Now, as the Party's 18th National Congress oversees the biggest leadership transition in decades, and installs the Bo family's long-time rival Xi Jinping as president, China's rulers are finding it increasingly difficult to keep their poisonous internal divisions behind closed doors.Bo Xilai's breathtaking fall from grace is an extraordinary tale of excess, murder, defection, political purges and ideological clashes going back to Mao himself, as the princeling sons of the revolutionary heroes ascend to control of the Party. China watcher John Garnaut examines how Bo's stellar rise through the ranks troubled his more reformist peers, as he revived anti-'capitalist roader' sentiment, even while his family and associates enjoyed the more open economy's opportunities. Amid fears his imminent elevation to the powerful Standing Committee was leading China towards another destructive Cultural Revolution, have his opponents seized their chance now to destroy Bo and what he stands for? The trigger was his wife Gu Kailai's apparently paranoid murder of an English family friend, which exposed the corruption and brutality of Bo's outwardly successful administration of the massive city of Chongqing. It also led to the one of the highest-level attempted defections in Communist China's history when Bo's right-hand man, police chief Wang Lijun, tried to escape the ruins of his sponsor's reputation.Garnaut explains how this incredible glimpse into the very personal power struggles within the CCP exposes the myth of the unified one-party state. With China approaching super-power status, today's leadership shuffle may set the tone for international relations for decades. Here, Garnaut reveals a particularly Chinese spin on the old adage that the personal is political.

    . . not only a poetics of reading . . . but a much more difficult achievement, an erotics of reading . . . . Like filings which gather to form a figure in a magnetic field, the parts and pieces here do come together, determined to affirm the pleasure we must take in our reading as against the indifference of (mere) knowledge." --Richard Howard

    An autobiography of a young Chinese man whose childhood and adolescence were spent in Mao's China during the Cultural Revolution.

    His years of dedication and noble deeds allowed him to ascend to godhood. But those who rise, can also fall...and fall he does, cast from the Heavens again and again and banished to the mortal realm.Eight hundred years after his mortal life, Xie Lian has ascended to godhood for the third time. Now only a lowly scrap collector, he is dispatched to wander the earthly realm to take on tasks appointed by the heavens to pay back debts and maintain his divinity. Aided by old friends and foes alike, and graced with the company of a mysterious young man with whom he feels an instant connection, Xie Lian must confront the horrors of his past in order to dispel the curse of his present.

    One by one, over a hundred men and women are forced by the harsh feudal officialdom to take to the hills. They band together and defeat every attempt of the government troops to crush them. Within this framework we find intrigue, adventure, murder, warfare, romance ... in a connected series of fascinating individual tales, told in the suspenseful manner of the traditional storyteller.

    His writings had a potency that was irresistible to the intellectual scene that swept post-war Europe, and have left a vital inheritance to contemporary thought. The central tenet of the Existentialist movement which he helped to found, whereby God is replaced by an ethical self, proved hugely attractive to a generation that had seen the horrors of Nazism, and provoked a revolution in post-war thought and literature. In What is Literature? Sartre the novelist and Sartre the philosopher combine to address the phenomenon of literature, exploring why we read, and why we write.

