Continuing her life’s work to brighten and enrich American reading lives through the work of legendary Black authors, she now launches her Well-Read Black Girl Library Series with On Girlhood. This meticulously selected anthology features a wide range of unique voices, finally illuminating a distinctly robust sector of contemporary literature: groundbreaking short stories that explore the thin yet imperative line between Black girlhood and womanhood.Divided into four themes—Innocence, Belonging, Love, and Self-Discovery—the unforgettable young protagonists within contend with the trials of coming of age that shape who they are and what they will become. With this tradition in mind, Innocence opens with Jamaica Kincaid’s searing “Girl,” in which a mother offers fierce instructions to her impressionable daughter. This deceptively simple yet profound monologue is followed by Toni Morrison’s first and only published short story, the now-canonical “Recitatif,” about two neglected girls who come together in youth only to find themselves on opposite picket lines in adulthood.In Belonging, Toni Cade Bambara’s “The Lesson” follows rambunctious students on a field trip where they are exposed to a new world of luxury. In Love, Dana Johnson’s “Melvin in the Sixth Grade” captures the yearning of a lovesick teen smitten with the only boy who looks her way. And in Self-Discovery, Edwidge Danticat’s “Seeing Things Simply” charts the creative awakening of Princesse, a young woman with a hunger to be fully seen. These inspiring tales of world builders and rule breakers conclude with Zora Neale Hurston’s “How It Feels to Be Colored Me,” a personal essay brimming with wit and strength: “When covered by the waters, I am; and the ebb but reveals me again.”At times heartbreaking and at times hilarious, these stories boldly push past flat stereotypes and powerfully convey the beauty of Black girlhood. In bringing together an array of influential authors—past and present—whose work remains timeless, Glory Edim has created an indispensable compendium for every home library and a soul-stirring guide to coming of age.Featuring stories by Jamaica Kincaid, Toni Morrison, Dorothy West, Rita Dove, Camille Acker, Toni Cade Bambara, Amina Gautier, Alexia Arthurs, Dana Johnson, Alice Walker, Gwendolyn Brooks, Edwidge Danticat, Shay Youngblood, Paule Marshall, and Zora Neale Hurston.

    It is a fine, fresh morning that will become hot as the day progresses. Crowds are gathering at the Court of Common Pleas.On trial is Caroline Sheridan, a beautiful and clever young woman who had been manoeuvred into marrying the Honourable George Norton when she was just nineteen. Ten years older, he is a dull, violent and controlling lawyer but Caroline is determined not to be a traditional wife. By her early twenties, Caroline has become a respected poet and songwriter, clever mimic and outrageous flirt. Her beauty and wit attract many male admirers, including the Prime Minister, Lord Melbourne. After years of simmering jealousy, Norton accuses Caroline and the Prime Minister of a 'criminal conversation' (adultery) precipitating 'the scandal of the century'. In Westminster Hall that day is a young Charles Dickens, who would, just a few months later, fictionalise the event as 'Bardell v. Pickwick' in The Pickwick Papers. After a trial lasting twelve hours, the jury's not guilty verdict is immediate, unanimous and sensational. Norton is a laughing stock. Angry and humiliated he cuts Caroline off, as was his right under the law, refuses to let her see their three sons, seizes her manuscripts and letters, her clothes and jewels, and leaves her destitute. The Criminal Conversation of Mrs Norton is the extraordinary story of one woman's fight for the rights of women everywhere. For the next thirty years Caroline campaigned for women and battled male-dominated Victorian society, helping to write the Infant Custody Act (1839), and influenced the Matrimonial Causes (Divorce) Act (1857) and the Married Women's Property Act (1870), which gave women a separate legal identity for the first time.

