Although innocent and unaware of what was happening at the time, they eventually discovered the extent of their father’s occupations: These men—their fathers who were capable of loving their children and receiving love in return—were leaders of the Third Reich, and would later be convicted as monstrous war criminals. For these children, the German defeat was an earth-shattering source of family rupture, the end of opulence, and the jarring discovery of Hitler’s atrocities.How did the offspring of these leaders deal with the aftermath of the war and the skeletons that would haunt them forever? Some chose to disown their past. Others did not. Some condemned their fathers; others worshipped them unconditionally to the end. In this enlightening book, Tania Crasnianski examines the responsibility of eight descendants of Nazi notables, caught somewhere between stigmatization, worship, and amnesia. By tracing the unique experiences of these children, she probes at the relationship between them and their fathers and examines the idea of how responsibility for the fault is continually borne by the descendants.

    Edith survived, but most of her family perished in the death camps. Unable to cope with the loss of her family and homeland, Edith closed the door on her past, refusing to discuss even the smallest details.Fifty-four years later, when the void of her childhood was consuming both her and her family, she returned to Stockstadt with her grown daughter Fern. For Edith the trip was a chance to reconnect and reconcile with her past; for Fern it was a chance to learn what lay behind her mother's silent grief. Together, they found a town that had dramatically changed on the surface, but which hid guilty secrets and lived in enduring denial.On their journey, Fern and her mother shared many extraordinary encounters with the townspeople and--more importantly--with one another, closing the divide that had long stood between them. Motherland is a story of learning to face the past, of remembering and honoring while looking forward and letting go. It is an account of the Holocaust's lingering grip on its witnesses; it is also a loving story of mothers and daughters, roots, understanding, and, ultimately, healing.

    “The writing is direct, devastating, with no rhetoric or exploitation. The truth is in what’s said and in what is left out.”—ALA Booklist (starred review)Marion Blumenthal Lazan’s unforgettable and acclaimed memoir recalls the devastating years that shaped her childhood. Following Hitler’s rise to power, the Blumenthal family—father, mother, Marion, and her brother, Albert—were trapped in Nazi Germany. They managed eventually to get to Holland, but soon thereafter it was occupied by the Nazis. For the next six and a half years the Blumenthals were forced to live in refugee, transit, and prison camps, including Westerbork in Holland and Bergen-Belsen in Germany, before finally making it to the United States. Their story is one of horror and hardship, but it is also a story of courage, hope, and the will to survive.Four Perfect Pebbles features forty archival photographs, including several new to this edition, an epilogue, a bibliography, a map, a reading group guide, an index, and a new afterword by the author. First published in 1996, the book was an ALA Notable Book, an ALA Quick Pick for Reluctant Readers, and IRA Young Adults’ Choice, and a Notable Trade Book in the Field of Social Studies, and the recipient of many other honors. “A harrowing and often moving account.”—School Library Journal

    This is what mother decided would be our best chance at survival. This was not an easy undertaking. To blend into the Polish community it was essential not to look Jewish; not to sound Jewish; to know a fair amount about Catholicism; and be able to think on your feet when unexpected events occurred. Above all one needed to be lucky. With counterfeit documents we changed our name and moved to Lublin, the site of Majdanek, the second largest concentration camp in Poland. At that time I was five years old and my brother was seven. We had to learn new names and to never reveal our past. No sooner we got settled that members of my father’s family descended on us seeking shelter. In a small, primitive house we hid up to eight members of my father’s family.

    Written specially for children, Eva describes her happy early childhood in Vienna with her kind and loving parents and her older brother Heinz, whom she adored. But when the Nazis marched into Austria everything changed. Eva's family fled to Belgium, then to Amsterdam where, with the help of the Dutch Resistance, they spent the next two years in hiding - Eva and her mother in one house, and her father and brother in another. Finally, though, they were all betrayed and deported to Auschwitz concentration camp in Poland. Despite the horrors of the camp, Eva's positive attitude and stubborn personality (which had often got her into trouble) saw her through one of the most tragic events in history and she and her mother eventually returned to Amsterdam. Sadly her father and brother perished just weeks before the liberation.Eva and her mother went back to the house where Heinz and his father had hidden, for Eva had remembered that Heinz had told her he had hidden his paintings beneath the floorboards there. Sure enough, there were over thirty beautiful paintings. Heinz hadn't wasted any of his talents during his captivity. For Eva, here was a tangible, everlasting memory of her brother and a reminder of her father's promise that all the good things you accomplish will make a difference to someone, and your achievements will be carried on. Heinz's paintings have been on display in exhibitions in the USA and are now a part of a permanent exhibition in Amsterdam's war museum. Told simply and clearly for younger readers, "The Promise" is an unforgettable story, written by Eva Schloss, the step-daughter of Otto Frank and Barbara Powers, Eva's very close friend.

