Yet, like its pop cultural peers punk and hip hop, it was born of a period of profound social and economic upheaval. In "Turn the Beat Around," critic and journalist Peter Shapiro traces the history of disco music and culture. From the outset, disco was essentially a shotgun marriage between a newly out and proud gay sexuality and the first generation of post-civil rights African Americans, all to the serenade of the recently developed synthesizer. Shapiro maps out these converging influences, as well as disco's cultural antecedents in Europe, looks at the history of DJing, explores the mainstream disco craze at it's apex, and details the long shadow cast by disco's performers and devotees on today's musical landscape. One part cultural study, one part urban history, and one part glitter-pop confection, "Turn the Beat Around" is the most comprehensive study of the Me Generation to date.

    the open road. protest and rebellion, the blues, youth, lost love, and sexuality. With adoration Tim Brookes explores these ideas and how they became entwined with the history of America. Shortly before his fiftieth birthday, baggage handlers destroyed his guitar, his twenty-two-year-old traveling companion. His wife promised to replace it with the guitar of his dreams, but Tim discovered that a dream guitar is built, not bought. He set out to find someone to make him the perfect guitar-- a quest that ended up a dirt road in the Green Mountains of Vermont. where an amiable cur mudgeon master-guitar-maker, Rick Davis, took a rare piece of cherry wood and went to work with saws, rasps, and files. Arriving with conquistadors and the colonists, the guitar found itself in an extraordinary variety of hands: those of miners and society ladies. lumberjacks and presidents wives, girls and boys courting in canoes and frolicking on picnics, Hawaiians, African-Americans. Cajuns, Jazz players rehearsing in a men's room in Atlantic City. spiritualists. singing cowboys of the silver screen. bluegrass musicians, and Beatles fans. Inventors and crackpots tinkered with it. In time it became American's instrument, the rhythm of its soundtrack. When Tim wasn't breathing over Rick's shoulder. he was trying to unvravel the symbolic associations a guitar bolds for so many of us, musicians and nonmusicians alike. His quest took him across the country.talking to historians. curators. and guitar makers. As David Spelman, founder and director of the New York Guitar Festival. raved: "Guitaris "a love to the guitar. from a guitar-loved extradinaire."

    It's the culmination of over thirty years of dedicated research and scholarship by Michael Gray.Inside these pages, you'll find a world of ideas, facts, and opinions. It's a world in which Baudelaire flows on from the Basement Tapes and A.S. Byatt looks out at the Byrds; in which Far from the Madding Crowd follows Ezekiel and Bob Geldof introduces Jean Genet; and in which Hank and William Carlos Williams stand side by side while J.R.R. Tolkien trails the Titanic. Most of all, of course, it's a world in which everyone and everything interconnects, in endlessly fascinating ways, with one of our greatest living artists: Bob Dylan."Michael Gray... probably Dylan's single most assiduous critic." -New York Review of Books"Fans of Bob Dylan have a multitude of choices when it comes to biographies and retrospectives, but author Michael Gray outdistances them all with this voluminous collection of all things Dylan. ... Insightful and entertaining, Gray's tome will broaden appreciation of the artist, his influences and his legacy." -Publishers Weekly (starred review)"...has all you need to know, and more" -Richard Corliss, Time"This is no mere catalog of facts, but a work of oceanic immersion. It has wit, opinion, style, and asks to be read, not just consulted." -Village Voice"Deeply impressive...destined to be the most important Dylan book, bar none."-Gerry Smith, The Dylan Daily"Utterly idiosyncratic." -Janet Maslin, New York Times"Amazingly well-researched and surprisingly readable work." -Library Journal (starred review)"Door-stopping detail." -Toronto Star"Magnificent...won't just astonish readers with its detail about Dylan's work...contains so many insights and refutes so many myths about the rock 'n' roll era in general that it's invaluable as both a reference guide and a personality study." -Nashville City Paper"Comprehensive and up-to-date." -Slate

    A Dance Book Club main selection, this guide offers a general explanation of anatomy, kinesiology, and technique for ballet dancers, students, and teachers.

    But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem.Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.

