The beautiful young must find a way to restore herself and her aunt to respectability, preferably without accepting either of two repugnant offers. One is from an older, very rich and rather corpulent lord whose reputation for licentious behavior disgusts her; the other from the young, puppyish scion of a noble family whose relatives are convinced she is a fortune hunter.Lady Mablethorpe was aghast. Her young son Adrian was marrying Miss Deborah Grantham--a gambling-club wench! Thus she sent her trusted nephew, the vastly wealthy, clever, and imperturbable Max Ravenscar, speeding to the faro tables to buy the hussy off. To Ravenscar's surprise, Deborah turned out to be remarkably handsome, witty, and--he could scarcely believe it--well-bred. Nevertheless, he expected she'd be grateful for the price he offered to give up her young suitor. Arrogant Ravenscar comes to buy her off, an insult so scathing that it leads to a volley of passionate reprisals, escalating between them to a level of flair and fury that can only have one conclusion....The CorinthianPenelope Creed will do anything to avoid marrying her repulsive cousin. Dressed in boy's clothing, she's fleeing from London when she's discovered by Sir Richard Wyndham, himself on the verge of the most momentous decision of his life.When Sir Richard encounters the lovely young fugitive, he knows he can't allow her to travel to the countryside all alone, so he offers himself as her protector. As it happens, at that very moment Sir Richard could use an escape of his own...The NonesuchWhen they learned that Sir Waldo Hawkridge was coming, the village gentry were thrown into a flurry. The famed sportsman himself! Heir to an uncounted fortune, and a leader of London society! The local youths idolized "the Nonesuch"; the fathers disapproved; and the mothers and daughters saw him as the most eligible--and elusive--man in the kingdom.But one person remained calm. When she became a governess, Ancilla Trent had put away romance, and at first she could only be amused at the fuss over Sir Waldo. But when he ignored the well-born beauties of the district, a shocking question began to form: could the celebrated gentleman be courting her?

    In simple but vivid detail, Velma Wallis depicts a landscape and way of life that are at once merciless and starkly beautiful. In her old women, she has created two heroines of steely determination whose story of betrayal, friendship, community and forgiveness "speaks straight to the heart with clarity, sweetness and wisdom" (Ursula K. Le Guin).

    These rare King works are looked at in chronological order, beginning with some of the earliest works by King that are still extant, including the 1956 story "Jhonathan and the Witches", and the legendary 1960 typescript collection, People, Places, and Things. The Lost Work of Stephen King continues through his entire life, highlighting King's fascinating creations in addition to the many novels, short stories, and movies for which he is so well known.Looking at these uncommon works in chronological order allows a parallel look at King's life and times -- a comprehensive biographical thread that weaves its way through a forty-year span. Each section begins with an insightful biographical essay chronicling King's life at the time each "lost work" was written.In addition to comprehensive coverage of the nearly unknown Stephen King writings, the book includes a detailed bibliography and filmography focusing on King's readily available, mainstream work, thus providing the reader with one-stop shopping for all their grisly Stephen King needs!Written by one of the world's leading Stephen King experts, The Lost Work of Stephen King will enable fans to fill in the gaps between King's major writings and become experts themselves on the King ofHorror.

    s/t: Plato's original story of the lost city, continent, empire

    It continues as a series of unforgettable encounters with men and, especially, women whose lives have been improbably and yet permanently transfigured by the strange power of desire. Lucid and lyrical, The Pure and the Impure stands out as one of modern literature's subtlest reckonings, not only with the varieties of sexual experience, but with the always unlikely nature of love.

    Get me the money I had kept with you, will give it to him. At least we will live in peace.” Munni was sweeping the floor, she turned and replied, “We have just three rupees. JUST THREE RUPEES.” Her anger was evident in her tone, “We have kept it to buy a blanket for the upcoming winters. How will we survive these brutal wintry nights, if we give our savings to him? Tell him, we will pay him when we sell our crop. We don’t have anything for him right now!” Halku stood there not knowing what to do. He tried to put his thoughts in order, so as to take a decision. Winter season was at its peak and without a blanket there was no way he could sleep out in the open, guarding his fields all through the night. But he knew that refusing the money monger would be even worse. He thought, it was better to die in the open field under the dark sky than listening to the abuses being hurled at him. Clear in his mind now, he dragged his hefty self towards Munni and with a fake smile said, “Come on, Munni. Give it to me. At least it will take the moneylender off my neck. I will think of something and get the blanket.” But Munni was in no mood to listen to his fake promises. She moved away from him and said, “Am fed up of you and your assurances. Tell me, what you are going to do about the blanket. Who will give it to you for free? Who knows, how fierce it’s gonna be for us? We survived the last time, but this time it will kill us.” She paused for a second, and continued, “Why don’t you leave farming? Are we going to live like this forever? We work our asses out to grow these bloody crops but what happens when the time for harvest comes? These morons line up outside our house and take away all that we have. For God’s sake, do something else. Earn some money and do whatever you want to of it. I am not going to give even a damn penny to them.”

