Stallings, recipient of the 1999 Richard Wilbur Award, uniquely juxtaposes poetic meditations on mythological themes with poems about the everyday occurances of contemporary life -- such as losing an umbrella or fishing with one's father. In doing so, Archaic Smile continually bridges the gap between these two distant but interrelated worlds with striking insights. James Dickey, having praised the author's accomplished critical skills, also points out that she has "the most indispensable quality that a poet must have: an original way of looking at things." A.R. Ammons aptly characterizes the power of her mythological poems in his comments on "Apollo Takes Charge of His Muses" which he chose for The Best American Poetry: "It delivers the ancient past into our present with such astonishing justness that I'm silenced with appreciation." Archaic Smile is a powerful debut collection by a provacative poet who has found strikingly original ways to personalize our myths and conjure the deep significances of our everyday life.

    Throughout, poetry is discovered to be among our most effective tools to examine the delirium of making contact."Hot":The sexiest thing a woman has ever doneto or with or for me—while wearing the loose breezeof a dress or standing inside its red zero on the floor—while bending over and pulling her shorts downon a racquetball court or to reach the watershutoff valve behind the fridge—as Satiewhispers against our thighs or hummingher brain's native tune as we touchthe smudged glass protecting extinct beetlesin a museum—with her lips swaddling my tongueor finger up my ass—is tell the truth—which makes my wife the hottest womanI've ever known—her mouth erotic every timeshe speaks—she is an animal when it comes to sexand love—comes to us—in that she doesn't primpin front of the mirror of what she thinks I wanther to say or be—the only real flesh—only nakedthat matters––how she looks at meBob Hicok's poems have appeared in the New Yorker, Poetry, and the American Poetry Review. His books have been awarded the Bobbitt Prize from the Library of Congress and named a "Notable Book of the Year" by Booklist. Hicok has worked as an automotive die designer and a computer system administrator. He is currently teaching at Purdue University.

    She has since published many more books in multiple genres and for readers of all ages, but poetry remains at the heart of her work. Many-Storied House is her fifth collection. While teaching aspiring writers, Lyon asked her students to write a poem based on memories rooted in a house where they had lived. Working on the assignment herself, Lyon began a personal

    We get illuminating glimpses of the poet’s background and childhood, in poems like “Going Home” (his mother the daughter of sharecroppers, his father the black sheep in a family of rich Virginia merchants) and “Summer at Blue Creek, North Carolina,” a classic scene of pulling water from the well, sounding the depths.The title of the collection is drawn from the startling “Ovid in Tears,” in which the poet figure has fallen and is carried out, muttering faintly: “White stone in the white sunlight . . . Both the melody / and the symphony. The imperfect dancing / in the beautiful dance. The dance most of all.” Gilbert reminds us that there is beauty to be celebrated in the imperfect—“a worth / to the unshapely our sweet mind founders on”—and at the same time there is “the harrowing by mortality.” Yet, without fail, he embraces the state of grief and loss as part of the dance.The culmination of a career spanning more than half a century of American poetry, The Dance Most of All is a book to celebrate and to read again and again.

    When the Russians dismantle one of the largest and fastest-growing Italian Mafia family's in the States, war is declared.To avenge their friend's death, a fallen king, a washed-up queen, a struggling couple, and a depressed brother must come back together to fight.Through their own series of trials and tribulations, they learn that although they can attempt to fight their own battles, the only way they can overcome them is together.That is when they have the most power.

    A passionate exploration of the forces that shape us, The Last Love Poem I Will Ever Write explores themes of survival and the powerlessness of the self in a chaotic and unfair world, finding hope in the emotions and vitality of poetry. With characteristic meditative lyricism, the poet reflects on grief and the power of language in extended odes (“Ode to Nothing,” “Ode to Words”) and slips effortlessly from personal trauma (“Song of What Happens”) to public catastrophe (“Charlottesville Elegy”).The Last Love Poem I Will Ever Write confirms Orr’s place among the preeminent lyric poets of his generation, engaging the deepest existential issues with wisdom and humor and transforming them into celebratory song.

    In And Short the Season she muses on mortality: her own and that of the earth. Always deeply personal, always political, these poems blend myth and modernity, fecundity and death, and the violence and tenderness of humankind.

    Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey.The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos."This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.

    The commentary will contain background on the poems or more deeply delve into themes or topics discussed in the poems themselves. The spiritual seeker as well as the mature in faith will both benefit from the poems.

    Ranging from joyous to elegiac, verses touch on love’s delights and follies with elliptical eloquence. Lovely to read aloud or reflect on silently. Photos of African artwork accompany the text.My heart is single and cannot be dividedAnd it is fastened on a single hope;Oh, you, who might be the moon!--Somali love song

    For readers devoted to poetry, it offers illuminating examples of the infinitely various ways a poem reaches a reader.In both the book and the videos on the accompanying DVD, poems by Sappho, Shakespeare, Keats, Whitman, and Dickinson as well as contemporary poets are introduced by people from across the United States—a construction worker, a Supreme Court justice, a glassblower, a marine—each of whom speaks about his or her connection to the poem. Their comments are variously poignant, funny, heartening, tart, penetrating, and eccentric, showing some of the ways poetry is alive for American readers. An Invitation to Poetry will inspire a fresh experience of poetry's pleasure and insight.

    From maple ice cream to Z-shaped fire escapes, these poems carry a flashlight you'll want to follow: unexpected as night swimming, entertaining as a music video in sign language.

    This treasure of a book collects 29 of the bard s most romantic sonnets, each one lovingly illustrated by the talented Caitlin Keegan. Pretty and contemporary, the illustrations tastefully accentuate the depth of sentiment in each sonnet. A brilliant sun rises over the 17th Sonnet ( Shall I compare thee to a summer s day? ) and a graceful animal adorns the 19th Sonnet ( Devouring time, blunt thou the lion s paws ). Available just in time for Valentine s Day but appropriate for any spontaneous expression of love, this is an ideal, sophisticated gift for the legions of Shakespeare fans.

    There are 366 poems (one for each day of the year, and one for leap years), to delight, inspire and excite. Chosen for their magic and memorability, the poems in this anthology are an exultant mix of old and new from across the world, poems to learn by heart and take to heart.

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.