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    They chew the fat, set the world to rights, take the piss… They talk about their wives, their kids, their kids’ pets, their football teams and – this being Ireland in 2011–12 –about the euro, the crash, the presidential election, the Queen’s visit. But these men are not parochial or small-minded; one of them knows where to find the missing Colonel Gaddafi (he’s working as a cleaner at Dublin Airport); they worry about Greek debt, the IMF and the bondholders ( whatever they might be); in their fashion, they mourn the deaths of Whitney Houston, Donna Summer, Davy Jones and Robin Gibb; and they ask each other the really important questions like ‘Would you ever let yourself be digitally enhanced?’Inspired by a year’s worth of news, Two Pints distils the essence of Roddy Doyle’s comic genius. This book shares the concision of a collection of poems, and the timing of a virtuoso comedian.

    'It is the kingdom of the frozen will,' comes the reply. 'There is no going back.'Sylvia Plath's strange, dark tale of independence over infanticide, written not long after she herself left home, grapples with mortality in motion.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    Beautiful divorcee Tory is painfully involved with her neighbour, Robert, while his wife Beth, Tory's best friend, is consumed by the worlds she creates in her novels, oblivious to the relationship developing next door. Their daughter Prudence is aware, however, and is appalled by the treachery she observes. Mrs Bracey, an invalid whose grasp on life is slipping, forever peers from her window, constantly prodding her daughters for news of the outside world. And Lily Wilson, a lonely young widow, is frightened of her own home. Into their lives steps Bertram, a retired naval officer with the unfortunate capacity to inflict lasting damage while trying to do good.

    'The Journey Home' is the story of a young boy's struggle towards maturity, set against a shocking portrait of Ireland: a tough urban landscape, not a rural Eden.

    In the title story, a teenage girl must choose between allegiance to her Catholic father and gratitude to the British soldiers who have saved the family's horse. The young hero of Hunger Strike, a novella, tries to replicate the experience of his uncle, an IRA prisoner on hunger strike. And in Wood, a small boy does his part for the Protestant marches, concealing his involvement from his blind father.

    Perfect for fans of Marian Keyes and Jodi Picoult.When Sarah falls for Matthew, she falls hard.So it doesn't matter that he's twenty years older. That he sees her only in secret. That, slowly but surely, she's sacrificing everything else in her life to be with him.Sarah's friends are worried. Her father can't understand how she could allow herself to be used like this. And she's on the verge of losing her job.But Sarah can't help it. She is addicted to being desired by Matthew.And love is supposed to hurt.Isn't it?

    Show Them a Good Time tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, Show Them a Good Time is the work of a profoundly resonant and revelatory literary voice – at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.

    She tells of vanished schoolgirls and indentured frontier brides and an eccentric recluse who, in the course of one surpassingly odd dinner party, inadvertently lands herself a wealthy suitor from exotic Australia. And Munro shows us how one woman's romantic tale of capture and escape in the high Balkans may end up inspiring another woman who is fleeing a husband and lover in present-day Canada.Carried away --A real life --The Albanian virgin --Open secrets --The Jack Randa hotel --A wilderness station --Spaceships have landed --Vandals

    Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection.Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

    Three long stories that draw the reader into the lives of three women, all past their first youth, all facing unexpected crises.

    “I sense no anchorage,” the narrator says in the title story, “I will pitch forward, outward and upward.” It’s a statement true of both the writing and the women in it; all share a detached tone, as if speaking from the end of a tunnel, and what one character describes as “uncontrol,” lives lived in language more than action. This continuity of tone often makes it difficult to tell where one narrative drops off and another begins, as the stories are linked loosely together in flashes of syntax, which read like poetry and sometimes retreat into italicized, third-person meditations. In “Claustrophobia,” a woman’s relationship with food runs parallel to her relationship with her mother. In “New Year’s Day” a woman’s description of a party where “everyone knew how to keep some distance” is joined to her lover’s recounting, a moment later, of all the women he’s cheated on her with. “Online” is about a woman who discovers her husband has been online dating. Any navigational difficulties are worthwhile, as Walsh is an inventive, honest writer. In her world, objects may be closer and far more intricate than they appear; these stories offer a compelling pitch into the inner life.

    About to turn 30, like many her age, Ellen had left the Church a long time ago, but she had never stopped believing in and talking to God. Now, she suddenly realized she wasn't quite ready for this statement to be true, however much of a contradiction it seemed to present with some of her most strongly held views.Abandoning the Church had been an act of protest, a form of punishment. However, she began to wonder: who had really lost the most? Why should those who did the damage to the Church get to keep it and all its good bits, like going to Mass for the ritual and the community, having a clear guide for living a better life, and the comfort of believing it's not the end when somebody dies?But how could she ally herself to an institution she doesn't entirely agree with? In her first book, Ellen tries to figure out how much she really wants to go back to the Church, and if it is even the right thing to do. A stunningly intelligent and thoughtful debut work of non-fiction.

    This collection of nearly fifty pieces brings together the contents of two published volumes, A Haunted House and Mrs. Dalloway’s Party; a number of uncollected stories; and several previously unpublished pieces. Edited and with an Introduction by Susan Dick.

    With Town and Country: New Irish Short Stories, edited by Kevin Barry, Faber are delighted to present a fourth collection of all new Irish short stories.Edited by award winning novelist and short story writer Kevin Barry, this volume will once again mix established names with previously unpublished authors, and will seek to offer fresh renditions to the Irish story - new angles, new approaches, new modes of attack.Published in 2011, New Irish Short Stories, edited by Joseph O'Connor, has sold over 10,000 copies to date and featured Kevin Barry's 'Beer Trip to Llandudno' - winner of the 2012 Sunday Times EFG Short Story Prize - as well as stories by William Trevor, Dermot Bolger and Roddy Doyle which went on to be Afternoon Readings on BBC Radio 4.