The authors explore the important relationship between text, learner, and learning. With an array of methods and assignments to establish critical literacy in a discussion-based and reflective classroom, you ll encourage students to find meaning and cultivate thinking from even the most challenging expository texts."

    Their members are caretakers of lost knowledge from the greatest civilizations of antiquity. And those who earn a place among their number will secure a life of wealth, power, and prestige beyond their wildest dreams. Each decade, the world’s six most uniquely talented magicians are selected for initiation – and here are the chosen few...- Libby Rhodes and Nicolás Ferrer de Varona: inseparable enemies, cosmologists who can control matter with their minds.- Reina Mori: a naturalist who can speak the language of life itself.- Parisa Kamali: a mind reader whose powers of seduction are unmatched.- Tristan Caine: the son of a crime kingpin who can see the secrets of the universe.- Callum Nova: an insanely rich pretty boy who could bring about the end of the world. He need only ask.When the candidates are recruited by the mysterious Atlas Blakely, they are told they must spend one year together to qualify for initiation. During this time, they will be permitted access to the Society’s archives and judged on their contributions to arcane areas of knowledge. Five, they are told, will be initiated. One will be eliminated. If they can prove themselves to be the best, they will survive. Most of them.

    Years after coming to New York to try to build a life, she has found herself with two kids, a husband, two jobs, a PhD―and now they’re filing for bankruptcy. As she tries to balance her dream and the impossibility of striving toward it while her work and home lives feel poised to fall apart, she wakes at ungodly hours to run miles by the icy river, struggling to quiet her thoughts.When she reaches out to Sasha, her long-lost childhood friend, it feels almost harmless―one of those innocuous ruptures that exist online, in texts. But her timing is uncanny. Sasha is facing a crisis, too, and perhaps after years apart, their shared moments of crux can bring them back into each other’s lives.In Want, Lynn Steger Strong explores the subtle violences enacted on a certain type of woman when she dares to want things―and all the various violences in which she implicates herself as she tries to survive.

    Walker was born in a Chicago housing project and raised, along with his six brothers and sisters, by blind parents of modest means but middle-class aspirations. A boy of great promise whose parents and teachers saw success in his future, he seemed destined to fulfill their hopes. But by age fourteen, like so many of his friends, he found himself drawn to the streets. By age seventeen he was a school dropout, a drug addict, and a gangbanger, his life spiraling toward the violent and premature end all too familiar to African American males. And then came the blast of gunfire that changed everything: His coke-dealing friend Greg was shot to death—less than an hour after Walker scored a gram from him. “Twenty-five years later, tossing the drug out the window is still the second most difficult thing I’ve ever done. The most difficult thing is still that I didn’t follow it.”So begins the story, told in alternating time frames, of the journey that Walker took to become the man he is today—a husband, father, teacher, and writer. But his struggle to escape the long shadows of the streets was not easy. There were racial stereotypes to overcome—his own as well as those of the very white world he found himself in—and a hard grappling with the meaning of race that came to an unexpected climax on a trip to Africa.An eloquent account of how the past shadows but need not determine the present, Street Shadows is the opposite of a victim narrative. Walker casts no blame (except upon himself), sheds no tears (except for those who have not shared his good fortune), and refuses the temptations of self-pity and self-exoneration. In the end, what Jerald Walker has written is a stirring portrait of two Americas—one hopeless, the other inspirational—embodied within one man.

    Kluge's creation of Canaris as the first faculty member in half a century whose death merits an obituary in the New York Times is right on the money. A writer, a critic, a professor, a campus legend and a national figure, the very embodiment of the liberal arts, the fictional Times obituary said. And a mystery. Canaris, hero and anti-hero, was the author of two well-received novels and a book of essays, all published more than thirty years ago. Taken together, they were the beginnings of an impressive shelf to which, in all his years in Ohio, he added nothing. Compared to Faulkner and Dos Passo at the start of his career, the Times observed, in the end Canaris resembled Harper Lee.With a book listed among the 100 greatest novels of all time, decades separating Canaris from the hefty advance taken on his next book The Beast, which was to be his masterpiece and not a page to show of it, Canaris is a great fictional creation an enigma. Inevitably, speculation grows that the book was a myth, a lie, a joke. Every passing year made skeptics more confident. But never certain.Upon his death, Mark May, a young English professor who barely knew him finds himself named as Canaris's literary executor executor of what is unclear. Thus begins a search through lives and letters that is at once gripping, hilarious and affirming. A true page-turner, P.F. Kluge's Gone Tomorrow, is equal parts Richard Russo and Michael Chabon, and yet entirely unlike anything you've ever read.

    At 24, she’s finally made it to England on a Rhodes Scholarship when she’s offered an unbelievable position in a rising political star’s presidential campaign. With the promise that she’ll work remotely and return to DC at the end of her Oxford year, she’s free to enjoy her Once in a Lifetime Experience. That is until a smart-mouthed local who is too quick with his tongue and his car ruins her shirt and her first day.When Ella discovers that her English literature course will be taught by none other than that same local, Jamie Davenport, she thinks for the first time that Oxford might not be all she’s envisioned. But a late-night drink reveals a connection she wasn’t anticipating finding and what begins as a casual fling soon develops into something much more when Ella learns Jamie has a life-changing secret.Immediately, Ella is faced with a seemingly impossible decision: turn her back on the man she’s falling in love with to follow her political dreams or be there for him during a trial neither are truly prepared for. As the end of her year in Oxford rapidly approaches, Ella must decide if the dreams she’s always wanted are the same ones she’s now yearning for.

    Assuming no knowledge of the field of morphology on the part of the reader, the book presents a broad range of morphological phenomena from a wide variety of languages. Starting with the core areas of inflection and derivation, the book presents the interfaces between morphology and syntax and between morphology and syntax and morphology and phonology. The synchronic study of word structure is covered as are the phenomena of diachronic change such as analogy and grammaticalization. Theories presented clearly in accessible language with the main purpose of shedding light on the data, rather than as a goal in themselves. The author consistently draws on the best research available, thus utilizing and discussing both functionalist and generative theoretical approaches. Each chapter includes a summary, suggestions for further reading, and exercises. As such this is the ideal book for both beginning students of linguistics, or anyone in a related discipline looking for a first introduction to morphology.

    Mimi - she's the second grade teacher every kid should have. Hip and hilarious, she brings us into her New York City classroom, with no hold barred. From the Great Pencil Crisis of 2003 to ill-fated field trips (lesson #1: don't trust a farm in Queens), Mrs. Mimi has seen it all. Based on her popular blog, "It's Not All Flowers and Sausages "shows us what it's like to commune with seven-year-olds for a living - pee jokes, annoying colleagues, and all. Join Mrs. Mimi in the teacher's lounge and in her classroom, as she wrangles the naughty kids, outsmarts the sneaky ones, and tries to get everyone to third grade in one piece.