Never before have so many mummies been discovered in a single site. Ever since front-page headlines announced the electrifying find, the world has awaited the full story. Now, in the only book on the golden mummies, the director of the excavation, noted Egyptian archaeologist Zahi Hawass, takes readers to the site to see what cannot be seen anywhere else -- and shares the wealth of new information the tombs are yielding about Egyptian life during the Roman occupation.The site will remain closed as the dig goes on, making this book -- with more than 250 exceptional full-color photographs -- the only place to see what lies inside these mysterious graves.

    until A.D. 200, was renowned in the ancient world as a stoic and martial city-state, and most of what we know about Sparta concerns its military history and male-dominated social structure. Yet Spartan women were in many ways among the most liberated of the ancient world, receiving formal instruction in poetry, music, dance, and physical education. And the most famous of mythic Greek women, Helen of Troy, was originally a Spartan. Written by one of the leading authorities on women in antiquity, Spartan Women seeks to reconstruct the lives and the world of Sparta's women, including how their legal status changed over time and how they held on to their surprising autonomy.In this book, Sarah Pomeroy covers over a thousand years in the lives of Sparta's women from both the �lite and lower classes. This is the first book-length examination of Spartan women, and Pomeroy comprehensively analyzes ancient texts and archaeological evidence to construct the history of these elusive though much noticed women. Spartan Women is an authoritative and fresh account that will appeal to all readers interested in ancient history and women's studies.

    Decoding Egyptian Hieroglyphs is the only fully illustrated, easy-to-use guide to the meaning and mystery behind this ancient language. A history of hieroglyphs and instructions for how to read them are complemented by vocabulary lists and photographs of real inscriptions. In each chapter, skill-building exercises weave together with details of Egyptian life. Who could have imagined that the sign for the word "millions" is a lizard because Egypt was once overrun with reptiles? Hieroglyphs literally paint portraits of the ancients, depicting everyone from the pharaoh in his court to the farmer along the flooded Nile. Decoding Egyptian Hieroglyphs reveals the beauty and hidden marvels of one of the world's most intriguing cultures.

    This is a comprehensive, illustrated anthology of more than 300 myths from around the world which have shaped humankind's collective experience.

    This is the first history of ancient Egypt for 25 years Brings together the very latest textual and archaeological evidence The index, bibliography and appendices make this an invaluable reference tool New guide to further reading in English especially commissioned for the paperback edition

    Who was the first king of ancient Egypt, and who was the last? Which Egyptian queens ruled in their own right? What in fact do we know about the 170 or more pharoahs whose names have down to us?

    Despite the many sensational discoveries in the last century, such as the tomb of Tutankhamun, the tombs of some of the most famous individuals in the ancient world—Imhotep, Nefertiti, Alexander the Great, and Cleopatra—have not yet been found.Archeologist Chris Naunton examines the famous pharaohs, their achievements, the bling they might have been buried with, the circumstances in which they were buried, and why those circumstances may have prevented archeologists from finding these tombs.In Searching for the Lost Tombs of Egypt, Naunton sheds light on the lives of these ancient Egyptians and makes an exciting case for the potential discovery of these lost tombs.

    Far from being meek and mild, they were violent, ruthless and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth and the light but that, by extension, every single other way was wrong and had to be destroyed. From the 1st century to the 6th, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces and their priests killed. It was an annihilation.Authoritative, vividly written and utterly compelling, this is a remarkable debut from a brilliant young historian.

    As traders and raiders, explorers and colonists, they reshaped the world between eastern North America and the Asian steppe. For a millennium, though, their history has largely been filtered through the writings of their victims. Based on the latest archaeological and textual evidence, Children of Ash and Elm tells the story of the Vikings on their own terms: their politics, their cosmology, their art and culture. From Björn Ironside, who led an expedition to sack Rome, to Gudrid Thorbjarnardóttir, the most travelled woman in the world, Price shows us the real Vikings, not the caricatures they have become in popular culture and history.

    It delves into the creation and evolution of the world and the reigns of the gods on earth, before introducing us to the manifestations of Egypt's deities in the natural environment; the inventive ways in which the Egyptians dealt with the invisible forces all around them; and their beliefs about life after death. Through his engaging narrative, Garry Shaw guides us through the mythic adventures of such famous deities as Osiris, the god murdered by his jealous brother Seth; the magical and sometimes devious Isis, who plotted to gain the power of the sun god Re; and Horus, who defeated his uncle Seth to become king of Egypt. He also introduces us to lesser known myths, such as the rebellions against Re; Geb's quest for Re's magical wig; and the flaying of the unfortunate god Nemty. From stars and heavenly bodies sailing on boats, to the wind as manifestation of the god Shu, to gods, goddesses, ghosts, and demons--beings that could be aggressive, helpful, wise, or dangerous--Shaw goes on to explain how the Egyptians encountered the mythological in their everyday lives.

