During that time the country underwent a massive transformation, taking it from days of grandeur under the tsars to the chaos of revolution and the beginnings of the Soviet Union.At the center of all this tumult were four women of the Romanov dynasty. Marie Alexandrovna and Olga Constantinovna were born into the family, Russian Grand Duchesses at birth. Marie Feodorovna and Marie Pavlovna married into the dynasty, the former born a Princess of Denmark, the latter a Duchess of the German duchy of Mecklendburg-Schwerin.In From Splendor to Revolution, we watch these pampered aristocratic women fight for their lives as the cataclysm of war engulfs them. In a matter of a few short years, they fell from the pinnacle of wealth and power to the depths of danger, poverty, and exile. It is an unforgettable epic story.

    Here too are the less familiar but equally intriguing personalities who occupied Russia's imperial throne: the pious but feeble Feodor I, the warm-hearted and irascible Alexei Mikhailovich, and the Empress Anna, with her taste for cruel practical jokes. Chronicle of the Russian Tsars also introduces the key debates of Russian history. How did a small principality centered on Moscow develop into a vast empire stretching from the Baltic to the Pacific? What part did the Orthodox Church play in the rise of tsarism? Why did Russia develop political and social institutions so different from those of the West? With its comprehensive timelines, data files, quotations, and stunning illustrations, Chronicle of the Russian Tsars is at once an absorbing narrative history and an essential work of reference that brings to life a powerful empire and distinctive civilization whose impact on the history of Europe and the world is immeasurable.

    Stalin and his secret police set out to convert a dozen radically different countries to Communism, a completely new political and moral system. In Iron Curtain, Pulitzer Prize-winning journalist Anne Applebaum describes how the Communist regimes of Eastern Europe were created and what daily life was like once they were complete. She draws on newly opened East European archives, interviews, and personal accounts translated for the first time to portray in devastating detail the dilemmas faced by millions of individuals trying to adjust to a way of life that challenged their every belief and took away everything they had accumulated. Today the Soviet Bloc is a lost civilization, one whose cruelty, paranoia, bizarre morality, and strange aesthetics Applebaum captures in the electrifying pages of Iron Curtain.

    The brutal murder of the Russian Imperial family on the night of July sixteenth to seventeenth, 1918 has long been a defining moment in world history. The Last Days of the Romanovs reveals in exceptional detail how the conspiracy to kill them unfolded. In the vivid style of a TV documentary, Helen Rappaport reveals both the atmosphere inside the family's claustrophobic prison and the political maneuverings of those who wished to save--or destroy--them. With the watching world and European monarchies proving incapable of saving the Romanovs, the narrative brings this tragic story to life in a compellingly new and dramatic way, culminating in a bloody night of horror in a cramped basement room.

    Henri Troyat, author of acclaimed biographies of Catherine the Great, Tolstoy, and Turgenev, turns his attention to one of the most violent, demented rulers ever, Czar Ivan IV. Though this larger-than-life ruler inflicted torture on friends and enemies alike, destroyed villages and even killed his own son, he also forged what became 20th-century Russia.

    Drawing on both primary sources and major interpretive works, this sixth edition updates its existing coverage of the social, economic, cultural, political and military events of Russia's past and includes a new chapter on the post-Gorbachev era as well as helpful updated bibliographies and reading source lists. Examining contemporary issues such as the rise of Yeltsin, the nationalities question, and Russia's attempts to market capitalism, this sixth edition takes the study of Russia straight into the new millennium, continuing A History of Russia's nearly forty-year track record as the leader in the field.

    This work paints a vivid picture of the entire Romanov family and illustrates exactly what it contributed to the creation of Russia, bringing the characters of the tsars and their family to life.

    Important new letters and photographs are also included.

    Born in splendor difficult to imagine today, she endured a lifetime of relentless tragedy with courage and exceptional powers of adjustment.The Last Grand Duchess is a valuable account of the final decades of the house of Romanov as seen through the eyes of its last surviving member. Through Olga, we meet Queen Victoria, George V of England, Rasputin, Mrs. Anderson - on whose story the movie Anastasia was made - and other impostors who plagued the exiled duchess with false hope.In this official memoir, Ian Vorres captures the loneliness and violence of Olga's years in Russia, her loveless first marriage to Prince Peter of Oldenburg, her years of exile in England and Denmark, and her final settlement with her second husband and family in Canada.Long out of print, and now reissued in a handsomely illustrated edition, The Last Grand Duchess is the thorough and engaging official biography of an extraordinary woman.

