When Ivan-Tsarevitch, youngest son of the Tsar, goes on a quest for the amazing bird, he finds himself flying over mountains and woods on a talking wolf, confronting a wicked Baba Yaga, and rescuing an enchanted princess from Koshchei the Immortal. But when he returns from his magical journey, he brings home the most precious treasure of all. Gennady Spirin brings this original version of the Firebird tale from his native Russia and has illustrated it in his trademark rich, luminous style. This retelling of a classic is sure to become the new standard.

    Some of the legendary monsters are funny and mischievous, others are downright frightening, and a number of them are wild and unpredictable. There's a dragon made of ice, another that takes refuge in the General Post Office, a scaly creature that carries off the largest elephant in a zoo, and even a dragon whose gentle purring comforts a tiny tot.And who challenges these amazing creatures? Why, daring heroes, of course, as well as a wicked prince, and even an entire soccer team — which, unfortunately, meets its fate with a fire-breathing brute that flies out of the pages of an enchanted book.E. (Edith) Nesbit (1858–1924) was one of the pioneers of fantasy fiction for children. Her classic novels — such as The Railway Children and Five Children and It — have remained popular for more than a century. 24 illustrations.

    M. Barrie’s Peter Pan in Kensington Gardens, here are seventeen classic stories and poems from the golden age of the English fairy tale. Some of them amuse, some enchant, some satirize and criticize, but each one–in the words of Laurence Houseman, author of the classic Rocking-Horse Land– “is an expression of the joy of living.”Accompanied by the illustrations from the original editions of these works–by such celebrated Victorian artists as Dante Gabriel Rossetti, Maxfield Parrish, and Arthur Rackham–this collection will delight readers both young and old.

    In this captivating work of fantasy from the author of Midnight’s Children and The Enchantress of Florence, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.

    The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    In this collection, stories from Ireland, Scotland, Wales, the Isle of Man, Cornwall, and Brittany show their common Celtic heritage in their love of extravagance and poetry, their quick wit, and their daring sense of adventure.Here, retold much as they were around Celtic peat fires a hundred years ago, are the enthralling tales of "Fair, Brown, and Trembling," "The Brown Bear of the Green Glen," and "The Ship that Went to America." Some of the stories give familiar tales a Celtic twist: "Duffy and the Devil" is a comic Cornish take on the Rumpelstiltskin story; "The Black Cat" is a dark and mysterious Breton "Cinderella." Others seem new and strange: the doomed love of "Lutey and the Mermaid," or the mystic rapture of "The Little Bird."Perhaps most riveting of all is the Irish tale of "The Soul Cages," in which a fisherman makes friends with one of the sea-people, Coomara, and uses that friendship to fee the souls of drowned sailors, kept by Coomara in lobster pots in is house beneath the waves.Illustrated in watercolor and gold leaf by acclaimed artist Isabelle Brent, these tales are full of Celtic magic.

    The Montgomeries, distinguished folklorists, gathered traditional stories from all parts of Scotland. Their collection, first published in 1956, became a classic of the storytelling tradition, with the stories retold in a simple, dramatic style, appealing to adult and child alike. Now republished by Birlinn Ltd in a handsome gift edition and illustrated with Norah Montgomerie's own original drawings, it is a book to be treasured for years as the key to an enchanted, timeless world.

    . . I assume.”Vengeful spirits, flying ogres, helpful teapots, ghost pepper ghosts, and trickster tigers? That’s just the start of this lively collection of Asian folktales, reimagined and retold in comics!This second volume of the "Cautionary Fables and Fairy Tales" graphic novel series is a thrilling, funny, and totally unexpected take on stories spanning the entirety of the Asian continent, with loads of lesser-known myths and legends from Tibet, India, Indonesia, and beyond. Featuring the work of Gene Luen Yang, Nick Dragotta, Blue Delliquanti, Carla Speed McNeil, Nina Matsumoto, and many more!

    In the realm of the Brothers Grimm and the Sisters Weird, when the sky really does fall, Chicken Little becomes the leader of a religious movement, gets her own TV show, collects millions of dollars to build a theme park, and then makes off with the money. These tongue-in-cheek interpretations of more than a dozen favorite fairy tales will have readers in stitches.

    When Kiniro, a young mermaid, comes upon a gorgeous house made of seashells and coral, she is so curious that she goes inside. She's thrilled to find a just-right breakfast, pretty little chair, and, best of all, a comfy bed that rocks in the current. But when the Octopus family returns home, they are not happy to find that someone has been eating their food and breaking their things. Baby has the biggest shock when she finds the mermaid asleep in her bed! Luckily, shock turns to happiness when Kiniro gives her a thoughtful gift before escaping from the twenty-four arms coming her way.

    It’s been more than a hundred years since the publication of the first Uncle Remus book, and it was in 1955 that all of the delightful and inimitable tales of Brer Rabbit, Brer Fox, Brer Bear, and Brer Wolf were gathered together in one volume.

    He kept them in a box beside his throne. But Ananse, the Spider man, wanted them -- and caught three sly creatures to get them. This story of how we got our own stories to tell is adapted from an African folktale.

    Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.

    After yet another bad night on the job, Cory quits to explore other things—like babysitting an adventurous Humpty Dumpty, helping Suzy organize seashells by the seashore, and attempting to finally rid the spiders that plague Marjorie Muffet. But it isn't until Marjorie asks Cory to help set her up with a boy that Cory taps into a power she never knew she had. As she tries to understand her new-found romantic visions, will Cory finally discover her own true path?

    The king decides his daughters must be kept safe at all costs, and for the girls, those costs include their lessons, their possessions, and most importantly, their freedom. But the sisters, especially the eldest, Princess Frida, will not bend to this fate. She still has one possession her father cannot take: the power of her imagination. And so, with little but wits and ingenuity to rely on, Frida and her sisters begin their fight to be allowed to live on their own terms.The Restless Girls is a sparkling whirl of a fairy tale--one that doesn't need a prince to save the day, and instead is full of brave, resourceful, clever young women.