Test on a small area first – especially if you are in possession of a broken (or breaking) heart and see your bartender immediately if side effects persist.

    It brings together (but is not limited to) estranged lovers, despairing mothers and the avenging spirits of murdered women, in an assortment of words that celebrate queer desire, obsessive longing and a general disregard for "proper" subject matter. Comprising selected work written over the course of a decade, the largely confessional collection has been described as dark and hysterical ... but in a good way.

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    Rehash national icons: the truth about racial riot fodder-girl Maria Hertogh living out her days as a chambermaid in Lake Tahoe, a mirage of the Merlion as a ladyboy working Orchard Towers, and a high-stakes fantasy starring the still-suave lead of the 1990s TV hit serial The Unbeatables.Heartfelt and sexy, the stories of Amanda Lee Koe encompass a skewed world fraught with prestige anxiety, moral relativism, sexual frankness, and the improbable necessity of human connection. Told in strikingly original prose, these are fictions that plough, relentlessly, the possibilities of understanding Singapore and her denizens discursively, off-centre. Ministry of Moral Panic is an extraordinary debut collection and the introduction of a revelatory new voice.

    Bearing passionate testimony to private and public memories, this gathering of poems and prose fragments documenting the intimate challenges of homosexual longing gives voice to an invisible minority still struggling to be recognised today. Now published at last, this book, full of fierce confessions, ambivalences and flinty epiphanies, will shock and devestate. Here is an uncompromising confluence of unfulfilled desires wrought through language by one of Singapore's most outspoken and critical voices.

    Reminiscent of a concerto, an orchestra is invoked by poems that celebrate the lives of lovers distant and near, while a single narrative arises like a solo instrument amidst their chords, often blurring a distinction between the universal and the particular.This narrative is a love story that pierces through the shadow of the inevitable, accompanied by dreams and a reinterpretation of the myth of Shiva and Mohini, the fascinating female-incarnation of Vishnu.Interwoven with the motifs of time and death, these poems segue into each other like movements in a symphony, singing of equal parts tragedy and joy.

    Attempting to come to terms with it, he creates the Soundloft, a device that turns dreams into music. Helping him out are three of his best friends - Cantona, a promising Bangladeshi artist on the run from a construction company; Tights, a Chinese illegal immigrant with a pop culture fascination; and Shanti, a gifted lab technician hiding from her abusive husband. But when a powerful metaphysical entity begins haunting them, looking to find her way in the world of the living, he and his friends find themselves embroiled in a supernatural showdown that will result in either cartharsis, or the end of the world.

    The story takes place between 1961 and 1994, backdropped by a fast-globalising Singapore where stigmatisation of persons afflicted with mental illness nevertheless remains deep-seated. Unflinchingly raw and honest in its portrayal of living with schizophrenia, The Sound of Sch is a moving account of human resiliency and sacrifice in the face of brokenness.

    His life consists of reading, working and visiting his parents' house to rearrange his piles of "collectibles". He has only one friend, another teacher who has managed to force Sukhin into a friendship by sheer doggedness.While on an errand one afternoon in Chinatown, he encounters a homeless person who recognises him. This chance reunion turns Sukhin's well-planned life upside down, and the pair learns about love and sacrifice over their shared fondness for cake.

    Throughout are interwoven the themes of memory, loss, language, identity and cultural reclamation.Similarly, it is a reflective and provocative journey of self-discovery; a journey the reader may also take to explore what it means to exist at the confluence of being Singaporean and being Eurasian, and to interrogate the liminal space between two cultures, Asian and European, occupied by this community.

    Formed by a series of essays, they are written to be read individually, but have been arranged to be read as a totality and in sequence. Each aims to accomplish two things: first, to introduce a key aspect of the experience of being low-income in contemporary Singapore. Second, to illustrate how people’s experiences are linked to structural conditions of inequality.

    11, No. 1, June 2017 "Gresham's surrealistic stories, at their best, shake us from within, and deepen the notion that we are islands of consciousness; in this way, they compel us to confront our own intellectual detachments and emotional blindspots in order for us to engage better with the world. They are also fundamentally stories about our modern world, its cross-cultural realities, and the fractured lives we lead in them. We Rose Up Slowly is an absorbing and disturbing read definitely worth spending an afternoon with." Sam Ng in Quarterly Literary Review Singapore, July 2016 Read more about the book on the We Rose Up Slowly Facebook Page or on the author's website.

    Discover the Lion City through the eyes of its cats and their humans in From the Belly of the Cat, an anthology of fifteen feline tales by some of the city-state’s most exciting writers and notorious cat sympathisers.For best results, read this book at home on the sofa on a rainy afternoon, with a cup of warm tea within reach, and a cat by your side.

    The poems deal with the impossibility of such an endeavor and celebrate our persistence in striving anyway.At its core, the collection is built around a very wise line from a Beatles song: I want to hold your hand. I want to hold your hand with no further expectations. I want to hold your hand instead of telling you I understand when I don’t. I want to hold your hand although we don’t always get along. I want to hold your hand despite the calluses, scratches, and scars that get in the way. I want to hold your hand knowing I’ll have to let it go one day.I just want to hold your hand.

    In this debut collection, she conjures the disturbing and often hilarious experience of adolescence through the eyes of Chinese American girls growing up in New York City. Her stories cut across generations and continents, moving from the fraught halls of a public school in Flushing, Queens, to the tumultuous streets of Shanghai, China, during the Cultural Revolution of the 1960s. In the absence of grown-ups, latchkey kids experiment on each other until one day the experiments turn violent; an overbearing mother abandons her artistic aspirations to come to America but relives her glory days through karaoke; and a shy loner struggles to master English so she can speak to God.Narrated by the daughters of Chinese immigrants who fled imperiled lives as artists back home only to struggle to stay afloat — dumpster diving for food and scamming Atlantic City casino buses to make a buck — these seven stories showcase Zhang's compassion and moral courage, and a perverse sense of humor reminiscent of Portnoy's Complaint. A darkly funny and intimate rendering of girlhood, Sour Heart examines what it means to belong to a family, to find your home, leave it, reject it, and return again.