One critic, writing upon the publication of the final volume, casually tagged the series as the ultimate work on Dostoevsky "in any language, and quite possibly forever."Frank himself had not originally intended to undertake such a massive work. The endeavor began in the early 1960s as an exploration of Dostoevsky's fiction, but it later became apparent to Frank that a deeper appreciation of the fiction would require a more ambitious engagement with the writer's life, directly caught up as Dostoevsky was with the cultural and political movements of mid- and late-nineteenth-century Russia. Already in his forties, Frank undertook to learn Russian and embarked on what would become a five-volume work comprising more than 2,500 pages. The result is an intellectual history of nineteenth-century Russia, with Dostoevsky's mind as a refracting prism.The volumes have won numerous prizes, among them the National Book Critics Circle Award for Biography, the Christian Gauss Award of Phi Beta Kappa, the Los Angeles Times Book Prize, and the James Russell Lowell Prize of the Modern Language Association.

    Alexander Solzhenitsyn's Warning to the West includes the texts of the Nobel Prize-winning author's three speeches in the United States in the summer of 1975, his first major public addresses since his expulsion from the Soviet Union in 1974: on June 30 and July 9 to trade-union leaders of the AFL-CIO in Washington, D.C., and in New York City, and on July 15 to the United States Congress; and also the texts of his BBC interview and radio speech, which sparked widespread public controversy when they were aired in London in March 1976.Solzhenitsyn's outspoken criticism of the West's growing weakness and complacency and his belief that Russia's growing strength will enable her to establish supremacy over the West without risk of a nucelar holocaust are expressed with the moral authority of a great novelist and historian.Solzhenitsyn mounts a public indictment of the supine inattention of the West that rings like the blows of the hammer with which Luther nailed his manifesto to the doors at Wittenberg.--Times Literary Supplement

    A generous selection of Russian poetry from medieval times down to the modern period.

    Most of the novella, told in the third person, relates incidents from the life of Vadim Alexandrovich Glebov. These portions alternate with short chapters told by an unidentified narrator who once knew Glebov.

    From the isolation of the twenty-five years she was banned from publishing her work, and the sorrow of her tragic losses—her first husband executed by Stalin, her second dead in the work camps, and her son imprisoned for fourteen years—to her final years of triumph receiving public acclaim as the country's foremost woman poet, this compelling, authoritative account traces the relationship between her writings and her life. Haight provides elegant translations and detailed analyses of Akhmatova's finest works, including "Requiem" and "Poem without a Hero," revealing the brilliance of this now highly praised poet.

    This is one of three volumes of the first historical anthology of Russian philosophical thought from its origins to the present day, with critical and interpretive commentary. Includes 68 selections from 27 philosophers.

    Every Ibanskian citizen is named Iban Ibanovich Ibanov, and therefore goes by a nickname as Chatterer, Slanderer, Boss, Hog, Truthteller, Dauber, Sociologist, and many others. Truth Teller is obviously Alexander Solzhenitsyn, the Boss is Stalin, Hog is Khrushchev. Lesser characters are more difficult to figure out. Ibansk roughly translates into English as 'Screw Town of (or for) all Ivans'. Their political religion is called the Ism (which is short for Soc-ism), and nobody really believes in it. When it was written the book was essentially a superlative description of the Soviet Union.

    

    

    Letters and documents never previously translated from Russian contribute to making this book a fascinating examination of Kutuzov's military career.

    

    The unforgettable cast of characters is led by his beautiful, capricious girlfriend and a supreme hedonist who has been called The Russian Falstaff. Submerged in the supposedly puritan country's private devotion to food, drink, sex, and despair, the narrator, a London reviewer found, "seems to catch the soul of the Soviet citizen." "Feifer is possibly unique," a second London critic delighted, "for having written a book with several layers of brilliance."

    In this second volume of his trilogy which began with To the Back of Beyond, Sir Fitzroy Maclean transports us to one of the most exciting places on earth, to the vast mountain barrier of the Caucasus, with its towering, snow capped peaks and precipitous abysses, and beyond it to the mellow, sunlit uplands of Georgia and Armenia.