However, when she agrees to help out one of her friends, Kathleen discovers that a simple case of a servant being dismissed without notice has turned into a complicated puzzle that she is determined to solve. While featuring minor characters from Locke’s Victorian San Francisco mystery series, Kathleen Catches a Killer contains all the light romance, humor, and suspense of the longer works. Chronologically, this novella comes right after the events in Pilfered Promises, but it can be read as a stand-alone and an excellent introduction to this mystery series about the gas-lit world of the late 19th century.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    When three very different women are targeted by a sadistic killer, they become sisters beneath the skin as they search for a suspect who could be anyone: a neighbor, a lover, a co-worker, even an absolute stranger.

    Yet before year's end three returned, and returned damaged. In 2015, a brutal murder forces those three men, now in their sixties, to journey back to London and finally confront the dark truth they have run from for five decades. Runaway is a crime novel covering fifty years of friendships solidified and severed, dreams shared and shattered and passions lit and extinguished; set against the backdrop of two unique and contrasting cities at two unique and contrasting periods of recent history.

    Tiel calls her editor and learns that Sara was "kidnapped" by her boyfriend Ronnie and is pregnant. Tiel is at a gas station store when an armed couple robs the cashier and orders all the customers to the floor. The girl goes into labor and Tiel realizes that she has a huge story on her hands. A tense standoff begins as the FBI and Russell Dendy wait outside. Tiel learns that Sabra and Ronnie are more afraid of her father-who plans to put the baby up for adoption-than of the FBI and would rather die together than surrender and be kept apart. Now it is more than just a story to Tiel as she fights to prevent these two kids from becoming a tragedy.

    When lovely Linda Martin first arrives at Château Valmy as an English governess to the nine-year-old Count Philippe de Valmy, the opulence and history surrounding her seems like a wondrous, ecstatic dream. But a palpable terror is crouching in the shadows. Philippe's uncle, Léon de Valmy, is the epitome of charm, yet dynamic and arrogant, his paralysis little hindrance as he moves noiselessly in his wheelchair from room to room. Only his son Raoul, a handsome, sardonic man who drives himself and his car with equally reckless abandon, seems able to stand up to him. To Linda, Raoul is an enigma, though irresistibly attracted to him, she senses some dark twist in his nature. When an accident deep in the woods nearly kills Linda's innocent charge, she begins to wonder if someone has deadly plans for the young count.

    It was the tragic story of the year - a little boy, Aiden, wandered away from school during a terrible flood, fell into the river, and drowned.  His body was never recovered.  Ten years later, Emma has finally rediscovered the joy in life. She's married, pregnant, and in control again...... until Aiden returns. Too traumatized to speak, he raises endless questions and answers none. Only his body tells the story of his decade-long disappearance. The historic broken bones and injuries cast a mere glimpse into the horrors Aiden has experienced. Aiden never drowned. Aiden was taken. As Emma attempts to reconnect with her now teenage son, she must unmask the monster who took him away from her. But who, in their tiny village, could be capable of such a crime?It's Aiden who has the answers, but he cannot tell the unspeakable.This dark and disturbing psychological novel will appeal to fans of The Widow and The Butterfly Garden.

    But just as she’s decided to call for help, something stops her. The next day, she wakes up to the news that one of the girls—beautiful, green-eyed Anna Ballard—has disappeared.A year later, Anna is still missing. Ella is wracked with guilt over what she failed to do, and she’s not the only one who can’t forget. Someone is sending her threatening letters—letters that make her fear for her life.Then an anniversary appeal reveals that Anna’s friends and family might have something to hide. Anna’s best friend, Sarah, hasn’t been telling the whole truth about what really happened that night—and her parents have been keeping secrets of their own.Someone knows where Anna is—and they’re not telling. But they are watching Ella.Listening Length: 8 hours and 26 minutes

    Not since Nora walked out of school one day and never went back. There was a dark, dark houseUntil, out of the blue, an invitation to Clare’s hen do arrives. Is this a chance for Nora to finally put her past behind her?And in the dark, dark house there was a dark, dark roomBut something goes wrong. Very wrong.And in the dark, dark room.... Some things can’t stay secret for ever.