    He's been called brash, cocky, arrogant, pompous, egotistical, and hilarious, but, mostly, he's known as the Head Ball Coach, a self-ordained term introduced to the lexicon of football by none other than the man, himself, Steve Spurrier. He is the only coach who can claim to be the winningest coach at two different SEC schools, and the only person who has won both the Heisman Trophy as a player and a national championship as a coach. Or who has won a Heisman and coached a Heisman winner.From the beginning, Spurrier didn't want to sound like other coaches, dress like other coaches, and, especially, coach like other coaches. As a controversial football pioneer, he ushered in a different style of leadership and play. Spurrier's press conferences were glorious -- he refused to lapse into coachspeak and was always entertaining, although he took his football very seriously. He was known for his fierce competitiveness, roaming up and down the sidelines, often throwing his signature visor to the ground in disgust. Now resigned from coaching at age 70 -- he doesn't like to say "retired" yet -- Spurrier has calmed down, but don't mistake that for a lack of fire. He can be just as feisty as the day he set foot on the East Tennessee dirt in Johnson City's Kiwanis Park, where he grew up to become one of the state's all-time greatest athletes, and went on to play for Florida where he launched one of sports history's all-time great careers.In his memoir, Spurrier talks for the first time about the circumstances under which he unexpectedly became a coach and why he resigned at South Carolina. He explains his unique style, the difference between winners and losers, his relationship with the media, why he follows the wisdom of ancient philosophers and warriors, his affinity everything taught by John Wooden, and the reasons behind his relaxed regimen for living well. Spurrier, as always, speaks candidly, bringing together his thoughts about his words, actions, and achievements, while telling countless wonderful anecdotes.From the Hardcover edition.

     It’s the story about how a Chinese fishing village became a global economic powerhouse of innovation and technology. Just four decades ago Shenzhen was a backwater area, populated by fishermen and rice farmers. Today, it’s home to up to 20 million people and some of the world’s leading technology companies and most innovative tech startups. No other city better symbolizes the rise of modern China. And no other city challenges Silicon Valley more aggressively as the global hub for innovation and technology startups. In many ways, the Chinese city has already outsmarted the Valley. “Shenzhen has an energy of growth – the same energy I felt when I first came to Silicon Valley ten years ago. And it’s not just in technology. It’s this idea that whoever you are, whatever you’re into, you can come to China, and especially Shenzhen, and do it!” American entrepreneur Scotty Allen says in the book. Shenzhen Superstars is written for anyone who wants to be part of this raging growth story – no matter if you’re a tech buff, investor or just someone curious about knowing what’s driving the future. As a journalist for CNN, Forbes and other international media, Johan Nylander has witnessed the astonishing transformation of the south Chinese city. Its speed, energy and determination are just mind-blowing. His aim is to take you inside, to the very heart of what is shaping this vibrant city. KEY QUOTES FROM THE BOOK “In terms of hardware plus software innovation, Shenzhen is ahead of the curve.” – Jeffrey Towson, private equity investor and Peking University professor “The next ten years will be the era of robots and intelligent machines, and Shenzhen will play well to that.” – Jixun Foo, managing partner of GGV Capital “Shenzhen is just better than Silicon Valley in terms of hardware and software integration.” – Qin Li, CEO of startup Sennotech “If you’re not already in Shenzhen, you're crazy.” – Edith Yeung, general partner of 500 Startups

    But that’s before she sees the perfect child. There he sits in his stroller, angelic and beautiful, magnetic and serene– and he makes Jane question everything she has and everything she thought she wanted. Suddenly all she can see are babies and pregnant woman everywhere. Were there always so many of them? And while there was once a man in her life–her one true love, Sam, gone from this world too soon–there is no man now. Jane must make a choice: possibly become a bitter and childless old lady, letting her biological clock tick on ’till menopause, or tend the ache in her heart now, by becoming a single mother. As Jane struggles to make the most important decision of her life, friends and family offer no shortage of opinions. There’s Ray, her “hubstitute” and gay best friend who would be jealous of any kid who got Jane as a mom; Sheila, her sister, who went from zero to sixty when she eloped with Raoul–who had two young twin sons– and has mixed feelings about being a new mommy; her strict, Catholic father who can’ t imagine what level of hell Jane would banish herself to if she becomes a single mother; and the women of Families with Children from China who are preparing to adopt orphan daughters–without a man in sight. Just as she thinks she’s made up her mind, Jane discovers one small wrench in her plans: handsome, charming, funny Peter, who just happens to be (unhappily) married. . . . And Baby Makes Two is a heartbreakingly honest, wonderfully addictive, and funny novel about love and loss, family and friendship. Judy Sheehan, co-creator of the smash hit Tony n’ Tina’s Wedding, has perfectly captured the delights and dilemmas of the scariest job in the world: motherhood.From the Hardcover edition.