    A barbarous, volatile feudal tsar with a taste for torture; a progressive and enlightened reformer of government and science; a statesman of vision and colossal significance: Peter the Great embodied the greatest strengths and weaknesses of Russia while being at the very forefront of her development.Robert K. Massie delves deep into the life of this captivating historical figure, chronicling the pivotal events that shaped a boy into a legend - including his 'incognito' travels in Europe, his unquenchable curiosity about Western ways, his obsession with the sea and establishment of the stupendous Russian navy, his creation of an unbeatable army, and his relationships with those he loved most: Catherine, his loving mistress, wife, and successor; and Menshikov, the charming, unscrupulous prince who rose to power through Peter's friendship. Impetuous and stubborn, generous and cruel, a man of enormous energy and complexity, Peter the Great is brought fully to life.

    His eldest child, Olga Nikolaevna, great-granddaughter of Queen Victoria, had begun a diary in 1905 when she was 10 years old and kept writing her thoughts and impressions of day-to-day life as a Grand Duchess until abruptly ending her entries when her father abdicated his throne in March 1917. Held at the State Archives of the Russian Federation in Moscow, Olga’s diaries during the wartime period have never been translated into English until this volume. At the outset of the war, Olga and her sister, Tatiana, worked as nurses in a military hospital along with their mother, Tsarina Alexandra. Olga’s younger sisters, Maria and Anastasia, visited their own infirmaries to help raise the morale of the wounded and sick soldiers. The strain was indeed great as Olga records her impressions of tending to the officers who had been injured and maimed in the fighting on the Russian front. Concerns about her sickly brother, Aleksei abound, as well those for her father who is seen attempting to manage the ongoing war. Gregori Rasputin appears in entries too, in an affectionate manner as one would expect of a family friend. While the diaries reflect the interests of a young woman, her tone increases in seriousness as the Russian army suffers setbacks, Rasputin is ultimately murdered, and a popular movement against her family begins to grow. At the point Olga ends her writing in 1917, the author continues the story by translating letters and impressions from family intimates, such as Anna Vyrubova, as well as the diary kept by Nicholas II himself. Finally, once the Imperial family has been put under house arrest by the revolutionaries, observations by Alexander Kerensky, head of the Provisional Government, are provided, these too in English translation for the first time. Olga would offer no further personal writings as she and the rest of her family were crowded into a basement of a house in the Urals and shot to death in July 1918.The Diary of Olga Romanov: RoyalWitness to the Russian Revolution, translated and introduced by scientist and librarian Helen Azar, and supplemented with additional primary source material, is a remarkable document of a young woman who did not choose to be part of a royal family and never exploited her own position, but lost her life simply because of what her family represented.

    Here, over more than a thousand years, the history and destiny of Russia have unfolded. In a sweeping narrative, one of the English-speaking world's leading historians of Russia follows this story from the first emergence of the Slavs in the historical record in the sixth century C.E. to the Russians' persistent appearances in today's headlines. Hosking's is a monumental story of competing legacies, of an enormous power uneasily balanced between the ideas and realities of Asian empire, European culture, and Byzantine religion; of a constantly shifting identity, from Kievan Rus to Muscovy to Russian Empire to Soviet Union to Russian Federation, and of Tsars and leaders struggling to articulate that identity over the centuries.With particular attention to non-Russian regions and ethnic groups and to Russia's relations with neighboring polities, Hosking lays out the links between political, economic, social, and cultural phenomena that have made Russia what it is--a world at once familiar and mysterious to Western observers. In a clear and engaging style, he conducts us through the Mongol invasions, the rise of autocracy, the reigns of Ivan the Terrible and Peter the Great, the battle against Napoleon, the emancipation of the serfs, the Crimean War, the Bolshevik Revolution, Stalin's reign of terror, the two World Wars, the end of the USSR, to today's war against Chechnya. Hosking's history is shot through with the understanding that becoming an empire has prevented Russia from becoming a nation and has perpetuated archaic personal forms of power. This book is the most penetrating and comprehensive account yet of what such a legacy has meant--to Russia, and to the world.

    Petersburg, a failed uprising ignited a process that would, one red October, finally sweep the autocracy away. The Shadow of the Winter Palace recounts an extraordinary century of Russian history, a politically tempestuous time that was also a Golden Age of intellectual and artistic achievement -- the century of Dostoyevsky and Tolstoy, of Rimsky-Korsakov and Tchaikovsky. A master stylist and a distinguished historian, Edward Crankshaw limns dazzling portraits of the czars, the revolutionaries, and a host of other unforgettable characters -- and provides a riveting, sweeping history "jam-packed with information about the past and implications for the present"(Atlantic Monthly).

    

    This text - an album of pictures gathered by the author over many years - shows the extended Romanov family.