    The Song Machine goes behind the scenes to offer an insider’s look at the global hit factories manufacturing the songs that have everyone hooked. Full of vivid, unexpected characters—alongside industry heavy-hitters like Katy Perry, Rihanna, Max Martin, and Ester Dean—this fascinating journey into the strange world of pop music reveals how a new approach to crafting smash hits is transforming marketing, technology, and even listeners’ brains. You’ll never think about music the same way again.A Wall Street Journal Best Business Book

    From the moment the metronomic pulse of a heartbeat thudded out to begin "Speak to Me" to the soaring guitar solo that climaxed "Comfortably Numb," these self-effacing men in their late fifties stole the show. Almost a year later, the death of their troubled founder-member Syd Barrett made headline news worldwide. Both events signaled a kind of closure to the remarkable tale of one of the world's biggest bands. Now, in the first full-length history of the group for more than fifteen years, Mark Blake tells the story of how a group of middle-class Englishmen conquered the world. Drawing on his own interviews with all of the band members, interviews with the group's friends, road crew, producers, former housemates and university colleagues, as well as musical contemporaries including Pete Townshend and Alice Cooper, Comfortably Numb follows Pink Floyd all the way from the early psychedelic nights at UFO in the mid-sixties to the stadium-rock and concept-album zenith of the seventies, and finally the acrimonious schism that sundered the band in the '80s and '90s.

    Small, sleek, and sexy, but with the capacity to hold up to ten thousand songs, the iPod has stunned music lovers and gadget enthusiasts around the world. It has delighted indie-rock college kids and elderly jazz fans, classical musical buffs and teenage hip-hop hustlers, almost no technology has so seamlessly crossed the great divide. In iPod, Therefore I Am, Jones tells the story of his own entrée into this exponentially growing cult, taking the reader on a hilariously candid journey through his lifelong addiction to all genres of music, however unfashionable. Along the way, he gives a tantalizing behind-the-scenes look at the genesis of the iPod, from its original conception by Steve Jobs, the man who famously reinvented Apple Computer, to the landmark design of Jonathan Ive, the innovative designer who has become a legend in his own time. Behind it all, we get an insight into the way that the iPod has radically transformed the way we approach music, listen to music, and possess music—turning all of us into curators. Appendices containing Jones's top playlists and his expert tips on getting the most out of your iPod make this love song to the iPod as practical as it is entertaining.

     Updating, revising, and expanding on material from his cult classic Hellhounds on Their Trail, Patterson offers up a delectable feast of strange and occasionally frightening rock and roll tales, featuring the ironies associated with the tragic deaths of many rock icons, unsolved murders, and other tales from the "fell clutch of circumstance." Beginning with the fateful place where it all started -- a deserted country crossroads just outside Clarksdale, Mississippi, where Robert Johnson made his deal with the devil -- through the Buddy Holly curse (rock and roll's first great tragedy) and beyond, this incredible volume uncovers some of rock and roll's most celebrated murders, twists of fate, and decades-long streaks of bad luck that defy rational explanation. Inside you'll find: Facts about Jimmy Page and the Zeppelin Curse. Chilling quirks of fate in the fatalities in the Allman Brothers and Lynyrd Skynyrd. Facts about Jimmy Page and the Zeppelin curse Chilling quirks of fate surrounding the deaths of musicians in the Allman Brothers Band and Lynyrd Skynyrd A provocative look at "The Club," membership in which requires an untimely death at age twenty-seven and whose inductees include Kurt Cobain, Jimi Hendrix, and Janis Joplin Cryptic messages in song lyrics that have proved eerily prophetic Carefully researched, wildly enjoyable, and often harrowing, Take a Walk on the Dark Side takes the reader on a mysterious ride through rock and roll history.

    The 1975 album Blood on the Tracks seemed to prove, finally, that an uncertain age had found its poet. Then Dylan faltered. His instincts, formerly unerring, deserted him. in the 1980s, what had once appeared unthinkable came to pass: the “voice of a generation” began to sound irrelevant, a tale told to grandchildren.Yet in the autumn of 1997, something remarkable happened. Having failed to release a single new song in seven long years, Dylan put out the equivalent of two albums in a single package. In the concluding volume of his ground- breaking study, Ian Bell explores the unparalleled second act in a quintessentially american career. It is a tale of redemption, of an act of creative will against the odds, and of a writer who refused to fade away.Time Out of Mind is the story of the latest, perhaps the last, of the many Bob Dylans.