    The Plum in the Golden Vase or, Chin P'ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form--not only from a specifically Chinese perspective but in a world-historical context.With the possible exception of The Tale of Genji (1010) and Don Quixote (1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in the earlier Chinese fiction tradition, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

    The war results in two different and mutually incompatible worlds. In 2196, one hundred years later, Earth and Mars attempt to initiate a dialogue, hoping a reconciliation is on the horizon. Representing Mars, a group of young delegates are sent to Earth to study the history and culture of the rival planet, all while teaching others about life on Mars.Narrated from two perspectives: Luo Ying, an eighteen-year-old girl from Mars who has spent the past five years on Earth, and Ignacio, a filmmaker in his late twenties from Earth on a job to document the delegates from Mars. Both Luo and Ignacio are trapped between worlds, with critics all around, and always under suspicion, searching for where they truly belong.

    When she vanishes without a trace, he sets up a small café in her favourite spot on the edge of the South China Sea, hoping she'll return.Instead, he is confronted by the man he suspects may be responsible for everything he has suffered: Luo Yiming, a prominent businessman and philanthropist who holds the small town in his sway. In the few moments the two men spend together, Luo is driven mad.So begins a story of desire and betrayal set against the tumultuous first decade of Taiwan's 21st Century. The recipient of all three of Taiwan's major literary prizes, My Enemy's Cherry Tree is a story of love, money and coercion, in which two men who have sought to acquire something unattainable, instead lose something irreplaceable.

    China's tradition of "rivers-and-mountains" poetry stretches across millennia. This is a plain-spoken poetry of immediate day-to-day experience, and yet seems most akin to China's grand landscape paintings. Although its wisdom is ancient, rooted in Taoist and Zen thought, the work feels utterly contemporary, especially as rendered here in Hinton's rich and accessible translations. Mountain Home collects poems from 5th- through 13th-century China and includes the poets Li Po, Po Chu-i and Tu Fu. The "rivers-and-mountains" tradition covers a remarkable range of topics: comic domestic scenes, social protest, travel, sage recluses, and mountain landscapes shaped into forms of enlightenment. And within this range, the poems articulate the experience of living as an organic part of the natural world and its processes. In an age of global ecological disruption and mass extinction, this tradition grows more urgently important every day. Mountain Home offers poems that will charm and inform not just readers of poetry, but also the large community of readers who are interested in environmental awareness.

    It's punk, dealing with the harsh realities lived by the millions of city-dwellers struggling to get by in the grey economy. Dunhuahg, recently out of prison for selling fake IDs, has just enough money for a couple of meals. He also has no place to stay and no prospects for earning more yuan. When he happens to meet a pretty woman selling pirated DVDs, he falls into both an unexpected romance and a new business venture. But when her on-and-off boyfriend steps back into the picture, Dunhuahg is forced to make some tough decisions. Running Through Beijing explores an underworld of constant thievery, hardcore porn, cops (both real and impostors), prison bribery, rampant drinking, and the smothering, bone-dry dust storms that blanket one of the world's largest cities. Like a literary Run Lola Run, it follows a hustling hero rushing at breakneck speed to stay just one step ahead. Full of well-drawn, authentic characters, Running Through Beijing is a masterful performance from a fresh Chinese voice.

    A cycle of thirteen tenderly evocative stories written while Mu Xin was living in exile, this collection is reminiscent of the structural beauty of Hemingway’s In Our Time and the imagistic power of Kawabata’s palm-of-the-hand stories. From the ordinary (a bus accident) to the unusual (Buddhist halos) to the wise (Goethe, Lao Zi), Mu Xin’s wandering “I” interweaves plots with philosophical grace and spiritual profundity. A small blue bowl becomes a symbol of vanishing childhood; a painter in a race against fading memory scribblesnotes in an underground prison during the Cultural Revolution; an abandoned temple room holds a dark mystery. An Empty Room is a soul-stirring page turner, a Sebaldian reverie of passing time, loss, and humanity regained.