    Scenes of Subjection examines the forms of domination that usually go undetected; in particular, the encroachments of power that take place through notions of humanity, enjoyment, protection, rights, and consent. By looking at slave narratives, plantation diaries, popular theater, slave performance, freedmen's primers, and legal cases, Hartman investigates a wide variety of "scenes" ranging from the auction block and minstrel show to the staging of the self-possessed and rights-bearing individual of freedom.While attentive to the performance of power--the terrible spectacles of slaveholders' dominion and the innocent amusements designed to abase and pacify the enslaved--and the entanglements of pleasure and terror in these displays of mastery, Hartman also examines the possibilities for resistance, redress and transformation embodied in black performance and everyday practice.This important study contends that despite the legal abolition of slavery, emergent notions of individual will and responsibility revealed the tragic continuities between slavery and freedom. Bold and persuasively argued, Scenes of Subjection will engage readers in a broad range of historical, literary, and cultural studies.

    feminist protest. Benita Roth explores the ways that feminist movements emerged from the Civil Rights/Black Liberation movement, the Chicano movement, and the white left, and the processes that supported political organizing decisions made by feminists. She traces the effects that inequality had on the possibilities for feminist unity and explores how ideas common to the left influenced feminist organizing.

    African slave, homeless exile, surrogate mother, Hagar's story provides an image of survival and defiance appropriate to black women today. Exploring all the themes inherent in Hagar's story -- poverty and slavery, ethnicity and sexual exploitation, exile and encounters with God -- Sisters in the Wilderness traces parallels in the history of African-American women from slavery to the present. A particular theology -- a womanist theology -- emerges from this shared experience; specifically, from the interplay of oppressions on account of race, sex, and class. In Part I, Williams shows how reading Hagar's story exemplifies the issues and problems black women face. The "forced motherhood," "single motherhood" and "surrogate motherhood" Hagar experienced have been part of black women's lives. Williams also explores the dismal reality of contemporary "racial narcissistic...consciousness" which finds its parallel in Hagar's travail as foreign servant and outcast. Finally, there is the religious resonance of Hagar's sojourns in the wilderness and her encounters with God. These themes Williams finds echoed in the cultural and literary traditions of African-American women. Part II considers the theological implications of the womanist understanding of Hagar's history. Williams explores the relationship between womanist and black liberation theology, and womanist theology and the black church. Through the combination of social history, political theology, and literary criticism, Williams demonstrates how approaching theology consciously informed by the awareness of the identity of black women results in a rich and vibrant knowledge of the sacred. Sisters in the Wilderness provides a reconstruction of "God-talk"

    Based on eight years of fieldwork at the Fresh Start shelter, Cox shows how the shelter's residents—who range in age from fifteen to twenty-two—employ strategic methods she characterizes as choreography to disrupt the social hierarchies and prescriptive narratives that work to marginalize them. Among these are dance and poetry, which residents learn in shelter workshops. These outlets for performance and self-expression, Cox shows, are key to the residents exercising their agency, while their creation of alternative family structures demands a rethinking of notions of care, protection, and love. Cox also uses these young women's experiences to tell larger stories: of Detroit's history, the Great Migration, deindustrialization, the politics of respectability, and the construction of Black girls and women as social problems. With Shapeshifters Cox gives a voice to young Black women who find creative and non-normative solutions to the problems that come with being young, Black, and female in America.

    In this triumphant biography, Kate Williams tells Josephine's searing story, of sexual obsession, politics and surviving as a woman in a man's world.Abandoned in Paris by her aristocratic husband, Josephine's future did not look promising. But while her friends and contemporaries were sent to the guillotine during the Terror that followed the Revolution, she survived prison and emerged as the doyenne of a wildly debauched party scene, surprising everybody when she encouraged the advances of a short, marginalised Corsican soldier, six years her junior.Josephine, the fabulous hostess and skilled diplomat, was the perfect consort to the ambitious but obnoxious Napoleon. With her by his side, he became the greatest man in Europe, the Supreme Emperor; and she amassed a jewellery box with more diamonds than Marie Antoinette's. But as his fame grew, Napoleon became increasingly obsessed with his need for an heir and irritated with Josephine's extravagant spending. The woman who had enchanted France became desperate and jealous. Until, a divorcee aged forty-seven, she was forced to watch from the sidelines as Napoleon and his young bride produced a child.

    The results are nothing less than an education in the ways literature grips its readers and, at times, transforms their lives. Imagining Characters is indispensable, a work of criticism that returns us to the books it discusses with renewed respect and wonder.