    We cannot quote Shakespeare to describe a headache. We must, Woolf says, invent language to describe pain. And though illness enhances our perceptions, she observes that it reduces self-consciousness; it is "the great confessional." Woolf discusses the cultural taboos associated with illness and explores how illness changes the way we read. Poems clarify and astonish, Shakespeare exudes new brilliance, and so does melodramatic fiction!On Being Ill was published as an individual volume by Hogarth Press in 1930. While other Woolf essays, such as A Room of One’s Own and Three Guineas, were first published by Hogarth as individual volumes and have since been widely available, On Being Ill has been overlooked. The Paris Press edition features original cover art by Woolf’s sister, the painter Vanessa Bell. Hermione Lee’s Introduction discusses this extraordinary work, and explores Woolf’s revelations about poetry, language, and illness.

    Winner of six Emmys (he was nominated nine times), two Sylvania Awards, on Peabody Award, and one Christopher Award for his teleplays, Serling came as close as anyone to dominating an era that abounded with talented men. His plays "Requiem for a Heavyweight" and "Patterns" are usually the first items on the lips of television aficionados reminiscing about the good old days. Yet as television changed, Rod Serling kept pace. He became producer and chief writer for the famous "Twilight Zone" series. These bizarre and fantastic adventures into the occult and demonic were without doubt one of the most creative, imaginative and successful enterprises in the history of television.Now Rod Serling has applied his prodigious writing talents to a new medium: one in which he is perhaps destined to make his greatest mark. The three novellas that compromise THE SEASON TO BE WARY betray the skillful hand of a master storyteller and prose stylist. Fired with a savage yet disciplined irony, paced with deliberate cadence that rises to a starting denouement, each story explores the theme of a terrible vengeance delivered for terrible deeds performed.In "The Escape Route," ex-Gruppenfuehrer Joseph Strobe - ex-deputy assistant commander of Auschwitz, ex-confidant of Heinrich Himmler - putters about his little rathole in Buenos Aires chewing over the good times he had breaking Jews. Yet his snug little world is turned upside down b the capture of Adolf Eichmann, and Strobe soon finds himself on the wrong end of a terrifying hunt."Color Scheme" recounts the life and times of the great King Connacher, racist and rabble-rouser, who makes his living on the stump, preaching the lynching gospel, only to find himself one summer evening the victim of an extraordinary case of mistaken identity.In "Eyes," Miss Claudia Menlo, who in her fifty lifeless years has been denied nothing that she wanted - except her sight - manipulates people with the same purposeful indifference with which she fondles the expensive bric-a-brac in her lavishly cluttered dwelling. Yet her insistant will is brutally thwarted by the one set of circumstances she cannot control.Serling has infused these simple, forceful tales with an extraordinary richness of character and detail. There is, for example, the Prussian officer Gruber, who cannot stomach the pigs like Strobe he helped create and with whom he is forced to share his guilt. And there is Indian Charlie Hatcher, the most memorable portrait of a burned-out prizefighter since Serling's own justly famous Mountain Rivera.The power, the drive, the complexity and subtlety of these novellas mark Rod Serling as one of the most important and graceful fiction writers. Mr. Serling is a graduate of Antioch College and lives in Southern California with his wife and two children.

    With Homely Girl, A Life, he turns his attention to a smaller, more intimate, canvas, but one that in its deceptive delicacy still encompasses a vast range of human fears, ambitions, and desires. Janice—the eponymous homely girl—has hated her face ever since she was a child and her mother held up Ivory Snow advertisements to her, saying, "Now that is beauty." Homely she is, but also fiercely herself. Still,it is not until she falls in love with a blind musician that she feels her full nature unfold in this exquisite portrait of a woman finding a language to describe herself.Flanked by two stories also set in Manhattan, "Fame" and "Fitter's Night," Homely Girl, A Life pays homage to a city constantly reinventing itself—and to the classic Miller themes of work, honor, and identity."Chekhovian . . . deserves praising to the top of the highest skyscraper for its humanity, wit, depth" —A.N. Wilson

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    In her unique, spellbinding way, she re-creates intimate personal experiences and gives us her wisdom on a wide variety of subjects. She tells us how a house can both hurt its occupants and heal them. She talks about Africa. She gives us a profile of Oprah. She enlightens us about age and sexuality. She confesses to the problems fame brings and shares with us the indelible lessons she has learned about rage and violence. And she sings the praises of sensuality.

    Caught in extreme states of tension, in a world of shifting borders, of instability, Rao's characters must rely on their own wits. When Partition established Pakistan and India as sovereign states, the new boundary resulted in a colossal transfer of people, the largest peacetime migration in human history. This mass displacement echoes throughout Rao's story couplets, which range across the twentieth century, moving beyond the subcontinent to Europe and America. Told with dark humor and ravaging beauty, An Unrestored Woman unleashes a fearless new voice on the literary scene.

    It remains one of the world's most widely produced plays. The plot follows a love affair between two people, Doris and George, married to others, who rendezvous once a year. Twenty-five years of manners and morals are hilariously and touchingly played out by the lovers. "Delicious wit, compassion, a sense of humor and a feel for nostalgia."-The New York Times "Genuinely funny and genuinely romantic."-The New York Post

    Newsweek’s Most Anticipated Books of 2020Forbes.com’s Most Anticipated Books of 2020Publishers Weekly’s Notable TitlesIn 1925, Barnard student Zora Neale Hurston—the sole black student at the college—was living in New York, “desperately striving for a toe-hold on the world.” During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period.Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s “lost” Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.

    The profoundly moving, day-by-day recounting of her mother’s death “shows the power of compassion when it is allied with acute intelligence” (The Sunday Telegraph). Powerful, touching, and sometimes shocking, this is an end-of-life account that no reader is ever likely to forget.