She tackles eros and intimacy with a deceptively light touch, a keen awareness of how their nervous systems tangle and sometimes short-circuit, and a genius for revealing our most vulnerable, spirited selves. In “Desert Hearts,” a woman takes a job selling sex toys in San Francisco rather than embark on the law career she pursued only for the sake of her father. In “Pearl and the Swiss Guy Fall in Love,” a woman realizes she much prefers the company of her pit bull—and herself—to the neurotic foreign fling who won’t decamp from her apartment. In “How Am I Supposed to Talk to You?” a daughter hauls a suitcase of lingerie to Mexico for her flighty, estranged mother to resell there, wondering whether her personal mission—to come out—is worth the same effort. And in “Barbara the Slut,” a young woman with an autistic brother, a Princeton acceptance letter, and a love of sex navigates her high school’s toxic, slut-shaming culture with open eyes. With heart, sass, and pitch-perfect characters, Barbara the Slut is a head-turning debut from a writer with a limitless career before her.

    The New Voices of Fantasy tethers some of the fastest-rising talents of the last five years. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic).So go ahead, join the Communist revolution of the honeybees. The new kids got your back.

    "Grand Stand-In" is narrated by an employee of a Nuclear Family Supplemental Provider—a company that supplies "stand-ins" for families with deceased, ill, or just plain mean grandparents. And in "Blowing Up On the Spot," a young woman works sorting tiles at a Scrabble factory after her parents have spontaneously combusted.Southern gothic at its best, laced with humor and pathos, these wonderfully inventive stories explore the relationship between loss and death and the many ways we try to cope with both.

    . . and other horrors that lurk in the water’s shivery depths. And tension shimmers in the sweltering heat of the Nevada desert as a faceless trucker finds himself caught in a sinister dance with a tribe of motorcycle outlaws in “Throttle,” co-written with Stephen King.

    In the award-winning ‘Aokigahara’, a young woman travels to the sea of trees in Japan to say goodbye. In ‘Coarsegold’, a woman conducts an illicit affair while her recovering girlfriend works the overnight motel shift in the middle of nowhere. In ‘Dogs’, Foggo runs an unruly gang of bored, cruel boys with a scent for fresh meat. In ‘Pressure Okay’ a middle-aged man goes to the theatre, gets a massage, remembers his departed wife, navigates the long game of grief with his adult daughter.

    Thankfully, he has a loving family waiting for him when he gets home, to help wash the day's cares away. At least, that's what his coworkers believe.Andrew didn't mean for the misunderstanding to happen, yet he's become trapped in his own white lie. The fantasy of his wife and two kids has become a pleasant escape from his lonely one bedroom with only his Ella Fitzgerald records for company. But when new employee Peggy breezes into his life like a breath of fresh air, Andrew is shaken out of his routine. She doesn't notice the wall he's been safely hiding behind and their friendship promises to break it down.Andrew must choose: Does he tell the truth and start really living his life, but risk losing his friendship with Peggy? Or will he stay safe and alone, behind the façade? How Not to Die Alone is about the importance of taking a chance in those moments when we have the most to lose. Sharp and funny, warm and real, it's the kind of big-hearted story we all need.

    A lonely ticket taker worries about his sister. An almost-famous songwriter nurses old wounds. A stage manager tires of being behind the scenes. A singer-songwriter struggles to untangle her feelings for her best friend and his girlfriend. In this live-out-loud anthology, the disparate protagonists of sixteen stories are thrown together for one unforgettable event: their high school’s battle of the bands. Told in a harmonic blend of first- and third-person narrative voices, roughly chronological short stories offer a kaleidoscopic view of the same transformative night. Featuring an entry from Justin Courtney Pierre, lead vocalist of Motion City Soundtrack, Battle of the Bands is a celebration of youth, music, and meeting the challenges of life head-on.

    The eighteen stories of Manuel Gonzales’s exhilarating first book render the fantastic commonplace and the ordinary extraordinary, in prose that thrums with energy and shimmers with beauty. In “The Artist’s Voice” we meet one of the world’s foremost composers, a man who speaks through his ears. A hijacked plane circles a city for twenty years in “Pilot, Copilot, Writer.” Sound can kill in “The Sounds of Early Morning.” And, in the title story, a man is at war with the wife he accidentally shrank. For these characters, the phenomenal isn’t necessarily special—but it’s often dangerous. In slightly fantastical settings, Gonzales illustrates very real guilt over small and large marital missteps, the intense desire for the reinvention of self, and the powerful urges we feel to defend and provide for the people we love. With wit and insight, these stories subvert our expectations and challenge us to look at our surroundings with fresh eyes. Brilliantly conceived, strikingly original, and told with the narrative instinct of a born storyteller, The Miniature Wife is an unforgettable debut.

    Obinna is a dutiful and unsophisticated stay-at-home husband and father married to a powerful businesswoman. Eze is single, a cautious rebel from his university days whose arrival soon upsets the balance in Obinna’s life. In a world where men are constantly under surveillance and subject to the whims of powerful women, more than Obinna’s ordered and accustomed routine might be on the line.Chimamanda Ngozi Adichie’s The Visit is part of Black Stars, a multi-dimensional collection of speculative fiction from Black authors. Each story is a world much like our own. Read or listen to them in a single sitting.