    LGBT Studies. "CHICANA LESBIANS is a love poem, a bible, a dictionary, nothing so simple as a manifesto--this book is yet another reason to believe--to believe in the girls our mothers warned us about, brown girls, lesbians, making their own love poems, bibles, dictionaries, manifestoes, reasons to believe."--Dorothy Allison"When I was selling books at a Chicana conference, I noticed book buyers were literally afraid to touch this anthology. I say now what I said then, 'Don't be scared. Sexuality is not contagious, but ignorance is.' If you've ever been curious, been there, been voyeur, been tourist, or just plain under-informed, misinformed, or unaffirmed, here is a book to listen to and learn from."--Sandra Cisneros

    In chapters on the penis (in all its incarnations), fifties Hollywood, male beauty standards, and sexual harassment, and in discussions of topics ranging from Marlon Brando and Boogie Nights to Philip Roth and Lady Chatterley's Lover, Bordo offers fresh and unexpected insights. Always--whether she is examining Michael Jordan or Humbert Humbert, the butch phallus or her own grade-school experiences--she rejects rigid categories in favor of an honest, nuanced version of men as flesh-and-blood human beings.

    Byron described her as "the first female writer of this, perhaps of any age," Germaine de Stäel was certainly the most remarkable woman of her time and she remains unique—both for the scope of her artistic and intellectual achievements, and the force of her political influence which helped to bring down Napoleon. Born in Paris in 1766, the daughter of Jacques Necker, Louis XVI's influential and reforming finance minister, Germaine de Stäel was brought up in her mother's salon, amidst the philosophers of the French Enlightenment. A prodigious and disciplined intellect, a need for love and a love of liberty, together with remarkable courage in both public and private life, de Stäel was driven to disregard dangers and conventions alike, often at great cost.

    It traces her passionate and indignant response to the excitement of the early days of the French Revolution and then her uneasiness at its later bloody phase. It reveals her developing understanding of women's involvement in the political and social life of the nation and her growing awareness of the relationship between politics and economics and between political institutions and the individual. In personal terms, the works show her struggling with a belief in the perfectibility of human nature through rational education, a doctrine that became weaker under the onslaught of her own miserable experience and the revolutionary massacres. Janet Todd's introduction illuminates the progress of Wollstonecraft's thought, showing that a reading of all three works allows her to emerge as a more substantial political writer than a study of The Rights of Woman alone can reveal.

    She was painted by Manet and inspired Emile Zola, who immortalised her in his scandalous novel Nana. Her rumoured affairs with Napoleon III and the future Edward VII kept gossip columns full. But her glamourous existence hid a dark secret: she was no Comtesse. She was born into abject poverty, raised on a squalid Paris backstreet; the lowest of the low. Yet she transformed herself into an enchantress who possessed a small fortune, three mansions, fabulous carriages, and art the envy of connoisseurs across Europe. A consummate show-woman, she ensured that her life – and even her death – remained shrouded in just enough mystery to keep her audience hungry for more.Catherine Hewitt’s biography tells, for the first time ever in English, the forgotten story of a remarkable woman who, though her roots were lowly, never stopped aiming high.

    Yet as the sole woman among powerful, charismatic men, someone whose personal ambition was secondary to her passion for her cause, she has received little mainstream recognition—until now. In her memoir, Dr. Height, now ninety-one, reflects on a life of service and leadership. We witness her childhood encounters with racism and the thrill of New York college life during the Harlem Renaissance. We see her protest against lynchings. We sit with her onstage as Martin Luther King Jr. delivers his "I Have a Dream" speech. We meet people she knew intimately throughout the decades: W.E.B. DuBois, Marcus Garvey, Eleanor Roosevelt, Mary McLeod Bethune, Adam Clayton Powell Sr., Langston Hughes, and many others. And we watch as she leads the National Council of Negro Women for forty-one years, her diplomatic counsel sought by U.S. presidents from Eisenhower to Clinton. After the fierce battles of the 1960s, Dr. Height concentrates on troubled black communities, on issues like rural poverty, teen pregnancy and black family values. In 1994, her efforts are officially recognized. Along with Rosa Parks, she received the Presidential Medal of Freedom, the nation's highest civilian honor.

    Coming together as one, 19 strong and successful women provide a rare glimpse into their lives with the hope that their voices will be heard and their message understood: bear witness to the unforgivable acts that their people have survived and take a step forward in mending old wrongs and forgiving past and present hurts. Brings to light the insight of women artists, lawyers, ranchers, doctors, and educators Discussions range from the land to government, love to family life. Conversational style of writing presents a genuine Native American perspective.