One likes him almost immediately, both for his character, his honesty, and integrity and for his singular, unbending self-accountability.    He gets on well with almost everyone he meets - becoming the bane of those who cheat and lie and steal - and marries a woman he deserves and appreciates as much as he does the land that he explores and worships.     From the early 1900s until the present day, "Red" Sorensen recounts with exquisitely detailed descriptiveness his wilderness adventures and all-too-frequent brushes with mortal danger, whether from ubiquitous mountain predators, natural catastrophes, foolish fellow men, or his planes that seem to crash too often.     I find myself in awe of this man, and I admire his wife who kept up with him; It takes a special kind of women to love a man extraordinary as Red. If you sign up for his ride, prepare to be awestruck by the country he guides you through, and the quality of this man called simple "Red."Become part of a rapidly Vanishing Time and a rapidly Vanishing Place,      BUY NOW

    For the rest of his days he lived out the implications of that transformation—as exile, inspired reformer, and ultimately the dominant figure of the Protestant Reformation. Calvin’s vision of the Christian religion has inspired many volumes of analysis, but this engaging biography examines a remarkable life. Bruce Gordon presents Calvin as a human being, a man at once brilliant, arrogant, charismatic, unforgiving, generous, and shrewd.The book explores with particular insight Calvin’s self-conscious view of himself as prophet and apostle for his age and his struggle to tame a sense of his own superiority, perceived by others as arrogance. Gordon looks at Calvin’s character, his maturing vision of God and humanity, his personal tragedies and failures, his extensive relationships with others, and the context within which he wrote and taught. What emerges is a man who devoted himself to the Church, inspiring and transforming the lives of others, especially those who suffered persecution for their religious beliefs.

    And so he has decided to put his thoughts down on paper. In THE CROWN: TRUTH & FICTION, Vickers writes that he does not approve of THE CROWN because 'it depicts real life people in situations which are partly true and partly false, and unfortunately most viewers take it all as gospel truth.'  He accepts that fiction can be a device to illuminate true events, but points out that it can be used to create dangerous, and lasting, false impressions too. THE CROWN has been a highly successful series, watched with intense interest across the globe.  The settings and costumes are of high quality, the acting is good, and it all looks convincing.  Peter Morgan is an intelligent writer, author of the film THE QUEEN, and the stage production of THE AUDIENCE.  The real Queen has previously inspired great performances from actresses such as Prunella Scales and Helen Mirren, and Claire Foy portrays her beautifully. As Vickers writes, 'THE CROWN has done a great job in reminding a younger generation that the Queen and Prince Philip were once young themselves.' One of the devices used in Series 2 is to take two straightforward themes which did happen and clash them against each other to create something which did not.  For example, in Episode 8, yes, the Queen and Prince Philip entertained the Kennedys at Buckingham Palace (on 5 June 1961), and yes, the Queen visited Nkrumah in Ghana (between 9 and 20 November 1961), but the Queen did not go to Ghana for the trivial reason that she wished to pull one over on Mrs Kennedy – she went there to ensure that Ghana remained part of the Commonwealth. Much has been written about the massive budget for this series and the attention to detail.   THE CROWN: TRUTH & FICTION identifies quite a number of mistakes, especially in respect of Orders and decorations.  Having worked on films himself, Hugo Vickers knows how hard it is to make sure these details are correct, and how sometimes shortcuts have to be taken.  But it is not that difficult to get the details right, and so he points out some of these errors.  But these are trivial things in comparison to the things shown as having happened, when they did not. The cruelest and most undeserved victim of the series is Prince Philip, here portrayed as a fractious, bumptious Jack the Lad, very much the villain.  Watching the series, Hugo Vickers concludes that he failed to find the man who, in 1962, was advancing Anglo-German relations through remarks such as, ‘It may be difficult for people to see any virtue in forgiving one’s enemies, but let them reflect that it is much more likely to achieve a better future than stoking the fires of hatred and suspicion.’  This fictional Prince Philip is little more than a self-centred philanderer.  The real Prince Philip told his biographer, Tim Heald: ‘I certainly believe in the need for a “free” press, but there is a difference between freedom and licence and between the honest pursuit of the truth and the cynical pursuit of thoughtless – even vindictive sensationalism.’ THE CROWN: TRUTH & FICTION delivers a sharp message to filmwriters, producers, and their historical advisers: Fiction should help us understand the truth, not pervert it.

