"The Himalayas Within Him" finds Heart worrying about the sound of his own heartbeat, wondering why it doesn't "blare like a quartet of trombones" as it reflects his "ardent complexity." In "Goodbye to the Hands That Have Touched Him" Heart, after suffering many sleepless nights, decides "that love exists at the root of his problems. Without love his path would be as smooth as a plate of glass and he'd sleep like a kitten." Dividing the Heart poems is the long "Oh, Immobility, Death's Vast Associate, " a jazzy disquisition on human isolation and inaction in the midst of a planet full of people feeling similarly. Throughout Pallbearers Envying the One Who Rides Dobyns has painstakingly sculpted straight-forward language into a distinct sound, creating an unforgettable collection of poems that offers readers unexpected revelations about the complexities of the heart.

    Whether tender or hard-hitting, McGriff juxtaposes natural images of deep forests, creeks, coyotes, and crows against the harsher oil-grease realities of blue-collar life, creating poems that read like folk tales about the people working in grain mills, forests, and factories."New Civilian"The new law says you can abandon your childin an emergency room,no questions asked. The young fathercarries the sleeping boythrough the hospital doors.Later, alone, parked at the boat basin,he takes a knife from his pocket,cuts an unfiltered cigarette in two,lights the longer half in his mouth.He was a medic in the war.In his basement are five bronze eaglesthat once adorned the wallsof a dictator's palace.Michael McGriff attended the University of Oregon; the University of Texas at Austin, where he was a Michener Fellow in creative writing; and Stanford University, where he was a Stegner Fellow. He is the co-founding editor and publisher of Tavern Books and lives in Salt Lake City, Utah.

    

    The book presented a new and urgent poetry of dream-life, mystery and music, sexual obsession and the consolations of drink - all delivered with great formal skill and imaginative daring.'One of the finest first books of poems I've read for ages.' Paul Muldoon'If you are wondering whether great poems are still being written, you ought to read Don Paterson's.' Charles Simic'One of the most ferociously talented of all British poets.' Catherine Lockerbie

    For fans stirred by the cerebral lyrics of SOAD albums Hypnotize, Mesmerize, Steal This Album!, Toxicity, and their first, self-titled breakthrough—and for everyone enthusiastic about Serj’s solo album, Imperfect Harmonies—this essential, one-of-a-kind collection of Tankian’s innermost thoughts and feelings is a must-read. Unique illustrations punctuate nearly 70 poems—almost none of which have ever been published before. Glaring through Oblivion is an indispensable find for any true fan.

    But like his celebrated teacher, Elizabeth Bishop, Gioia is meticulously painstaking and self-critical about his own poems. In an active 25-year career he has published only two previous volumes of poetry. Although Gioia is often recognized as a leading force in the recent revival of rhyme and meter in American poetry, his own work does not fit neatly into any one style.Interrogations at Noon displays an extraordinary range of style and sensibility—from rhymed couplets to free verse, from surrealist elegy to satirical ballad. What unites the poems is not a single approach but their resonant musicality and powerful but understated emotion. This new collection explores the uninvited epiphanies of love and marriage, probing the quiet mysteries of a seemingly settled domestic life. Meditating on the inescapable themes of lyric poetry—time, mortality, nature, and the contradictions of the human heart—Gioia turns them to provocative and unexpected ends.

    This new book takes place in Lockdown Three. This time Key can make Government-sanctioned expeditions out onto the streets of London (remember?). And it is there that the inaction takes place. Phone calls to his mother, promenades with his loyal friend, bubble-negotiations, sitting his fat arse down on benches, drinking mocha. Another three months of mind-freezing inertia. This time on the move. Conversations interspersed with poetry.

    What is form's time? Here the form of life called a poem speaks with the body's mortality, its thickness, its play. The 10 poem-sequences in 3 Summers inflect a history of textual voices — Lucretius, Marx, Aby Warburg, Deleuze, the Sogdian Sutras — in a lyricism that insists on analysis and revolt, as well as the pleasures of description. The poet explores the mysterious oddness of the body, its languor and persistence, to test how it shapes the materiality of thinking, which includes rivers and forests. But in these poems' landscapes, the time of nature is inherently political. Now only time is wild, and only time — embodied here in Lisa Robertson’s forceful cadences — can tell.‘Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully.’—The New York Times‘Robertson makes intellect seductive; only her poetry could turn swooning into a critical gesture.’— The Village VoiceLisa Robertson's books include Cinema of the Present, Debbie: An Epic, The Men, The Weather, R's Boat and Occasional Works and Seven Walks from the Office for Soft Architecture. Lisa Robertson's Magenta Soul Whip was named one of The New York Times' 100 Notable Books. She lives in France.

    Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

    Poems in English and Spanish that discuss what it means to be Puerto Rican in the United States today.

    White's The Salt Ecstasies—originally published in 1982, shortly after White's untimely death—has earned a reputation for its artful and explicit expression of love and desire. In this new edition, with an introduction by Mark Doty and previously unpublished works by White, his invaluable poetry is again available—clear, passionate, and hard-earned.The Salt Ecstasies is a new book in the Graywolf Poetry Re/View Series, edited by Doty, dedicated to bringing essential books of contemporary American poetry back into print.

    She currently lives independently as a 19 year old in New York City. This debut collection chronicles her experiences with love, travel, and self-discovery in a shifting physical and emotional geography.

    Political and iconoclastic, Anne Boyer’s poems dally in pastoral camp and a dizzying, delightful array of sights and sounds born from the dust of the Kansas plains where dinner for two is cooked in Fire King and served on depression ware, and where bawdy instructions for a modern “Home on the Range” read:Mix a drink of stock lot:vermouth and the water table.And the bar will smell of IBP.And you will lick my Laura Ingalls.In Boyer’s heartland, “Surfaces should be worn. Lamps should smolder. / Dahlias do bloom like tumors. The birds do rise like bombs.” And the once bright and now crumbling populism of Marxists, poets, and folksingers springs vividly back to life as realism, idealism, and nostalgia do battle amongst the silos and ditchweed.Nothing, too, is a subject:dusk regulating the blankery.Fill in the nightish sky with ardent,fill in the metaphorical smell.A poet and visual artist, Anne Boyer lives in Kansas, where she co-edits the poetry journal Abraham Lincoln and teaches at Kansas City Art Institute.

    This book contains the poem “Grace”, which the Poetry Society of America chose for their Poetry in Motion series to entertain public transit passengers in major metropolitan areas.

    0-935906-02-9$5.00 / Javan Press