Now I would like to take one of these women back to my house in California to show her how Bramasole traveled to America and took root, how the doors there are open to the breeze from San Pablo bay and to the distant view of Mount Tamalpais, how the table has expanded and the garden has burgeoned…The “bard of Tuscany” (New York Times) now offers a lavishly illustrated book for everyone who dreams of integrating the Tuscan lifestyle—from home decoration and cooking, to eating and drinking, to gardening, socializing, and celebrating—into their own lives. When Frances Mayes fell in love with Tuscany and Bramasole, millions of readers basked in the experience through her three bestselling memoirs. Now Frances and her husband, In Tuscany coauthor Edward, share the essence of Tuscan life as they have lived it, with specific ideas and inspiration for readers stateside to bring the beauty and spirit of Tuscany into their own home decor, meals, gardens, entertaining and, most important, outlook on life. In her inimitable warm and evocative tone, Frances helps readers develop an eye for authentic Tuscan style, with advice on how to:• Choose a Tuscan color palette for the home, from earthy apricot tones to invigorating shades of antique blue.• Personalize a room with fanciful door frames, unique painted furniture, and fresco murals.• Cultivate a Tuscan garden, adding fountains, vine-covered pergolas, and terra-cotta urns among the herbs and flowers • Select the best Italian vino. (Frances describes lunches at regional vineyards and imparts tips for pairing food and wine.)• Create an atmosphere of irresistible, anytime hospitality—a casa aperta (open home).• Make primo finds at local antiques markets. (And to help truly bring Tuscany home, shipping advice and market days for several Tuscan towns are included.)• Set an imaginative Tuscan table using majolica and vintage linens.• Enjoy the abundant flavors and easy simplicity of the Tuscan kitchen, with details on everything from olive oil and vino santo to pici and gnocchi, plus special homegrown menus and recipes.• Make the most of a trip to Tuscany, visiting Frances’s favorite hill towns, restaurants, small museums, and other soothing places. With more than 100 photos by acclaimed photographer Steven Rothfeld (including several of the Mayes’s California home and its Tuscan accents), twenty-five all-new recipes, and lists of resources for travelers and shoppers, Bringing Tuscany Home is a treasure trove of practical advice and memorable images.

    Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze.How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.Bruno Munari (1907-1998), born in Milan, was the enfant terrible of Italian art and design for most of the twentieth century, contributing to many fields of both visual (paint, sculpture, film, industrial design, graphics) and non-visual arts (literature, poetry). He was twice awarded the Compasso d'Oro design prize for excellence in his field.If you enjoyed Design as Art, you might like John Berger's Ways of Seeing, also available in Penguin Modern Classics.'One of the most influential designers of the twentieth century ... Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness'International Herald Tribune

    In all areas of public life – community, education, employment – your connections are everything. From the bestselling author of Italian Neighbours, An Italian Education and Italian Ways, Italian Life is a particular reckoning with a beloved adopted country. It takes place in a university in the north. Valeria, a talented young woman from hot, dusty Basilicata, enrols together with thousands of others for a degree course that could take anything between three and ten years to complete, given the vagaries of the system. She has sacrificed a great deal to get here. However, as both Valeria and her rich supporting cast of students and professors will soon discover, there are dark and capricious forces at the institution’s heart.Unfolding into a story of power and corruption, influence and exclusion, Tim Parks’ compelling new book shows that an education is about understanding the workings of a society – in this case one where family, culture and innovation are shadowed by nepotism, bureaucracy and intrigue. Thought-provoking, surprising and always entertaining, Italian Life is a behind-the-scenes look at a paradoxical country: a gripping account of how Italy actually happens.

    "I want to tell the people who are interested in me," says Pavarotti in his preface, "about all of the fun and excitement I have had. I have tried to explain how I feel about the things that are important to me and to pass on whatever wisdom I have gained as an artist and as a human being." Black-and-white photographs.