    This among others is a fundamental reason why a thorough and truthful study and retelling of this history is needed. The study of Hindu history is also a study of values and inspiration and a profound spiritual yearning that subconsciously continues to guide Hindus. It is also what makes India a unique and distinctive country which is not primarily defined by its politics but by its philosophy and spirituality. The essays in this work both tangentially and explicitly bring out these aspects. "10 Lessons from Hindu History in 10 Episodes" is envisaged as a popular narrative without overlooking or taking liberties with historical accuracy.

    The Book of Noah, Testament of Solomon, Book of Giants, and a few other extras are also included in this third ePUB edition. The introduction by David Chariot is perhaps the best short form explanation of the book for those who are familiar with the book and those who are just discovering it. Enoch has been logically organized into chapter/verse settings and canonized in this English version which will resemble the King James Version of the Scriptures. Additionally, an XML file has been included with archaeological evidence of fossilized giant humans found throughout the world. All known fragments of the Book of Giants has been included in this edition along with a listing of external references to Enoch in other manuscripts such as the Book of Jubilees and other Scriptures. This is a standardized reference material regarding the body of knowledge presented in the Book of Enoch.

    Even before his birth, his life was threatened: it was rumored that his father, Henry, had tried to make the pregnant Mary miscarraige by forcing her to witness the assasination of her supposed lover, David Riccio. By the time James was a one-year-old, Henry was murdered, possibly with the connivance of his mother, Mary was in exile in England and he was King of Scotland. By the age of five, he had experienced three different regents as the ancient dynasties of Scotland battled for power and made him a virtual prisoner in Stirling Castle. In fact, James did not set foot outside the confines of Stirling until he was eleven, when he took control of the country. But even with power in his hands, he would never feel safe. For the rest of his life, he could be caught up in bitter struggles between the warring political and religious factions who fought for control over his mind and body.

    The orthodox view is that the author of the works of Shakespeare was, of course, the actor and businessman of Statford-upon-Avon. But the known facts about this man are surprisingly meager and contrast puzzlingly with the learned, courtly philosopher revealed in the sonnets and plays--the universal genius and supreme stylist. John Michell's witty investigation of the theories and claims reads like a series of detective stories. By the end of the book even the most faithful disciples of the Bard will find themselves asking, "Who Wrote Shakespeare?"

    His unique image, complete with V-sign, giant cigar, and outlandish costumes, was as universally famous as Charlie Chaplin's tramp. Now, in Churchill, The Unexpected Hero, Paul Addison offers a major reassessment of this highly charismatic figure, focusing largely on the life-long battle over Churchill's reputation. Churchill's career, notes Addison, was one of snakes and ladders. The longest of the snakes was Gallipoli, the ill-starred military campaign that all but destroyed his career in 1915. After Gallipoli, Churchill's reputation plummeted, and he was attacked as a shameless egotist, an opportunist without principles or convictions, an unreliable colleague, an erratic policy-maker who lacked judgement, and a reckless amateur strategist with a dangerous passion for war and bloodshed. Indeed, throughout his career, at one time or another, Churchill offended every party and faction in the land. Yet all but the most hostile also conceded that he possessed great abilities, remarkable eloquence, and a streak of genius, and with the coming of World War II, the man long excluded from high office--on the grounds that he was a danger to King and Country--became the savior of that country, a truly great war leader. As Churchill's reputation skyrocketed, Addison shows how his heroic self-image was communicated to the world through a stupendous public relations campaign in which oratory, journalism, and history were all pressed into service. Churchill won two great victories in World War II. The first was a victory over Nazi Germany. The second, a victory over the legion of skeptics who derided his judgement and denied his claims to greatness.

    Its flowing narrative style, character sketches, and lively anecdotes bring the people and places of the past to life. In this newly illustrated edition, John Broadley's unique tableaux-like illustrations capture the landscape, costumes, and characters of the history that Hibbert's text so vividly evokes.

