Jammed with exclusive new artwork, including the first ever strip to star 2D, Noodle, Murdoc Niccals and Russel Hobbs; puzzles, games and more; plus a raft of special guest appearances from Gorillaz collaborators past and present, the Gorillaz Almanac is a compendium of delights which finally puts the most real band around on the printed page.

    Painter, sculptor, writer, and filmmaker, Salvador Dali (1904-1989) was one of the century's greatest exhibitionists and eccentrics - and was rewarded with fierce controversy wherever he went. He was one of the first to apply the insights of Sigmund Freud and psychoanalysis to the art of painting, approaching the subconscious with extraordinary sensitivity and imagination. This lively monograph presents the infamous Surrealist in full color and in his own words. His provocative imagery is all here, from the soft watches to the notorious burning giraffe. A friend of the artist for over thirty years, privy to the reality behind Dali's public image, author Robert Descharnes is uniquely qualified to analyze Dali - both the man and the myth.

     Catch up with old characters and meet new ones in the sixth volume in the Scattered and the Dead series, the penultimate entry. War rages across the empty world. Those who follow Father, the Crusaders, creep through the woods to fight the Raiders from the Sovereign Cities. Bloody battles separate limbs and torsos, heads and necks. It's a struggle for control over resources and territory, but the shape of the future hangs in the balance as well. Meanwhile, a year has passed for Izzy and Erin, and their world keeps shifting into a meaner one. Harsh and violent and hateful. A trip to the market morphs into a horrifying affair. Pits them face to face with thieves, murderers, and slavers. Shoves them into a life and death conflict. After all this time, the apocalypse still holds many secrets. How did this happen? And why? Catch glimpses of the darkest visions yet. Vivid and grim. Are the people we know really who they seem? Does the future hold any hope at all? BOOK 2.6 picks up where BOOK 2.5 left off, so grab it now and get caught up in the apocalypse. Praise for The Scattered and The Dead series: "Comparable to The Stand... I don't say this lightly. This book is amazing." - Rain "It is a heart pounding, nightmare inducing read that is also sad and nostalgic, poignant and even endearing." - Queen_of_Chaos "Tim McBain and L.T. Vargus have written yet another spectacular and vivid story." - Heather Di "Best book in this genre I've EVER read!" - Krycek "I loved the characters and their stories, can't wait to see who makes it to the end. Very entertaining!" - Dina "Man, got sucked in from page 1. Very well written, hard/impossible to put down. Love being immersed in this world with relatable dialogue and story to boot. 10 out of 10 would read again." - Paul King "Dark and fast paced, with vivid imagery." - Michael J "The best zombie series you will ever read! Love King, Cronin, or Koontz? The Scattered and the Dead is for you." - Kurt Robair Recommended reading order of The Scattered and The Dead series: The Scattered and the Dead (Book 0.5) The Scattered and the Dead (Book 1) The Scattered and the Dead (Book 1.5) The Scattered and the Dead (Book 2.0) The Scattered and the Dead (Book 2.5) The Scattered and the Dead (Book 2.6)

    They find somewhere to live in the industrial part of the city, full of glue and tanning factories, paint manufacturers and back-to-back housing along the river - the sky is filled with acrid smoke. For young wife and mother Ellen, it's the complete opposite of what she's used to . . . but at least here her husband finds a job in a seed-crushing mill to support them and their small children.But there are many others in search of a home too - in the late nineteenth century many refugees were escaping from Poland and Germany, landing in Hull and either settling there or moving on to other cities or ships bound for America. Ellen befriends one family and offers them shelter . . .Everyone is looking for a place to call home.Val Wood's wonderful historical sagas are perfect for readers of Dilly Court, Maggie Hope and Rosie Goodwin.

    One found dazed and mute, but alive. The other one wasn't so lucky. She's dead.THE DETECTIVEOut of the army, out of a job and out of sorts. Can Crane climb out of his pit of misery and be useful again?THE POLICEMANWell, you can trust a policeman. Can't you?

