She’s rich, I’m poor. We come from two different worlds and her parents would never let a princess like her get with a bad boy like me. Which is probably best, seeing as how I lost my ability to love a long time ago. Good girls stay away from me. They know better than to get close.But Maddie wants out of her life. She thinks I can save her from the path that’s been chosen from her. But I’ve seen this plenty of times before. Rich girls like her aren’t serious about guys like me. If she wants to me mine, she’s going to have to prove she can live in my world. But if she’s smart, she’ll stay as far away from me as she can, because this heartless boy will be her ruin…

    But her elderly boss thinks it's high time Ann starts living large and issues her a challenge—being daring or she will sell out to the land developer bent on bringing a big box store to River Falls. What's a woman to do but put on a short skirt and hit the Rusty Rail Saloon to save her town? The last thing on Mitchell Black's mind is an adventuresome sex-capade, especially with a preacher's daughter who's trying too hard to be a badass. He's got two younger brothers to raise and a ranch to run. But one look at Ann and he's rethinking his priorities. Problem is, will Ann's newfound badassery have her hankering to leave Montana for good?

    

    Nearly twenty years later, when published for the first time in English, Discourse on Colonialism inspired a new generation engaged in the Civil Rights, Black Power, and antiwar movements. Aimé Césaire eloquently describes the brutal impact of capitalism and colonialism on both the colonizer and colonized, exposing the contradictions and hypocrisy implicit in western notions of "progress" and "civilization" upon encountering the "savage," "uncultured," or "primitive." He reaffirms African values, identity, and culture, and their relevance, reminding us that "the relationship between consciousness and reality is extremely complex. . . . It is equally necessary to decolonize our minds, our inner life, at the same time that we decolonize society." An interview with Aimé Césaire by the poet René Depestre is also included.

    As she learns the truth behind her marriage, she is faced with realizing not all fairytales have happy endings.MEET TAYLOR ROSS, Taylor has made a life for herself as one of the most talented artists of her generation. When Taylor tries to take on mental illness, she is faced with the reality that some things in life cannot be fixed with a paint brush.MEET JACQUELINE “JACKIE” MCKINLEY, after years of waiting for her big Hollywood break, Jackie gets an opportunity of a lifetime that changes her life forever. But was the price of fame worth it?What happens when the life you thought you were going to have is hit with the Reality in Chaos? Through life’s unexpected twist and turns, one thing is consistent for these women; their friendship and sisterhood.

    Aggressive. Dangerous. Are you ready to fall in love with a BAD man?There is only one rule to being a hitman. No witnesses.I was hired to do a job.Eliminate a threat to her.Josephine KotovUntouchable.Off limits.No matter how bad I want her.I accepted it.I moved on.But fate threw us together again.The job was going as planned.Until she walked in,And ruined everything.The rules are the rules.What she saw means she's supposed to be next on my list.But can't do it...She knows my secret,but this is one trigger I can't bring myself to pull.Even if I am a very bad man.

    He seemed ordinary. Just my luck. Speaking of luck, lost my job too. Now I just need to find a new gig with great pay and a good boss. That boss turns out to be that hot billionaire I just mentioned. You just can’t make these things up. Unfortunately I can’t seem to get our one night out of my head. It’s playing on a loop and I’m seriously ready for the sequel. But there’s no redeeming this guy. He’s really good at getting the girl. And this time, it’s me.

    Historical debate about the origin of racial slavery has focused on the status of the Negro in seventeenth-century Virginia and Maryland. However, as Theodore W. Allen argues in this magisterial work, what needs to be studied is the transformation of English, Scottish, Irish and other European colonists from their various statuses as servants, tenants, planters or merchants into a single new all-inclusive status: that of whites. This is the key to the paradox of American history, of a democracy resting on race assumptions.Volume One of this two-volume work attempts to escape the “white blind spot” which has distorted consecutive studies of the issue. It does so by looking in the mirror of Irish history for a definition of racial oppression and for an explanation of that phenomenon in terms of social control, free from the absurdities of classification by skin color. Compelling analogies are presented between the history of Anglo-Irish and British rule in Ireland and American White Supremacist oppression of Indians and African-Americans. But the relativity of race is shown in the sea change it entailed, whereby emigrating Irish haters of racial oppression were transformed into White Americans who defended it. The reasons for the differing outcomes of Catholic Emancipation and Negro Emancipation are considered and occasion is made to demonstrate Allen’s distinction between racial and national oppression.

