This elegant coffee-table book includes classic Avedon studies of Marilyn Monroe and Truman Capote, as well as portraits of political and intellectual figures. The reproductions are superb.

    The reception was divided and passionate. The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of color as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the Guide contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually super-refined look at the surrounding world. Here are people, landscapes and odd little moments in and around Eggleston's hometown of Memphis--an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up flames, framed by a shiny silver tricycle, the curves of a gleaming black car fender, and someone's torso; a tiny, gray-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of William Eggleston's Guide, The Museum of Modern Art has made new color separations from the original 35 mm slides, producing a facsimile edition in which the color will be freshly responsive to the photographer's intentions.

    His subject is the forbidden Paris of the 1930s, its opium dens, its brothels and its whores, where high society mingled with the underworld.

    Before his death in 1976 at age eighty-five, Strand combed his photographic prints and his many books with an eye to the completion of this volume. Seen here is the summation of a lifework, from the first abstract photographs to the series of plant photographs taken in the last years of his life. Also included is a rarely examined series of filmsÛbrilliant, unprecedented documentaries that foreshadowed Italian neo-realism and the new cinema of the post-war years. The re-release of this volume, which features the famous biographical profile by Calvin Tomkins and excerpts from Strand's correspondence, interviews, and other documents, makes one of photography's major artists newly accessible.

    Portraits do not duplicate those found in Kobal's Movie Star Portraits. Introduction. Captions.

    edition in 1976. There are 48 photographs that are world famous because Karash had such an intense interest in each of his subjects. Each porrait is accompanied by Karash recollections of the moments when the picture was taken. A few of the 48 subjects are Churchill, Picasso, Helen Keller Martin Luther King Jr., Fidel Castro, Helen Taussig, Eunstein, Prince Charles, JFK.

    A wild and passionate people, they are diametrically opposed to the Mesakin in character and temperament. Their knife-fights, dances of love and elaborately painted faces and bodies, which resemble "living Picassos," are unequalled by any surviving primitive race on earth. Leni Riefenstahl does not claim to have captured their entire way of life in this book. Rather, she has concentrated on photographing what distinguishes the South East Nuba from other tribes of her acquaintance. Leni Riefenstahl's unforgettable photographic impressions of the life of the People of Kau bear final witness to a primitive tribe which is menaced by the advance of industrial civilization and slowly subsiding into the mists of time.

    

    215 rare vintage views — from first daguerreotype made in America (1839) to eve of World War I — capture the charm of yesteryear: panoramas, street scenes, landmarks, President-elect Lincoln's visit, 1876 Centennial Exposition, much more.

    As she followed the girl shows from town to town, she portrayed the dancers on stage and off, photographing their public performances as well as their private lives. She also taped interviews with the dancers, their boyfriends, the show managers and paying customers. Meiselas' frank description of the lives of these women brought a hidden world to public attention. Produced during the early years of the women's movement, Carnival Strippers reflects the struggle for identity and self-esteem that characterized a complex era of change. This revised edition contains a new selection of Meiselas' black-and-white photographs together with the original interview excerpts. Additionally, an audio CD featuring a collage of participants' voices and a 1977 interview with the photographer are included. Essays by Sylvia Wolf and Deirdre English reflect on the importance of this body of work within the history of photography and the history of feminism.

    Although Gowin's work, spiritually charged and technically exquisite, is well known and highly sought-after on the collector's market, this volume will be the first retrospective of his 25-year career. 105 tritone illustrations.

    With it's superior mixture of aesthetics, technical perfection and bourgeois decadence it has lost nothing of its potency and attractiveness. Newton's work encompasses a wealth of themes, also embodying facets of the mass-media world of glamour, masquerade and show. Using subtle, yet striking images—like those of Paloma Picasso, Veruschka, Elsa Peretti, Karl Lagerfeld, David Hockney, and Charlotte Rampling—Newton embraces the delicate, natural beauty of the naked female body. White Women is a masterpiece of erotic visual literature.

    Leslie Katz writes: "This photographer in these photographs affirms the residual order in the crazy scene. He understands and brings us human civilization, embattled but intact in the various wilds of American enterprise, whether downtown, in suburbia, or on the roof." First-edition classic, essay by Leslie Katz.

    For years, the editors of du have talked about collaborating once again with the most important living Swiss photographer (Frank was born in Zurich in 1924). Though the photographer has long since finished with photo journalism, dedicating himself, since 1962, to filmmaking, he has made here a magical exception. Together with du, Frank has developed an idea for an issue that stretches the concept of photography to its limits. An all-encompassing self-examination, sometimes looking back with melancholia, sometimes moving ahead with a visisionary impetus, this publication assembles classic images, new Polaroid works, traces of thoughts, rediscoveries of never-before-shown photographs, and visual diary notes, together with Frank's selections of favorite texts by Kerouac, Burroughs, and Elio Vittorini.

    One of these is Tales of Tono, first published in 1976, which features work shot in the countryside of northern Honshu, Japan. Taking its name from a collection of Japanese rural folk legends, its non-narrative diptychs display a nascent nostalgia, whilst the formal qualities of the photos embrace the grainy and raw techniques that Moriyama brought to his more urban subject matter. Published here for the first time in English, to coincide with a survey of the artist's work with William Klein at Tate Modern, Tales of Tono is the perfect introduction to one of the world's most beautifully unsettling photographers.

    A written account, accompanied by numerous photographs and drawings, of Tomoya Iozawa's extensive travels in the Himalayas from 1970 to 1975.

    As founder of the Photo Secession movement and editor of the influential Camera Work he eschewed the prevailing "artiness" of pictorialist photography, preferring clarity of vision and "crystallized awareness." In galleries such as "291" and An American Place he showed and championed the work of modern artists from the US and Europe. As a photographer, editor, and gallery director Stieglitz was a powerful influence on photography and on American art in general.

    Photographs of New York City.