    Jobless and ashamed, he takes them into a stranger’s house, a place that will become the site of the greatest humiliation of his life. In an impoverished fishing town, four teenage boys try to allay their boredom during an endless summer by translating lyrics from the Smiths into Spanish using a stolen dictionary. Their dreams of fame and glory twist into a plan to steal musical instruments from a church, an obsession that prevents one of them from anticipating a devastating ending. Meanwhile a young woman goes home with a charismatic man after finding his daughter wandering lost in a public place. She soon discovers, like so many characters in this book, that fortuitous encounters can be deceptions in disguise.Themes of pride, shame, and disgrace—small and large, personal and public—tie the stories in this collection together. Humiliation becomes revelation as we watch Paulina Flores’s characters move from an age of innocence into a world of conflicting sensations.

    K. Jemisin, Charles Yu, Jamie Ford, and more. For many Americans, imagining a bright future has always been an act of resistance. A People's Future of the United States presents twenty never-before-published stories by a diverse group of writers, featuring voices both new and well-established. These stories imagine their characters fighting everything from government surveillance, to corporate cities, to climate change disasters, to nuclear wars. But fear not: A People's Future also invites readers into visionary futures in which the country is shaped by justice, equity, and joy.Edited by Victor LaValle and John Joseph Adams, this collection features a glittering landscape of moving, visionary stories written from the perspective of people of color, indigenous writers, women, queer & trans people, Muslims and other people whose lives are often at risk.Contributors include: Violet Allen, Charlie Jane Anders, Ashok K. Banker, Tobias S. Buckell, Tananarive Due, Omar El Akkad, Jamie Ford, Maria Dahvana Headley, Hugh Howey, Lizz Huerta, Justina Ireland, N. K. Jemisin, Alice Sola Kim, Seanan McGuire, Sam J. Miller, Daniel José Older, Malka Older, Gabby Rivera, A. Merc Rustad, Kai Cheng Thom, Catherynne M. Valente, Daniel H. Wilson, G. Willow Wilson, and Charles Yu.

    I Love You about a young woman with breast cancer who undertakes a mission to find a new wife for her husband before she passes away.Twenty-seven-year-old Daisy already beat breast cancer three years ago. How can this be happening to her again?On the eve of what was supposed to be a triumphant “Cancerversary” with her husband Jack to celebrate three years of being cancer-free, Daisy suffers a devastating blow: her doctor tells her that the cancer is back, but this time it’s an aggressive stage four diagnosis. She may have as few as four months left to live. Death is a frightening prospect—but not because she’s afraid for herself. She’s terrified of what will happen to her brilliant but otherwise charmingly helpless husband when she’s no longer there to take care of him. It’s this fear that keeps her up at night, until she stumbles on the solution: she has to find him another wife.With a singular determination, Daisy scouts local parks and coffee shops and online dating sites looking for Jack’s perfect match. But the further she gets on her quest, the more she questions the sanity of her plan. As the thought of her husband with another woman becomes all too real, Daisy’s forced to decide what’s more important in the short amount of time she has left: her husband’s happiness—or her own?

    He introduced Klee to the great museums of New York City and the important artists on their walls, he told him stories made of myths and magic. Until his death.Now, forced to live in the suburbs with his mom, Klee can’t help but feel he’s lost all the identifying parts of himself—his beloved father, weekly trips to the MoMA, and the thrumming energy of New York City. That is until he meets wild and free Sarah in art class, with her quick smiles and jokes about his “brooding.” Suddenly it seems as if she’s the only thing that makes him happy. But when an act of betrayal sends him reeling, Klee lands in what is bitingly referred to as the “Ape Can,” a psychiatric hospital for teens in Northollow. While there, he undergoes intensive therapy and goes back over the pieces of his life to find out what was real, what wasn’t, and whether he can stand on his own feet again. Told in alternating timelines, leading up to the event that gets him committed and working towards getting back out, Gae Polisner’s In Sight of Stars is a gorgeous novel told in minimalist strokes to maximal effect, about what makes us fall apart and how we can put ourselves back together again.

    He needs to get a job and find a sense of normalcy if he’s going to keep his own demons at bay. The job that falls into his lap, though, is anything but normal. Bodyguard (and baby-sitter) to spoiled-rich-girl Kelsey Summers isn’t exactly what he’d been looking for, but it’s a chance to travel, to get away from the home that has felt stifling ever since his return. It would be a pretty sweet gig if it weren’t for the fact that Kelsey’s father doesn’t want Kelsey to know she’s being followed. Hunt feels guilty (and a little bit creepy) as he watches her from afar. She’s vibrant and infuriating, exciting and reckless, mysterious and familiar. When he sees her falling into the same patterns that he suffered years ago, he decides it’s time to stop watching and help her instead. But getting to know her is more difficult than he thought, especially because the more he knows her, the more he wants her.

    Sure, it's community service, but he likes his work. Especially if it means getting to see Mallory.Mallory spends a lot of time keeping her head down. When you're sixteen and homeless, nothing matters more than being anonymous. But Spencer's charm makes her want to be noticed.Then sinister things start happening at the library. Mysterious symbols and terrifying warnings begin to appear, and management grows suspicious. Spencer and Mallory know a homeless teenager makes an easy target, and if they can't find the real culprit soon, they could lose more than just their safe haven…