    From that exhilarating portrait, he takes us back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries.From the beginning, Rome was a hotbed of power, overweening ambition, desire, political genius, and corruption. Hughes details the turbulent years that saw the formation of empire and the establishment of the sociopolitical system, along the way providing colorful portraits of all the major figures, both political (Julius Caesar, Marcus Aurelius, Nero, Caligula) and cultural (Cicero, Martial, Virgil), to name just a few. For almost a thousand years, Rome would remain the most politically important, richest, and largest city in the Western world.From the formation of empire, Hughes moves on to the rise of early Christianity, his own antipathy toward religion providing rich and lively context for the brutality of the early Church, and eventually the Crusades. The brutality had the desired effect—the Church consolidated and outlasted the power of empire, and Rome would be the capital of the Papal States until its annexation into the newly united kingdom of Italy in 1870.As one would expect, Hughes lavishes plenty of critical attention on the Renaissance, providing a full survey of the architecture, painting, and sculpture that blossomed in Rome over the course of the fourteenth through the sixteenth centuries, and shedding new light on old masters in the process. Having established itself as the artistic and spiritual center of the world, Rome in the seventeenth, eighteenth, and nineteenth centuries saw artists (and, eventually, wealthy tourists) from all over Europe converging on the bustling city, even while it was caught up in the nationalistic turmoils of the Italian independence struggle and war against France.Hughes keeps the momentum going right into the twentieth century, when Rome witnessed the rise and fall of Italian Fascism and Mussolini, and took on yet another identity in the postwar years as the fashionable city of "La Dolce Vita." This is the Rome Hughes himself first encountered, and it's one he contends, perhaps controversially, has been lost in the half century since, as the cult of mass tourism has slowly ruined the dazzling city he loved so much. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.

    David Lewis-Williams proposes that the explanation for this lies in the evolution of the human mind. Cro-Magnons, unlike the Neanderthals, possessed a more advanced neurological makeup that enabled them to experience shamanistic trances and vivid mental imagery. It became important for people to "fix," or paint, these images on cave walls, which they perceived as the membrane between their world and the spirit world from which the visions came. Over time, new social distinctions developed as individuals exploited their hallucinations for personal advancement, and the first truly modern society emerged.Illuminating glimpses into the ancient mind are skillfully interwoven here with the still-evolving story of modern-day cave discoveries and research. The Mind in the Cave is a superb piece of detective work, casting light on the darkest mysteries of our earliest ancestors while strengthening our wonder at their aesthetic achievements.

    Their magnificent pyramids, colossal temples, and brooding Sphinx never fail to awe and astound us. But even more amazing are other artifacts, ones that the Egyptians never meant for us to see - rolls of papyrus, pottery chips, and tombs - that tell us about the people who built the grand structures that grace the Egyptian landscape.

    But what if these beings were more than merely fictions? What if monstrous creatures once roamed the earth in the very places where their legends first arose? This is the arresting and original thesis that Adrienne Mayor explores in The First Fossil Hunters. Through careful research and meticulous documentation, she convincingly shows that many of the giants and monsters of myth did have a basis in fact--in the enormous bones of long-extinct species that were once abundant in the lands of the Greeks and Romans.As Mayor shows, the Greeks and Romans were well aware that a different breed of creatures once inhabited their lands. They frequently encountered the fossilized bones of these primeval beings, and they developed sophisticated concepts to explain the fossil evidence, concepts that were expressed in mythological stories. The legend of the gold-guarding griffin, for example, sprang from tales first told by Scythian gold-miners, who, passing through the Gobi Desert at the foot of the Altai Mountains, encountered the skeletons of Protoceratops and other dinosaurs that littered the ground.Like their modern counterparts, the ancient fossil hunters collected and measured impressive petrified remains and displayed them in temples and museums; they attempted to reconstruct the appearance of these prehistoric creatures and to explain their extinction. Long thought to be fantasy, the remarkably detailed and perceptive Greek and Roman accounts of giant bone finds were actually based on solid paleontological facts. By reading these neglected narratives for the first time in the light of modern scientific discoveries, Adrienne Mayor illuminates a lost world of ancient paleontology. As Peter Dodson writes in his Foreword, "Paleontologists, classicists, and historians as well as natural history buffs will read this book with the greatest of delight--surprises abound."

    For two and half thousand years the Celts have continued to fascinate all who have come into contact with them. THE ANCIENT CELTS presents an absorbing account of the tribes whose origins and identity still provoke heated debate. Exploring the archaeological reality of the Iron Age inhabitants of barbarian Europe, Professor Cunliffe traces the emergence of chiefdoms,patterns of expansion and migration, and the development of Celtic ethnicity and identity.