From teacups, riding boots, golf balls, and underwater sculpture to the villas of Palladio and the fish-feeding pavilion of the Peking Winter Palace, the author ranges over the less-familiar byways of designing excellence.At one time, writes Rasmussen, "the entire community tool part in forming the dwellings and implements they used. The individual was in fruitful contact with these things; the anonymous houses were built with a natural feeling for place, materials and use and the result was a remarkably suitable comeliness. Today, in our highly civilized society, the houses which ordinary people are doomed to live in and gaze upon are on the whole without quality. We cannot, however, go back to the old method of personally supervised handicrafts. We must strive to advance by arousing interest in and understanding of the work the architect does. The basis of competent professionalism is a sympathetic and knowledgeable group of amateurs, of non-professional art lovers."

    It also requires thought which, in, turn, builds understanding. Drawing cannot be detached from seeing and thinking about the fundamental nature of the subject matter being represented. The knowledge and understanding gained through drawing from life directly enhances our ability to draw from the imagination. Just as thought can be put into words, ideas can be made visible in a drawing to promote visual thinking and further stimulate the imagination. Once what is seen or imagined is made visible in a drawing, the image takes on a life of its own and communicates graphically. However eloquently or crudely, all drawings, speak to the eye. From the Preface . Francis D.K. Ching

    This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture, or the Decorated Shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures, and a considerably lower price than the original. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work. Synopsis Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments. This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture, or the Decorated Shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures, and a considerably lower price than the original. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work. About Author: Biography Steven Izenour (1940-2001)

    It is difficult for us now, even with all our engineering and architectural skills, to imagine the extraordinary ways these medieval houses of worship were constructed. Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God. Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.

    Worldwide in scope, it combines a clear historical outline with masterly analysis and interpretation. Technical, economic, social and intellectual developments are brought together in a comprehensive narrative which provides a setting for the detailed examination of buildings. Throughout the book the author's focus is on the individual architect, and on the qualities that give outstanding buildings their lasting value.For the third edition, the text has been radically revised and expanded, incorporating much new material and a fresh appreciation of regional identity and variety. Seven chapters are entirely new, including expanded coverage of recent world architecture.Described by James Ackerman of Harvard University as "immeasurably the finest work covering this field in existence", this book presents a penetrating analysis of the modern tradition and its origins, tracing the creative interaction between old and new that has generated such an astonishing richness of architectural forms across the world and throughout the century.

    The argument is illustrated with examples ranging from penknives to computers and from sewing machines to railway carriages. In opening up new ways of appraising the man-made world around us, Objects of Desire is required reading for anyone who has any involvement with design and a revealing document about our society.

    

    Around the world, more and more money is being invested in buildings and land. Real estate is now a $217 trillion dollar industry, worth thirty-six times the value of all the gold ever mined. It forms sixty percent of global assets, and one of the most powerful people in the world—the president of the United States—made his name as a landlord and developer.Samuel Stein shows that this explosive transformation of urban life and politics has been driven not only by the tastes of wealthy newcomers, but by the state-led process of urban planning. Planning agencies provide a unique window into the ways the state uses and is used by capital, and the means by which urban renovations are translated into rising real estate values and rising rents.Capital City explains the role of planners in the real estate state, as well as the remarkable power of planning to reclaim urban life.

    All of that can be explained. An attraction to an enigma can't.Adam Chadwick is the biggest puzzle of all. He's a stranger in town, and he won't tell Emma about his past. Is he behind the attacks at the old Victorian mansion? Or is something more sinister happening?

     That’s what I thought I was. A botched robbery took my parents, leaving me alone. Well, not entirely alone… My uncle took me in. Enter my Greek God - my uncle’s friend and business partner. Two decades and tons of water separated us. Plus, he’d just lost his wife to his best friend. Not the best time for either of us. Not that time gives a damn when hot wild action is on the table. Muscles upon muscles. Hotter than sin. His touch set me on fire and mine must’ve done something for him as well. He couldn’t seem to get enough of me. At least for one steamy night. Then he was gone – back across the ocean – far away from me. He did leave me with something to remember him by though. My little secret. Will our secret bring us together or drive us apart?

    But she could break my heart. I'm the family enforcer. So sometimes I get sent on... errands. I go to Martha's Vineyard with one job in mind: Protect our family. Stop a rival mob family from trying to take what’s mine. I never expected to meet her. Siobhan is gorgeous, with legs for days and eyes that smolder. She understands the music that lights up my soul. She's ice and I'm fire. It can never work between us. Dueling mob families. But sometimes rules are made to be broken. And sometimes summer love can last. Thug is a fast-paced, steamy romance that shows you what happens when two people from rival mob families have a summer fling they can’t forget. Get ready for an enemies to lovers, second chance, opposites attract love story that shows you some things really are meant to be. No cheating, no cliffhangers, and a heartwarming, sizzling hot HEA.

    She would’ve been perfectly content with never seeing him again. Apparently fate had other plans. Malakai’s heart never quite forgot his first love. Even after ten years his pulse gallops at the sight of her. He never thought he’d get another chance, and he still might not with the stone wall she has up due to his past mistakes.

    Beautiful, bold commissioned woodcuts by Annika Nelson and her mother Gertrud Mueller Nelson help us meditate on the passion and death of Christ and to see how Christ is among us—often in unexpected places. Also available in Spanish, the booklet is ideal for personal or parish-wide use during the Lenten observance of the Stations of the Cross.

    The 4,000-year history of cryptography has been a kind of arms race: Each time a more complex encryption has been developed, it has been attacked and, more often than not, decoded; and each time, in response, codemakers have produced tougher and tougher codes. Codebreaker surveys the entire history of codes through an eloquent narrative and an evocative range of illustrations, paying special attention to famous codes that have never been broken, such as the Beale Ciphers, the Voynich manuscript, the Easter Island code, and many more. Many great names in history appear throughout, from Caesar and Mary Queen of Scots, to Samuel Morse and Alan Turing. The narrative is based in part on interviews with cryptology experts, Navaho windtalkers, decryption experts, and law enforcement experts, and ends with a vision of the coded future via quantum cryptography.

    The present volume is an unabridged English translation of the 13th French edition of that historic manifesto, in which Le Corbusier expounded his technical and aesthetic theories, views on industry, economics, relation of form to function, the "mass-production spirit," and much else. A principal prophet of the "modern" movement in architecture, and a near-legendary figure of the "International School," he designed some of the twentieth century's most memorable buildings: Chapel at Ronchamp; Swiss dormitory at the Cité Universitaire, Paris; Unité d'Habitation, Marseilles; and many more.Le Corbusier brought great passion and intelligence to these essays, which present his ideas in a concise, pithy style, studded with epigrammatic, often provocative, observations: "American engineers overwhelm with their calculations our expiring architecture." "Architecture is stifled by custom. It is the only profession in which progress is not considered necessary." "A cathedral is not very beautiful . . ." and "Rome is the damnation of the half-educated. To send architectural students to Rome is to cripple them for life."Profusely illustrated with over 200 line drawings and photographs of his own works and other structures he considered important, Towards a New Architecture is indispensable reading for architects, city planners, and cultural historians―but will intrigue anyone fascinated by the wide-ranging ideas, unvarnished opinions, and innovative theories of one of this century's master builders.