Her first step is to admit that she has a problem. But the problem isn't with Emma, it's with everything else. She needs to tell the truth, but she's smart enough to know that there's no such thing. When intoxication feels like the only way to survive the modern world, how can she ever sober up?

    An acclaimed three-person musical, tick, tick ... BOOM! is an autobiographical piece from the late Jonathan Larson, the Tony- and Pulitzer Prize-winning composer of Rent . Our songbook features 12 tunes from the production: Come to Your Senses * Green Green Dress * Johnny Can't Decide * Louder Than Words * No More * Real Life * See Her Smile * Sugar * Sunday * Therapy * 30/90 * Why.

    This songbook contains easy piano arrangements of a dozen songs from Mel Brooks' Broadway blockbuster, the winner of a record 12 Tony Awards! Includes: Along Came Bialy * Der Guten Tag Hop-Clop * Goodbye! * Haben Sie Gehort Das Deutsche Band? * I Wanna Be a Producer * In Old Bavaria * Keep It Gay * Prisoners of Love * Springtime for Hitler * That Face * 'Til Him * When You Got It, Flaunt It.

    But hidden there is a secret no one wants to confront, and when they stumble upon it the friends set off an unstoppable chain of events. A supernatural thriller of suburban teenagers fleeing a mysterious plague.

    Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by amongst others their future biographer and a young man from the local bus station.You are a rent boy. I am a poet. Over the wall lives the Dean of Christ Church. We all have our parts to play.Alan Bennett's new play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion's spent: ultimately, on the habit of art. 'In the end,' said Auden, 'art is small beer. The really serious things in life are earning one's living and loving one's neighbour.'

    Typical except that Cody is black--"rich, black, and different," in the words of Belinda, who finds herself attracted to a former (white) classmate. As the battle for her affections is waged, Belinda and Cody frankly doubt the foundation of their initial attraction, opening the door wide to a swath of bigotry and betrayal. Staged on continually shifting moral ground that challenges our received notions about gender, ethnicity, and even love itself, This Is How It Goes unblinkingly explores the myriad ways in which the wild card of race is played by both black and white in America.

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    But his increasingly liberal ideas make him an object of suspicion to the local worthies, who also disapprove of the presence in his house of a much younger woman, Rebecca West, formerly his wife’s companion. As their relationship deepens and their isolation builds, the increasing moral pressures they face force them inexorably towards their fate...

     This is the untold story of the Falcon and the Snowman that chronicles the subsequent events in the lives of convicted American spies Christopher Boyce and Andrew Daulton Lee. In 1977, Christopher Boyce and Andrew Daulton Lee were convicted of selling U.S. secrets to the Soviet Union. Boyce was sentenced to 40 years’ imprisonment. Lee received a life sentence. The story of their crime, as told in the book and movie The Falcon and the Snowman, starring Sean Penn, was only the beginning of their ordeal. This book picks up where The Falcon and the Snowman left off, chronicling Boyce's daring 1980 prison escape and recapture. An epic crime memoir, American Sons recounts how two of America's youngest convicted spies survived numerous murder attempts and spent decades of their lives in solitary confinement. That was until a young, idealistic and brilliant para-legal named Cait Mills put them on the path to freedom. Diagnosed with an aggressive form of breast cancer, Mills’ stoic determination to conquer her illness and continue her work was the catalyst that would ultimately transform all three of their lives. Written by Christopher Boyce, Cait Boyce and Vince Font, American Sons: The Untold Story of the Falcon and the Snowman takes readers on a twenty-five-year odyssey through the trials and tribulations of three individuals whose refusal to give up helped them survive the impossible. Above all, it is an inspiring story of survival and redemption, in which courage, humanity and love triumph when all hope was lost. American Sons:The Untold Story of the Falcon and the Snowman beautifully captures both Chris and Cait’s voices and is crafted in a cinematic style which adds to the drama of this unbelievable tale. Chris and Cait Boyce both live in Oregon. Cait is a practising legal professional with over 35 years' experience. She specializes in prisoner rights, is an advocate for LGBQT rights and is still fighting for the parole of non-violent criminal offenders. Chris remains an avid falconer and splits his time between flying his falcons, enjoying his freedom, and his house flipping business. Vince Font recently founded his own editing and publishing service located in Ogden, Utah called Get My Story Published. He has also published several short stories and one novella, and is working on his second novel. Chris, Cait and Vince remain close friends and have an official website for the book, which includes blogs and many articles about their story.

    When Amir and his wife Emily (Heidi Armbruster), a white artist influenced by Islamic imagery, host a dinner party, what starts out as a friendly conversation escalates into something far more damaging.

    Both his presence in the home and his chosen subject instigate tension from the start. Phyllis is furious at his depictions, but Joyce is actually rather intrigued by the whole thing, even going so far as to contemplate posing for him. As Joyce and Phyllis bicker, Joyce's adult son, who may or may not have Asperger's Syndrome, struggles to express himself physically with heartbreaking results.

    A mystery, really. A man has been murdered. The mystery is, who he is, who murdered him and what were the circumstances? And to solve it, Wilson looks at the outsides and insides of his tiny, Middle Western town. He looks at a middle-aging woman who falls in love with the young man who comes to work in her cafe. He looks at a coarse, nasty woman mistreating her senile mother, who is obsessed with visions of Eldritch being evil and headed for blood-spilling. He looks at a tender relationship between a young man and a dreamy, crippled girl. But Wilson sees far more than this. He is grasping the very fabric of Bible Belt America, with its catchword morality ("virgin," "God-fearing") and its capability for the vicious. He senses the rhythm of its life and the cruelty it can impose. He understands the speech patterns of its loveless gossips, its sex-hungry boys, its compassionless preachers, its car-conscious blondes." In the end his portrait of Eldritch is full length, and the truth of its revelations will be pondered long after the stage lights have dimmed and the play has ended.

    The struggle of the self to remain intact has moved in her work from civil war, into the family, into the couple, into the individual, and finally into the theatre of phychosis: the mind itself. This play was written in 1999 shortly before the playwright took her own life at age 28. On the page, the piece looks like a poem. No characters are named, and even their number is unspecified. It could be a journey through one person's mind, or an interview between a doctor and his patient.

    The airplane’s whereabouts and fate would quickly become one of the biggest aviation mysteries of our time...   Richard Quest, CNN’s Aviation Correspondent, was one of the leading journalists covering the story. In a coincidence, Quest had interviewed one of the two pilots a few weeks before the disappearance. It is here that he begins his gripping account of those tense weeks in March, presenting a fascinating chronicle of an international search effort, which despite years of searching and tens of millions of dollars spent has failed to find the plane.   Quest dissects what happened in the hours following the plane’s disappearance and chronicles the days and weeks of searching, which led to nothing but increasing despair. He takes apart the varying responses from authorities and the discrepancies in reports, the wide range of theories, the startling fact that the plane actually turned around and flew in the opposite direction, and what solutions the aviation industry must now implement to ensure it never happens again.   What emerges is a riveting chronicle of a tragedy that continues to baffle everyone from aviation experts to satellite engineers to politicians—and which to this day worries the traveling public that it could happen again. INCLUDES PHOTOS

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.