More than 100 years after his grandmother’s sewing machine was made, Fred discovers a treasure trove of documents.  His family history is laid out before him in a patchwork of unfamiliar handwriting and colourful seams.  He starts to unpick the secrets of four generations, one stitch at a time.

    In Dear Dead Person, a cross-section of archetypes—teen sex-addicts, would-be rock stars, religious fanatics, serial murderers, and families who make the Menendezes look like Ozzie and Harriet—go about their twisted business in a prose that's both minimal and anarchic, as American as Raymond Carver, but riven by poetic ruptures that feel like transmissions from the screwed-up part of our collective psyche.

    One day she walks out of her office, acquires a gaudy new outfit, adopts a girlier tone of voice, and heads to the airport to fly south. On the plane she takes a seat between two men. One is delighted with her company, the other is deeply perturbed. So begins an unnerving journey into the darker recesses of human nature.

    In stylistic brilliance, he renders their conditions with grace and compassion, and redeems and transports their tragedy with wicked humor.In the much-anthologized "The Birds for Christmas," two hospitalized boys beg a night nurse to let them watch Hitchcock's classic thriller film on television, believing it will relieve their Yuletide loneliness. "Gentleman's Agreement" is a classic father-son story of fear and the violence of love. In "Memorial Day," a bayou boy learns the lessons of living from Death himself, a fortune cookie-eating phantom who claims to be "a people person." From charity ward to outrageous beach bungalow, Richard visits the overlooked corners of America, making them unforgettably visible.Richard has been rightly compared to Faulkner for his language and to Flannery O'Connor for his stark moral vision, but his force and sensibility remain his own. Charity is a powerful reading experience, a true accomplishment in an already stunning literary career.