    The Third Reich has been studied in more depth than virtually any other period in history, and yet until now there has been no history of the camp system that tells the full story of its broad development and the everyday experiences of its inhabitants, both perpetrators and victims, and all those living in what Primo Levi called "the gray zone." In KL, Wachsmann fills this glaring gap in our understanding. He not only synthesizes a new generation of scholarly work, much of it untranslated and unknown outside of Germany, but also presents startling revelations, based on many years of archival research, about the functioning and scope of the camp system. Examining, close up, life and death inside the camps, and adopting a wider lens to show how the camp system was shaped by changing political, legal, social, economic, and military forces, Wachsmann produces a unified picture of the Nazi regime and its camps that we have never seen before. A boldly ambitious work of deep importance, KL is destined to be a classic in the history of the twentieth century.

    Yet there are those who insist that the death of six million Jews in Nazi concentration camps is nothing but a hoax perpetrated by a powerful Zionist conspiracy. Forty years ago, such notions were the province of pseudohistorians who argued that Hitler never meant to kill the Jews, and that only a few hundred thousand died in the camps from disease; they also argued that the Allied bombings of Dresden and other cities were worse than any Nazi offense, and that the Germans were the "true victims" of World War II. For years, those who made such claims were dismissed as harmless cranks operating on the lunatic fringe. But over the past decade they have begun to gain a hearing in respectable arenas, and now, in the first full-scale history of Holocaust denial, Deborah Lipstadt shows how - despite tens of thousands of living witnesses and vast amounts of documentary evidence - this irrational idea not only has continued to gain adherents but has become an international movement, with organized chapters, "independent" research centers, and official publications that promote a "revisionist" view of recent history. One sign of the movement's disturbing resonance is the rise of such figures as the Holocaust denier David Duke to national prominence. Holocaust deniers have also begun to make common cause with radical Afrocentrists such as Leonard Jeffries of New York's City University, who retells racist myths about the Jews; and a recent campaign of ads in college newspapers calling for "open debate" on "so-called facts" about the Holocaust suggests a bold new bid for mainstream intellectual legitimacy. Lipstadt shows how Holocaust denial thrives in the current atmosphere of value relativism, and argues that this chilling attack on the factual record not only threatens Jews but undermines the very tenets of objective scholarship that support our faith in historical knowledge.

    He clandestinely recorded the terrible events he witnessed, but his manuscript disappeared during the Warsaw Ghetto Uprising. After the war, reunited with his wife and young daughter, he rewrote his story.Peopled with historical figures like the controversial Chaim Rumkowski, who fancied himself a king of the Jews, to infamous Nazi commanders and dozens of Jews and non-Jews who played cat and mouse with death throughout the war, Reicher’s memoir is about a community faced with extinction and the chance decisions and strokes of luck that kept a few stunned souls alive.Edward Reicher (1900–1975) was born in Lodz, Poland. He graduated with a degree in medicine from the University of Warsaw, later studied dermatology in Paris and Vienna, and practiced in Lodz as a dermatologist and venereal disease specialist both before and after World War II. A Jewish survivor of Nazi-occupied Poland, Reicher appeared at a tribunal in Salzburg to identify Hermann Höfle and give an eyewitness account of Höfle’s role in Operation Reinhard, which sent hundreds of thousands to their deaths in the Nazi concentration camps of Poland.Country of Ash, first published posthumously in France, was translated from the French by Magda Bogin and includes a foreword by Edward Reicher’s daughter Elisabeth Bizouard-Reicher.

    But then, few families have a mother and a daughter quite like Sala and Ann Kirschner. For nearly fifty years, Sala kept a secret: She had survived five years as a slave in seven different Nazi work camps. Living in America after the war, she kept from her children any hint of her epic, inhuman odyssey. She held on to more than 350 letters, photographs, and a diary without ever mentioning them. Only in 1991, on the eve of heart surgery, did she suddenly present them to Ann and offer to answer any questions her daughter wished to ask. It was a life-changing moment for her scholar, writer, and entrepreneur daughter. We know surprisingly little about the vast network of Nazi labor camps, where imprisoned Jews built railroads and highways, churned out munitions and materiel, and otherwise supported the limitless needs of the Nazi war machine. This book gives us an insider's account: Conditions were brutal. Death rates were high. As the war dragged on and the Nazis retreated, inmates were force-marched across hundreds of miles, or packed into cattle cars for grim journeys from one camp to another. When Sala first reported to a camp in Geppersdorf, Poland, at the age of sixteen, she thought it would be for six weeks. Five years later, she was still at a labor camp and only she and two of her sisters remained alive of an extended family of fifty. In the first years of the conflict, Sala was aided by her close friend Ala Gertner, who would later lead an uprising at Auschwitz and be executed just weeks before the liberation of that camp. Sala was also helped by other key friends. Yet above all, she survived thanks to the slender threads of support expressed in the letters of her friends and family. She kept them at great personal risk, and it is astonishing that she was able to receive as many as she did. With their heartwrenching expressions of longing, love, and hope, they offer a testament to the human spirit, an indomitable impulse even in the face of monstrosity. Sala's Gift is a rare book, a gift from Ann to her mother, and a great gift from both women to the world.