    Non-taxed freeport warehouses around the globe are stacked with art held for speculation. One of Jeff Koons’ five chromium-plated stainless steel balloon dogs sold for 50 percent more at auction than the previous record for any living artist. A painting by Christopher Wool, featuring four lines from a Francis Ford Coppola movie stencilled in black on a white background, sold for $28 million. In The Orange Balloon Dog, economist and bestselling author Don Thompson cites these and other fascinating examples to explore the sometimes baffling activities of the high-end contemporary art market. He examines what is at play in the exchange of vast amounts of money and what nudges buyers, even on the subconscious level, to imbue a creation with such high commercial value.Thompson analyzes the behaviours of buyers and sellers and delves into the competitions that define and alter the value of art in today’s international market, from New York to London, Singapore to Beijing. Take heed if your millions are tied up in stainless steel balloon dogs—Thompson also warns of a looming bust of the contemporary art price balloon.

    Even today remembered primarily as the mentor and lover of Robert Mapplethorpe, the once infamous photographer, Wagstaff, in fact, had an incalculable—and largely overlooked—influence on the world of contemporary art and photography, and on the evolution of gay identity in the latter part of the twentieth century.  Born in New York City in 1921 into a notable family, Wagstaff followed an arc that was typical of a young man of his class. He attended both Hotchkiss and Yale, served in the navy, and would follow in step with his Ivy League classmates to the "gentleman's profession," as an ad executive on Madison Avenue. With his unmistakably good looks, he projected an aura of glamour and was cited by newspapers as one of the most eligible bachelors of the late 1940s. Such accounts proved deceiving, for Wagstaff was forced to live in the closet, his homosexuality only revealed to a small circle of friends. Increasingly uncomfortable with his career and this double life, he abandoned advertising, turned to the formal study of art history, and embarked on a radical personal transformation that was in perfect harmony with the tumultuous social, cultural, and sexual upheavals of the 1960s.Accordingly, Wagstaff became a curator, in 1961, at Hartford's Wadsworth Atheneum, where he mounted both "Black, White, and Gray"—the first museum show of minimal art—and the sculptor Tony Smith's first museum show, while lending his early support to artists Andy Warhol, Ray Johnson, and Richard Tuttle, among many others. Later, as a curator at the Detroit Institute of Arts, he brought the avant-garde to a regional museum, offending its more staid trustees in the process.After returning to New York City in 1972, the fifty-year-old Wagstaff met the twenty-five-year-old Queens-born Robert Mapplethorpe, then living with Patti Smith. What at first appeared to be a sexual dalliance became their now historic lifelong romance, in which Mapplethorpe would foster Wagstaff's own burgeoning interest in contemporary photography and Wagstaff would help secure Mapplethorpe's reputation in the art world. In spite of their profound class differences, the artistic union between the philanthropically inclined Wagstaff and the prodigiously talented Mapplethorpe would rival that of Stieglitz and O’Keefe, or Rivera and Kahlo, in their ability to help reshape contemporary art history.Positioning Wagstaff's personal life against the rise of photography as a major art form and the simultaneous formation of the gay rights movement, Philip Gefter's absorbing biography provides a searing portrait of New York just before and during the age of AIDS. The result is a definitive and memorable portrait of a man and an era.

    For easy use, the lists are organized into ten sections, given here with a sample from each: All About Art ("Elements of Art") ... Art History ("Timelines of Art History") ... For the Art Teacher ("The National Visual Arts Standards") ... Art Materials ("Things to Do with Collage") ... Painting, Drawing & Printmaking ("All About Color Pigment") ... Sculpture ("Master Sculptors & Their Work")... Architecture ("Great Architects of the World")... Fine Arts & Folk Art ("African American Crafts") ... Technology & Art ("The Evolution of Photography") ... Museums ("Museums Devoted to the Work of One Artist").

    The trove included massive, multi-volume illustrated manuscripts, double-sided nine-foot-long watercolor murals, photo-enlarged tracings, and hundreds of sketches. Depicting a turbulent world, these works are the product of the fertile yet tormented imagination of a secretive Chicago janitor who has since been recognized as one of the supreme self-taught artists of the 20th century.Cataloguing in full color the American Folk Art Museum's recent acquisition of 37 paintings, among other Darger works, this informative yet affordable volume offers a general introduction to a controversial self-taught artist.