    Calabria is also a seedbed of Italian-American culture; in North America, more people of Italian heritage trace their roots to Calabria than to almost any other region in Italy.Mark Rotella's Stolen Figs -- named a Best Travel Book of 2003 by Condé Nast Traveler -- is a marvelous evocation of Calabria. A grandson of Calabrese immigrants, Rotella persuades his father to visit the region for the first time in thirty years; once there, he meets Giuseppe, a postcard photographer who becomes his guide. As they travel around the region, Giuseppe initiates Rotella -- and the reader -- into its secrets: how to make a soppressata and 'nduja, and, of course, how to steal a fig without committing a crime. Stolen Figs is a model travelogue -- at once charming and wise, and full of an earthy and unpretentious sense of life that now, as ever, characterizes Calabria and its people.

    In this captivating guided journal, readers are encouraged to explore their world as both artists and scientists. The mission Smith proposes? To document and observe the world around you. As if you've never seen it before. Take notes. Collect things you find on your travels. Document findings. Notice patterns. Copy. Trace. Focus on one thing at a time. Record what you are drawn to. With a series of interactive prompts and a beautifully hand-illustrated two-color package, readers will enjoy exploring and discovering the world through this gorgeous book.

    Thoroughly bored with her job at the local museum, Sarah heads to the gallery to take another look at that new drawing, the one she can't stop thinking about, the one of the Hindu god Shiva, who dances...That's when it all begins. The next day, an e-mail message brings her a job offer: to find the few remaining pieces of a 15th-century adventurer's renowned collection of Indian sculptures. Her employer, curiously, wishes to communicate only by computer. She has no idea who he is or why he wants her. But other mysteries soon preoccupy her, such as the meaning of an enigmatic illuminated manuscript—and the sensual transformation that seems to be overtaking her. Through her quirkily decorated diary and the artful e-mail exchanges between Sara and her mentor, Nick Bantock has conjured up a richly illustrated tale of a relentless quest, an amorous legacy, and the resonating power of art—a lush, romantic adventure of the soul that tantalizes the reader to the last line.

    And it is Ben Taylor’s remarkable ability to meld these contradictions into a whole that makes this the exciting and original book it is. He takes his stroll around the bay with the acute sensitivity of a lover, the good humor of a friend, and the wisdom of a seeker who has immersed himself in all aspects of this contrapuntal culture. His curiosity leads him to many byways, both real and metaphoric, and his passion for this ancient city and its people becomes, in his graceful prose and amusing anecdotes, irresistibly contagious.

    The Art of Urban Sketching is both a comprehensive guide and a showcase of location drawings by artists around the world who draw the cities where they live and travel.

    He delves instead into why Italian Americans have such a complicated relationship with the “old country,” and how Italy produces some of the world’s most astonishing art while suffering from corruption, political fragmentation, and an enfeebled civil society.With topics ranging from the pervasive force of Dante’s poetry to the meteoric rise of Silvio Berlusconi, Luzzi presents the Italians in all their glory and squalor, relating the problems that plague Italy today to the country’s ancient roots. He shares how his “two Italies”—the earthy southern Italian world of his immigrant childhood and the refined “northern” Italian realm of his professional life—join and clash in unexpected ways that continue to enchant the many millions who are either connected to Italy by ancestry or bound to it by love.

     Although initially drawn to Italy for its art, architecture, and Vogue, often described in other books, it is evident that still lifes and stilettos do not hold this author’s attention as much as living people do. The author’s open, sympathetic viewpoint captures the characters’ quirky charm and the local color. Although you wouldn’t call this a philosophical book, how the author observes and deals with individuals and situations in her life shows that she follows her own philosophy, one that is worth looking into. While the author is not so naïve as to think that all Italians’ lives flow as smoothly as their olive oil, she has not met anyone in Italy who is bitterly disappointed with life. So pour yourself a glass of Italian wine, add a dose of accordion music, and spend some time in Ivanka Di Felice’s Italy. This book can be read as a stand-alone or feel free to tag along for more laugh out loud adventures in Italy by reading A Zany Slice of Tuscany and Zany Renovations. THIS IS NOW ONE OF MY FAVORITE BOOKS. Italy without FAMIGLIA isn't really Italy! - Whistlers Mom TOP 500 REVIEWER If you enjoy ex-pat stories, you've probably read a pile of books by people who've moved to Italy. They marvel at the ancient wonders. They do battle with horrendously complicated Italian bureaucracy. They agonize over tardy repairmen. They spend most of their time with other ex-pats, but have cute stories to tell about the natives and they ALL consider themselves experts on Italian life. These people know NOTHING! Italian life is about family and this author knows all about Italian families because she married into one. Her handsome husband was born in Canada to Italian parents. Then he married a woman who was in love with him and with the idea of living in Italy and slowly she chipped away at his resistance until he agreed to move to his ancestral village. And there she meets the FAMIGLIA - an assortment of grandparents, uncles, aunts, and cousins who believe that Italy is the ONLY place to live and that there can never be too much food or wine or too many loud, crowded family gatherings. Eventually the young couple relocates to Tuscany and their adventures continue as they locate a house, buy a car, get to know the neighbours, seek work, and (of course) entertain visiting relatives. This is the true Italy.No matter how much you've read about Italy and Italians, this will be a real eye-opener and you'll have to stop so often to laugh that it will take you much longer to read than you anticipate.