    (Not just based on a true story.) Rachel Blum was 12 when the Nazis invaded her town. Over the next three years, she witnessed war, risked her life to smuggle food for her family, escaped liquidation, hid with a kind Polish couple whose son worked for the SS, was questioned if she was a Jew by an SS General and engineered an incredibly dangerous scheme to overturn a moving trainload of 1,000 Nazi soldiers.Hers is not just an incredible, action-packed story, but represents a character arc that young women, as well as young men, as well as adults of all types can draw inspiration from. She did not begin as a selfless, courageous young girl she came to be. Her strength and determination evolved through her experiences.Once you start “Run Rachel Run,” you won’t be able to put it down. Once you finish, you’ll be shivering in awe how invigoratingly heroic the story of Rachel Blum is. Reviews “This is incredible!” Jessica Classen “What a testimony of courage and love” Rick Dearmore “Wonderful and inspiring and brave person” Helen Schwab An Excerpt July, 1944. Ivan Roluk couldn’t believe he was listening to a 15-year-old girl – and putting his life and the life of his family in her hands!But she was right. Driving trains for the Nazis for three years now, he knew exactly who the Germans were. He knew that there were once more than 20,000 Jews in the girl’s home town of Ludmir, and now there was only one. The courageous young girl, Rachel.Rachel -- who had just convinced him to risk his life, as well as the life of his wife and son.There was a risk either way, of course. The war was coming to an end and who knew what the Germans would do to them once they didn’t need his services any longer. It was a risk to do it, but a risk not to do it.He looked behind him. The 20 train cars filled with over 1,000 wounded Nazi soldiers snaked behind his engine-car like a meandering river. In the caboose at the tail of the train was his wife, his son and the little Jewish girl.Suddenly, he heard a slam. What was that? It sounded like the door connecting the engine-car to the first car, which was occupied by high-ranking Nazi officers. Was one of them coming up front?The moment of truth had arrived.He thrust the throttle full ahead….The train jerked forward…. He looked out the window. There, up ahead, was the bend! Had he waited too long?There was no more time to think. There was no more time for fear. It truly was now or never. He leaned out the open side door….

    When a Nazi death squad raided his village at the outset of World War II, Jewish five-year-old Alex Kurzem escaped. After surviving the Russian winter by foraging for food and stealing clothes off dead soldiers, he was discovered by a Nazi-led Latvian police brigade that later became an SS unit. Not knowing he was Jewish, they made him their mascot, dressing the little ?corporal? in uniform and toting him from massacre to massacre. Terrified, the resourceful Alex charmed the highest echelons of the Latvian Third Reich, eventually starring in a Nazi propaganda film. When the war ended he was sent to Australia with a family of Latvian refugees. Fearful of being discovered?as either a Jew or a Nazi?Alex kept the secret of his childhood, even from his loving wife and children. But he grew increasingly tormented and became determined to uncover his Jewish roots and the story of his past. Shunned by a local Holocaust organization, he reached out to his son Mark for help in reclaiming his identity. A survival story, a grim fairy-tale, and a psychological drama, this remarkable memoir asks provocative questions about identity, complicity, and forgiveness.

    How should they, in turn, convey its knowledge to others? What are the effects of a traumatic past on its inheritors, and the second generation's responsibilities to its received memories?" As Eva Hoffman ponders the ambiguous consequences of the cultural preoccupation with the Holocaust and guides us through the poignant juncture at which living memory must be relinquished, she asks what insights can be carried from the past to the present, and urges us to transform potent family narratives into a fully informed understanding of a forbidding history.

    Carefully wrapping, drying, and packing a dozen American bialys to ward off translation problems, she set off from New York in search of the people who invented this marvelous bread. Instead, she found a place of utter desolation, where turn of the century massacres, followed by the Holocaust, had reduced the number of Jewish residents there from fifty thousand to five.Sheraton became a woman with a mission, traveling to Israel, Paris, Austin, Phoenix, Buenos Aires, and New York’s Lower East Side to rescue the stories of the scattered Bialystokers. In a bittersweet mix of humor and pathos, she tells of their once vibrant culture and its cuisine, reviving the exiled memories of those who escaped to the corners of the earth with only their recollections, and one very important recipe, to cherish.Like Proust’s madeleine, The Bialy Eaters transports readers to a lost world through its bakers’ most beloved, and humble, offering. A meaningful gift for any Jewish holiday, this tribute to the human spirit will also have as broad appeal as the bialy itself, delighting everyone who celebrates the astonishing endurance of the simplest traditions.

    Yet the sheer, crushing number of murders—over 1,200,000—the overwhelming scale of the crime, and the vast, abandoned site of ruined chimneys and rusting barbed wire isolate Auschwitz from us. How could an ordinary town become a site of such terror? Why was this particular town chosen? Who conceived, created, and constructed the camp? This unprecedented history reveals how an unremarkable Polish village was transformed into a killing field. Using architectural designs and planning documents recently discovered in Poland and Russia and over 200 illustrations, Auschwitz tells how this town became the epicenter of the Final Solution. A National Jewish Book Award winner.

    There are 10 reading parts.