    The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. The emphasis was on the SI's profound engagement with the art and cultural politics of their time (1957-1972), with a strong argument for their primarily political and activist stance by two former members of the group, T. J. Clark and Donald Nicholson-Smith.Guy Debord and the Situationist International supplements both sections. It reprints important, hard to find essays by Giorgio Agamben, Libero Andreotti, Jonathan Crary, Thomas Y. Levin, Greil Marcus, and Tom McDonough and doubles the number of translations of primary texts, which now encompass a broader and more representative range of the SI's writings on culture and language. In a field still dominated by hagiography, the critical texts were selected for their willingness to confront critically the history and legacy of the SI. They examine the group within the broader framework of the historical and neo-avant-gardes and, beyond that, the postwar world in general. The translations trace the SI's reflections on the legacy of the avant-garde in art and architecture, particularly on the linguistic and spatial significance of montage aesthetics. Many of the translated works are by Guy Debord (1932-1994), the impresario of the SI, especially known for his book The Society of the Spectacle.

    Hang out with Jack Sullivan and his friends as they navigate life after the Monster Apocalypse--living in a tricked-out tree house, avoiding zombies, battling evil world-destroying monsters, and generally treating life like it's the best video game ever! This boxed set includes the first three books from the New York Times bestselling The Last Kids on Earth series: The Last Kids on Earth, The Last Kids on Earth and the Zombie Parade, and The Last Kids on Earth and the Nightmare King. Full of black-and-white illustrations, cool inventions, and every sort of monster, The Last Kids on Earth Collection is the perfect gift for the kid who doesn't want the action (or the laughs) to stop!

    If he fails, she will be dragged into the Shadow Realm and passed from one breeder to the next. There’s only one way to save her: The evil twin will not breed with his mate if she has already been claimed, so Vai must do it first.But Vai is kind and can only take what is willingly given. Emma is attracted to her possessive alien warrior but refuses to sleep with him. After all, the M’rora mate for life and it’s not a commitment she’s ready to make… even if a worse fate awaits her.Will she listen to her inner voice that longs to be claimed by the powerful alien or will she ignore it and realize her mistake too late?

    WILL HE BE ABLE TO STOP THEM BEFORE IT’S TOO LATE?TALON:I’ve fought in the pits of hell for my country. For the freedom of every man, woman, and child. So, you can imagine my surprise when I find out that my family is trying to take away mine. To make me out as some kind of monster that shouldn’t be among society. I won’t let them win. But they’ve found a hole in my armor. They threaten the one woman breaking down my defenses. My family has forgotten a SEAL doesn’t back down from a fight and I will use any tool in my arsenal to protect my little pixie. I will do everything to keep her safe.PIPER:My Mama always told me that when I saw my one I would know. And I’m one hundred percent certain that my one is Talon Cross. Now to make him see that is a lot easier said than done. Especially when his family gets involved and I find out the lengths they’ll go to get what they want. Can I convince Talon to give us a chance? Or will I lose him before we ever start?TRIGGER WARNING:Honor & Ink contains strong language, hot and steamy sexual scenes that include spanking, and some intense scenes of assault and trauma that may be a trigger for some readers. Please do not read if such things offend you.

    

    Derek Attridge argues that such resistance represents not a dead end, but a crucial starting point from which to explore anew the power and practices of Western art.In this lively, original volume, the author:considers the implications of regarding the literary work as an innovative cultural event, both in its time and for later generations; provides a rich new vocabulary for discussions of literature, rethinking such terms as invention, singularity, otherness, alterity, performance and form; returns literature to the realm of ethics, and argues the ethical importance of the literary institution to a culture; demonstrates how a new understanding of the literary might be put to work in a 'responsible, ' creative mode of reading.The Singularity of Literature is not only a major contribution to the theory of literature, but also a celebration of the extraordinary pleasure of the literary, for reader, writer, student or critic.

    At the same time, as a new wave of nationalism and right-wing politics spreads across the world, fewer and fewer people are being convinced that socialism could improve their everyday lives, let alone save us from our own destruction.In this timely and explosive book, philosopher and YouTuber Jonas Čeika (aka Cuck Philosophy) re-invigorates socialism for the twenty-first century. Leaving behind its past associations with bureaucracy and state tyranny, and it's lifeless and drab theoretical accounts, Čeika instead uses the works of Marx and Nietzsche to reconnect socialism with its human element, presenting it as something not only affecting, but created by living, breathing, suffering human individuals.At a time when ecological collapse is hurtling towards us, and capitalism offers no solution except more growth and exploitation, How to Philosophise with a Hammer and Sickle shows us the way forward to a socialism grounded in human experience and accessible to all.