But when the ferocious moon-dog begins to devour the moon, only Papagayo knows how to save it. The night creatures learn that he’s a good friend to have--even if he is a bit NOISY.

     With splashes of color and dramatic detail, a boy named Ping decorates his home with paintings of dragons. While they seem to be a proclamation of his love for dragons, they are actually an expression of his deepest fear. The Heavenly Dragon visits Ping after being impressed with the boy's outward declaration of love and respect for dragons and presents the boy with three pearls of wisdom. With bold and expansive illustrations that sweep across the pages, Demi's triumphant tale proves that the greatest fear of fear itself is one that can be conquered with truth and bravery.

    . .Business returns to a once-prosperous restaurant when a mysterious stranger pays for his meal with a magical paper crane that comes alive and dances. The Paper Crane is illustrated with cut-paper collages and paintings. It is a wonderful book to use with children learning about patterns in storytelling. "A delight to the eye and imagination."—The Horn Book. "An enchanting book."—School Library JournalSupports the Common Core State Standards

    It is only after losing the fan that Yoshi discovers he can depend on his own imagination after all. "Fan-shaped cutout pages are splendid enhancements to this well-designed, stylish tale."--Publishers Weekly

    "Ahhh, spring," says Kumak to his family. "The days are long, the nights are short, and the ice is still hard. Good day for fish." Eager to give Uncle Aglu's amazing hooking stick a try, Kumak packs up his family and heads out to go ice fishing. "Good day for fish!" they all agree. Hapless Kumac is the only one in his family without fish until the tug at the other end of his line incites a mighty battle. A clever ending reveals that the whale-sized fish that Kumak imagined was actually a line of small fish in tug o' war position. Kumak reigns, and there's plenty for everybody. Authentic details throughout the playful art and text, as well as endnotes on Inupiat fishing, provide young readers with a fascinating window into another culture in this follow up to KUMAK'S HOUSE a 2003 Children's Book Council Notable Trade Book in Social Studies.

    But the wild creature pines for his mate. When Yasuko, the kitchen maid, releases the bird against her lord's command, she and the one-eyed servant, Shozo, are sentenced to death. The grateful bird intends to return their kindness, but can he outsmart the cruel lord?Winner of the Boston Globe/Horn Book Award for Illustration, and a New York Times Best Illustrated Children's Book of the Year.

    Humorous, finely detailed pen-and-ink illustrations bring this timeless tale to life.

    When King Balash's precious diamond is stolen, the grief-stricken king can no longer rule, and the country falls into chaos, until a clever young boy comes up with a scheme to bring the jewel's radiance back into the palace.

    The sky was once so close to the Earth that people cut parts of it to eat, but their waste and greed caused the sky to move far away.

    He drew them everywhere, even where they should not be: on the temple walls and in the priest's books. Although the cats sometimes got the boy in trouble, one day they found a way to reward their skillful creator.

    Long ago, the first man and woman quarreled. The woman left in anger, but the Sun sent tempting berries to Earth to slow the wife's retreat. Luminous paintings perfectly complement the simple, lyrical text. "Complete harmony of text and pictures: altogether lovely." -- Kirkus Reviews, pointer reviewJoseph Bruchac is an award-winning storyteller whose books for children include Eagle Song, Children of the Longhouse, and Arrow to the Sun (all Dial). He lives in Greenfield Center, New York. Anna Vojtech lives in Marblehead, Massachusetts.

    Creation myths tell us how the land, its animals, and its people all came into existence under a punishing sun or against the backdrop of a spectacularly beautiful mountain landscape. Whether warning children about the dangers of disobedience or demonstrating that the underdog can, and often does, win, these stories, through their depiction of wise animals as well as evil monsters, are universal in their portrayal of humanity, beasts, and the mystical. Translated from their original languages—Karanga, Nguni, Xhosa, and many others—these folktales are a testament to the craft of storytelling and the power of myth.

    Lloyd Alexander's story of a young man visiting -- and then becoming -- the village fortune-teller is brought to vibrant life with some of Caldecott Medalist Trina Schart Hyman's most memorable artwork.

    When her mother falls ill, Tashi goes alone to the plantation, hoping to earn money for the doctor. But she is far too small to harvest the tender shoots, and her clumsy efforts anger the cruel Overseer. She is desolate, until — chack-chack-chack! — something extraordinary happens. Inspired by a centuries-old legend of tea-picking monkeys, here is a richly told tale full of vivid characters: the heartless Overseer, the enigmatic Royal Tea Taster, and — far away — an empress with a penchant for tea.

    Mayan art and architecture were the inspiration for the spectacular cut-paper artwork.