    Composition is the harmonious arranging of the component parts of a work of art into a unified whole. Henry Poore examines the works of old masters and moderns in this book and uses these examples to explain the principles of compositions in art.All the paintings that the author analyzes are illustrated in the text — 166 illustrations, including 9 in full color. Thirty-two diagrams by the author accompany his textural discussion of such topics as the importance of balance, entrance and exit, circular observation, angular composition, composition with one or more units, and light and shade. Balance is the most important of these topics, and it is considered in the greatest detail — balance of the steelyard, vertical and horizontal balance, and so on. A complete index enables the reader to locate his own specific areas of interest.To see how a painting by Cézanne, Goya, or Hopper, for example, follows definite principles of composition allows the practicing artist or art student to learn composition from the finest instructors — the artists themselves. This book is also very useful to the art devotee, who will find his appreciation of the subject greatly enhanced.

    Gayford’s journeys, often to fairly inaccessible places, involve frustrations and complications, but also serendipitous encounters and outcomes, which he makes as much a part of the story as the final destination. In chapters that are by turns humorous, intriguing, and stimulating, Gayford takes us to places as varied as Brancusi’s Endless Column in Romania; prehistoric caves in France; the museum island of Naoshima in Japan; the Judd Foundation in Marfa, Texas; and an exhibition of Roni Horn’s work in Iceland.Interwoven with these tales are journeys to meet artists—Henri Cartier-Bresson in Paris, Marina Abramovic´ in Venice, Robert Rauschenberg in New York—and travels with artists, such as a trip to Beijing with Gilbert George. These encounters not only provide fascinating insights into the way artists approach and think about their art, but reveal the importance of their personal environments.A perceptive, amusing, and knowledgeable companion, in The Pursuit of Art Gayford takes readers on a tour of art that is immensely entertaining, informative, and eminently readable.

    In the previous book, readers saw that the police were powerless to help Kevin. The state's child protection department was too overwhelmed and understaffed to do anything, either.Kevin was at the mercy of abuse by his mother, Ann, and neglect by his father, Joe.In this sequel, you'll learn more about Joe's darker side and how far Ann would go, putting her own needs ahead of Kevin's. You'll see how desperate Kevin became, reacting to the abuse and neglect. And, you'll find out what happened to Kevin.It's not a "happily ever after" story, but it brings closure to Kevin's plight.Based on a true story that unfolded in New Hampshire during 2011 - 2013.

    Nobody knows where I am. Hell, even I don’t know where I am. I don’t even know who my captor is, my blindfold doesn’t allow me to see anything. I don’t even know how this will end. Can anyone be more clueless about their lives?Tied up in this jilted place I have little to do, but reminiscence my old life. I had it all; a loving family, a dependable friend, a compassionate fiancé, a dream job. I never had time to analyze my relationships then, but now in this god-forsaken place, amid fear and doubts, all I have is time and I can see the cracks I ignored for so long.And I am forced to question; was my life really perfect?Or was it a perfect lie?Twisted and dark, Beyond Lies, explores the complexities of the human mind, a mind that can lead to dangerous paths and sometimes, harm the one it seeks to protect.

     Roxanne Boudreaux never knew her Aunt Roxy existed until notified of the woman’s death. Named as the sole heir to her aunt’s estate, the Pittsburgh tax attorney finds herself in a world of danger she never anticipated.  Intent on securing a partnership in her law firm, Roxanne dismisses her inheritance as irrelevant. But after an abrupt end to a serious relationship, she travels to Oilville, PA and reluctantly accepts help from DSS Agent John Callahan. They encounter several deadly obstacles including a member of the Irish Republican Army sent to retrieve money hidden years ago. Roxanne has no idea what to do with her small-town legacy when a shocking revelation from her mother adds to Roxanne’s confusion. As the chaos in her life grows, can she overcome both the threats and turmoil? Will she let Callahan defend her or go it alone?

    It asks what would have happened if Damien Hirst had never arrived? If someone else had become the most notorious and influential young British artist? And what if that someone had been more talented, more provocative, more outrageous? And far, far funnier?Early on in this bravura debut we are informed that Hirst was hit and killed by a train in 1989 (“apparently when drunk”) – and the focus of everyone’s attention falls instead on Randall. Randall – a big, lumbering ape of a man – is a genius of language as much as art, supremely able to baffle, bemuse and amuse the press, public and all around him. He makes a fortune, causes chaos, changes the art world – the whole world – and provides brilliant quips every step of the way: “There’s only two things you can do with art: make it, and buy it. Everything else – talking about it, thinking about it, selling it, looking at it – either comes under one of those two, or doesn’t count.”