    First he covers the basic proportions of the head and the proper placement of facial features. Then he shows you how to render light and shadow, as well as exploring simple techniques for capturing an array of facial expressions and depicting differences in type and character. This comprehensive guide is a welcome addition to any artistÆs drawing reference library!

    When Moore sat on it for the first time, he felt like a sharp-suited, Ray Ban wearing young Marcello Mastroianni. Riding the back roads, visiting small towns, sleeping in haylofts, Moore shows us an Italy rarely seen--from picnicking in the Italian Alps to rattling through cobbled hilltop towns to gate-crashing France Mayes's villa. When Moore's girlfriend, Sally, joins him for two weeks on the road, his fantasy is complete, summer in Italy on a Vespa with too much chrome and a pretty girl riding on the back. But it is Sophia's delicate constitution we owe the greatest gratitude. Her need for constant pampering and frequent stops hypnotizes all those who gaze upon her. The locals, unaccustomed to foreign visitors, graciously invite Sopia (and Moore) into their homes, inns and restaurants to share their memories of their first Vespa; their first serious romance. Sophia forced Moore to slow down, gave him time to enjoy the simple beauty of Italy and its people--and let him experience Italy's dolce vita.

    Andrea di Robilant’s tale takes us back to the time of Josephine Bonaparte, as well as into some of the most delightful rose gardens in Italy today, brought to colorful life on the page in the watercolors of artist Nina Fuga.   In his 2008 biography of the Venetian lady Lucia Mocenigo (his great-great-great-great- grandmother), di Robilant described a pink rose that grows wild on the family’s former country estate, mentioning its light peach-and-raspberry scent. This passing detail led to an invitation for an audience with a local rose doyenne, Eleonora Garlant. She and other experts wondered if di Robilant’s unnamed rose could possibly be one of the long-lost China varieties that nineteenth-century European growers had cultivated but which have since disappeared. On the hunt for the identity of his anonymous yet quietly distinctive rose, Di Robilant finds himself captivated by roseophiles through time––from Lucia and her friend Josephine Bonaparte to the gifted Eleonora, whose garden of nearly fifteen hundred varieties of old roses is one of the most significant in Europe––and by the roses themselves, each of which has a tale to tell. What starts out as a lighthearted quest becomes a meaningful journey as di Robilant contemplates the enduring beauty of what is passed down to us in a rose, through both the generosity of nature and the cultivating hand of human beings, who for centuries have embraced and extended the life of this mysterious flower.

    There, any romantic visions they'd had of restoring a villa or stamping their entwined feet in vats of Chianti grapes disappeared faster than the chief witness in a Cosa Nostra trial. Shamus and Gill's tiny apartment in Catania was located in a grim neighborhood opposite a triple-X cinema and a shop selling coffins, nearby Mount Etna erupted soon after their arrival, a mystery ailment left Shamus in a neck brace, they crashed a Vespa, and they had regular dealings with at least one Mafioso. This, then, is an Italian sea change with grit. But it's also a story of optimism, endurance, and acceptance; an exploration of the minutiae of Sicilian culture, history, food, and religion; and an example of how to find beauty—and humor—in the most unexpected of places.