    The vicious murder of a young child provides rookie journalist Paddy Meehan with her first big break when the suspect turns out to be her fiance's 11-year old cousin. Launching her own investigation into the horrific crime, Paddy uncovers lines of deception deep in Glasgow's past, with more horrific crimes in the future if she fails to solve the mystery. Infused with Mina's unique blend of dark humor, personal insights and social injustice, the story grips the reader while challenging our perceptions of childhood innocence, crime and punishment, and right or wrong.

    But when the billionaire philanthropist is discovered murdered in his London home, tied naked to a bed, the scandal is only a shadow of the darkness lurking off-camera.Laura Fletcher returns from an Italian vacation to find her husband dead and her home under siege by paparazzi. Is she shocked? Yes. But is she distraught? Not exactly. Especially when Chief Inspector Tom Douglas reveals his suspicions that Hugo’s killer is female. Laura always knew she wasn’t the only woman in Hugo’s life. And she knows she wasn’t the only one with a motive to kill.The deeper Douglas digs, the more sordid details about Hugo Fletcher he uncovers. And yet nothing compares to the secret Laura guards, a secret that could bring the guilty to justice—or destroy an innocent life forever.

    The live-in owners are a kind and welcoming couple. Everything is fine until she finds a suicide note hidden in her room. But when the couple insist this man didn’t exist and that Lisa is their first tenant, Lisa begins to doubt herself.Compelled to uncover the secrets of the man who lived in the room before her, Lisa is alarmed when increasingly disturbing incidents start to happen. Someone doesn’t want Lisa to find out the truth.As the four walls of this house and its secrets begin to close in on Lisa, she descends into a hellish hall of mirrors where she’s not sure what’s real and what’s not as she claws her way towards the truth… This room has already claimed one victim? Is it about to take another?

    ‘We have the body of a male, I’d guess aged between late forties and sixty, who has suffered fatal trauma as a result of being beaten with a blunt object. I’ll be able to tell you more when we get him onto the slab.’ Looking at the bloody, pulpy mess of skin, hair and threadbare clothes, I’m frankly amazed that she can tell us anything at all about the victim. It’s July 2016 and Tyneside is basking in glorious summer weather. Recently divorced Olivia flies back to her home town for a much needed holiday and to attend Opera North’s acclaimed production of all four of Richard Wagner’s ‘Ring Cycle’ of operas, which are to be performed over six days at The Sage in Gateshead. But, just as the international audience has arrived and the music festival is gathering momentum, the city is shocked by a brutal murder. Keen to close the investigation as quickly and quietly as possible, senior police officers convince themselves that they have their man. But ambitious, ex-Met Detective Sergeant Sam Snow is far from convinced. When a second violent death occurs, the police investigation runs into a brick wall, until Olivia suggests a bizarre and disturbing theory. As the killings continue, it falls to Sam and Olivia to risk everything, in a desperate race to uncover the truth and to prevent further loss of life. ‘Sentence of Death’ is the first of a new, Tyneside based series of thrillers featuring Detective Sam Snow and psychologist Olivia Clavel.

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    Four physicians have failed to bring the young lad back to health, and his nurses seem unable to bring him comfort. Sir Robert decides that he and Elizabeth Lady Carey should have the keeping of the child – despite the disgrace that will come to them if he dies in their care. It’s not long before Sir Robert begins to suspect that foul play lies behind the young Duke’s condition. Is there a poisoner at Court? If so, will Sir Robert find the miscreant in time to save the Duke? Patricia Finney is the author of six novels featuring Sir Robert Carey, all of them written under the pseudonym P F Chisholm and all available on Kindle. Patricia Finney’s latest Elizabethan crime novel, Do We Not Bleed?, features the ambiguous James Enys, his elusive sister, and a young playwright, Will Shakespeare. Do We Not Bleed? is also available on Kindle.