    They lived on the brink of the golden age of the European Renaissance and witnessed social and religious upheavals as the medieval world they knew crumbled to dust, replacing the old with the new. In this new book, Sylvia Barbara Soberton paints a vivid picture of the rivalry between the courts of England and France during the reigns of Henry VIII and Francis I. Set against the backdrop of sixteenth-century court life are the interwoven stories of individual French and English noblewomen whose dramatic lives even the best of novelists would have trouble inventing.Louise of Savoy knows that her son Francis is destined for greatness, but he faces new challenges after his accession, trusting his mother to become regent during his absence.Mary Tudor agrees to marry Louis XII, a man thirty-four years her senior, but after his unexpected death, she decides to become no man’s pawn and marries for love, creating one of the greatest scandals in Renaissance Europe.Claude of France may have been meek and submissive, but there is more to her character than meets the eye.Brought up at the French court, Anne Boleyn boldly refuses to become Henry VIII’s mistress. Her refusal triggers the King’s divorce case and eventually leads to the change of religious persuasion of the entire nation. Margaret of Alençon, Francis I’s sister, faces new challenges as her brother’s captivity after the Battle of Pavia propels her onto the diplomatic stage of Europe. Queen Eleanor, Charles V’s sister, marries Francis I and struggles to find her place at the French court, where his glittering mistress, Anne de Pisseleu, reigns supreme and exerts more influence than any royal mistress before her. Witnessing the warring political factions at court, the young Catherine de Medici, humiliated by her husband’s relationship with Diane de Poitiers, learns how to navigate the murky waters of courtly intrigue to emerge as the leading force on the international stage of sixteenth-century Europe.

    But even at the height of the Renaissance, charging interest of any kind meant running afoul of the Catholic Church’s ban on usury. Tim Parks reveals how the legendary Medicis—Cosimo and Lorenzo “the Magnificent” in particular—used the diplomatic, military, and even metaphysical tools at hand, along with a healthy dose of intrigue and wit, to further their fortunes as well as their family’s standing.

    . . intellectual and religious history of late medieval and Reformation Europe.”—Christianity Today"A learned, humane, and expressive book."—Gerald Strauss, Renaissance Quarterly The seeds of the swift and sweeping religious movement that reshaped European thought in the 1500s were sown in the late Middle Ages. In this book, Steven Ozment traces the growth and dissemination of dissenting intellectual trends through three centuries to their explosive burgeoning in the Reformations—both Protestant and Catholic—of the sixteenth century. He elucidates with great clarity the complex philosophical and theological issues that inspired antagonistic schools, traditions, and movements from Aquinas to Calvin. This masterly synthesis of the intellectual and religious history of the period illuminates the impact of late medieval ideas on early modern society.

    For the next 15 years, Trident Studios, was at the epicentre of the music industry, recording some of the era's greatest artists, from The Beatles and David Bowie to Elton John and Genesis. Trident also developed their own talent, including a raw and demanding four-piece band called Queen. After an acrimonious split with Trident, their volatile leader Freddie Mercury famously dedicated a song to Norman: Death On Two Legs. In Life On Two Legs, this legendary music figure breaks his forty year silence and sets the record straight, not just about Freddie and Queen but also about artists from John Lennon and Marc Bolan to Harry Nilsson and Phil Collins and the recording of such classics as Hey Jude by The Beatles and Space Oddity by David Bowie. Funny, fascinating and occasionally irreverent - and with a foreword by Sir Paul McCartney - this is an unmissable memoir that brings to vivid life some of rock's greatest characters as well as the era and the studio that produced some of its classic music.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    From Harvey Girls to homesteaders, ranchers to rodeo champions, and miners to merchants, to name a few. An enjoyable, inspiring quick read including humorous short stories written by the author’s father, Verner G. Benson about early days in Arizona. Settings include Flagstaff, Williams, Oak Creek Canyon, Jerome, Sedona, Roosevelt Dam, Cottonwood, Tonalea (Navajo Reservation), Valle, Kirkland Junction and Grand Canyon.