    Fearing violence after the Senate defeated the "bonus bill," Herbert Hoover's Army Chief of Staff, Douglas MacArthur, led tanks through the streets on July 28 to evict the bonus marchers.Through seminal research, including interviews with the last surviving witnesses, Paul Dickson and Thomas B. Allen tell the full story of the Bonus Army, recovering the voices of ordinary men who dared tilt at powerful injustice. The march ultimately transformed the nation, inspiring Congress to pass the GI Bill of Rights in 1944, one of the most important pieces of social legislation in our history, which in large part created America's middle class.

    The response was immediate and overwhelming—readers almost instantly began asking when the second volume of Royko columns would appear. With more than a hundred vintage Royko columns and a foreword by Roger Ebert, For the Love of Mike was the answer.Royko, a nationally syndicated Pulitzer Prize winner, wrote for three major Chicago newspapers in the course of his 34 years as a daily columnist. Chosen from more than 7,000 columns, For the Love of Mike brings back more than a hundred vintage Royko pieces-most of which have not appeared since their initial publication-for readers across the country to enjoy. This second collection includes Royko's riffs on the consequences of accepting a White House dinner invitation (not surprisingly, he turned it down); his explanation of the notorious Ex-Cub Factor in World Series play; and his befuddlement at a private screening of Beyond the Valley of the Dolls, to which he was invited by his pal Ebert, the screenplay's author. The new collection also illuminates Royko's favorite themes, topics he returned to again and again: his skewering of cultural trends, his love of Chicago, and his rage against injustice. By turns acerbic, hilarious, and deeply moving, Royko remains a writer of wit and passion who represents the best of urban journalism. "To read these columns again is to have Mike back again, nudging, chuckling, wincing, deflating pomposity, sticking up for the little guy, defending good ideas against small-minded people," writes Roger Ebert in his foreword to the book. For the Love of Mike does indeed bring Mike back again, and until a Chicago newspaper takes up Ebert's suggestion that it begin reprinting each of Royko's columns, one a day, this collection will more than satisfy Royko's loyal readers.

    In the insightful How Music Works, Byrne offers his unique perspective on music - including how music is shaped by time, how recording technologies transform the listening experience, the evolution of the industry, and much more.

    Lebrecht compellingly demonstrates that classical recording has reached its end point, but this is not simply an expos? of decline and fall. It is, for the first time, the full story of a minor art form, analyzing the cultural revolution wrought by Schnabel, Toscanini, Callas, Rattle, the Three Tenors, and Charlotte Church. It is the story of how stars were made and broken by the record business; how a war criminal conspired with a concentration-camp victim to create a record empire; and how advancing technology, boardroom wars, public credulity and unscrupulous exploitation shaped the musical backdrop to our modern lives. The book ends with a suitable shrine to classical recording: the author's critical selection of the 100 most important recordings, and the 20 most appalling.Filled with memorable incidents and unforgettable personalities, from Goddard Lieberson, legendary head of CBS Masterworks who signed his letters as God; to Georg Solti, who turned the Chicago Symphony into the loudest symphony on earth - this is at once the captivating story of the life and death of classical recording and an opinionated, insider's guide to appreciating the genre, now and for years to come.

    Part comedian, part feisty competitor, Berra is also the winningest player (fourteen pennants, ten World Series, three MVPs) in baseball history. In this revelatory biography, Allen Barra presents Yogi's remarkable life as never seen before, from his childhood in "Dago Hill," the Italian-American neighborhood in St. Louis, to his leading role on the 1949-53 Yankees, the only team to win five consecutive World Series, to the travails of the '64 pennant race, through his epic battles and final peace with George Steinbrenner. This biography, replete with nearly one hundred photos and countless "Yogi-isms," offers hilarious insights into many of baseball's greatest moments. From calling Don Larsen's perfect game to managing the 1973 "You Gotta Believe" New York Mets, Yogi's life and career are a virtual cutaway view of our national pastime in the twentieth century. 98 photographs