Thrale's dinner party when the twenty-six-year-old Fanny has the incomparable thrill of hearing Dr. Johnson himself admiringly acknowledge her authorship of Evelina, her first novel, anonymously published for fear of upsetting her adored father, and now the talk of the town. We see her growing up, daughter of the charming and gifted musician and teacher Dr. Charles Burney, who was the very embodiment of a new class: talented, energized, self-educated, self-made, self-conscious, socially ambitious and easily endearing himself to aristocratic patrons.We see Fanny partly enjoying, partly rejecting the celebrity engendered by Evelina, and four years later by Cecilia ("If you will be an author and a wit," says Mrs. Thrale, "you must take the consequences"). And we see her mingling with the most famous men and women of the time, not only Dr. Johnson but Joshua Reynolds, Sheridan, David Garrick, Mrs. Siddons, Horace Walpole and, later, Chateaubriand and Madame de StaÎl.For five years, during the time of George III's madness, Fanny Burney held a position in the Royal Household as Second Keeper of the Robes to Queen Charlotte. For her father, Fanny's going to court was like going to heaven, but for Fanny it was more an incarceration. Her journals, published posthumously in 1842, gave her some solace. She saw herself as an eavesdropper. Dr. Johnson wryly called her "a spy." Her marriage at forty-one to a penniless Catholic exile, Alexandre d'Arblay, resulted in trans-Channel crossings that left her stranded for almost a decade in Napoleon's France, and then, after a dramatic flight from Paris, trapped in Brussels on the eve of Waterloo.Claire Harman's biography of Fanny Burney is as lively as it is meticulously researched and authoritative. It gives us the woman, her world and the early-blooming artist whose acute grasp of social nuance, gift for satire, drama and skillful play among large casts of characters won her comparison with the best of Smollett, Richardson and Fielding, the admiration of Jane Austen and Lord Byron and a secure place in the pantheon of the English novel.

    Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature.The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste.Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.

    From Big Ben to the grimy Victorian streets of Dickens novels on up to the sleek high-rises that dot the skyline of the twenty-first-century metropolis, the urban landscape of London is steeped in history, while forever responsive to the changing dictates of progress, industry, and culture. In London: A Life in Maps, acclaimed historian Peter Whitfield reveals a wealth of surprising truths and forgotten facts hidden in the city’s historic maps.Whitfield examines nearly 200 maps spanning the last 500 years, all of which vividly demonstrate the vast changes wrought on London’s streets, open spaces, and buildings. In a rich array of colorful cartographic illustrations, the maps chronicle London’s tumultuous history, from the devastation of the Great Fire to the indelible marks left by World Wars I and II to the emergence of the West End as a fashion mecca. Whitfield reads historic sketches and detailed plans as biographical keys to this complex, sprawling urban center, and his in-depth examination unearths fascinating insights into the city of black cabs and red double-deckers. With engaging prose and astute analysis he also expertly coaxes out the subtle complexities—of social history, urban planning, and design—within the rich documentation of London’s immense and constantly changing cityscape.London: A Life in Maps lets readers wander through the past and present of London’s celebrated streets—from Abbey Road to Savile Row—and along the way reveals the city’s captivating history, vibrant culture, and potential future.

    In this intimately visceral book, Lee Jackson guides us through the underbelly of the Victorian metropolis, introducing us to the men and women who struggled to stem a rising tide of pollution and dirt, and the forces that opposed them.Through thematic chapters, Jackson describes how Victorian reformers met with both triumph and disaster. Full of individual stories and overlooked details—from the dustmen who grew rich from recycling, to the peculiar history of the public toilet—this riveting book gives us a fresh insight into the minutiae of daily life and the wider challenges posed by the unprecedented growth of the Victorian capital.

    John Brewster's landmark book shows us how English artists, amateurs, entrepeneurs, and audiences created a culture that is still celebrated for its wit and brilliance.

    In this sumptuous group portrait of the six daughters of "Mad" King George III, acclaimed biographer Flora Fraser takes us into the heart of the British royal family during the tumultuous period of the American and French revolutions.Drawing on their extraordinary private correspondence, Fraser gives voice to these handsome, accomplished, extremely well-educated women: Princess Royal, the eldest, constantly at odds with her mother; home-loving, family-minded Augusta; plump Elizabeth, a gifted amateur artist; Mary, the bland beauty of the family; Sophia, emotional and prone to take refuge in illness; and Amelia, "the most turbulent and tempestuous of all the Princesses." Never before has the historical searchlight been turned with such sympathy and acuity on George III and his family.

    Mayhew aimed simply to report the realities of the poor from a compassionate and practical outlook. This penetrating selection shows how well he succeeded: the underprivileged of London become extraordinarily and often shockingly alive.

    Using character portraits and key events, Paterson brings the world of Victorian Britain alive, from the lifestyles of the aristocrats to the depths of the London slums.

    Harriet Spencer was without a doubt one of the most glamorous, influential, and notorious aristocrats of the Regency period.The second daughter of the prestigious Spencer family, Harriet was born into wealth and privilege. Intelligent, attractive, and exceedingly eager to please, at nineteen years of age she married Frederick, Viscount Duncannon, an aloof, distant relative. Unfortunately, it was not a happy union; the only trait they shared was an unhealthy love of gambling. The marriage produced four children, yet Harriet followed in the footsteps of her older sister and began a series of illicit dalliances, including one with the prominent and charismatic playwright Richard Brinsley Sheridan. Then she met Lord Granville Leveson Gower, handsome and twelve years her junior. Their years-long affair resulted in the birth of two children, and all but consumed Harriet: concealing both pregnancies from her husband required great skill. Had the children been discovered, it surely would have resulted in divorce—which would have been disastrous.Harriet’s life was dramatic, and the history-making events she observed were equally fascinating. She was an eyewitness to the French Revolution; she participated in both the euphoria following Nelson’s victory at Trafalgar and the outpouring of grief at his spectacular funeral; she was privy to the debauchery of the Prince Regent’s wife, Princess Caroline. She quarreled bitterly with Lord Byron when he pursued her young daughter (rumor had it that he was truly interested in Harriet herself). She traveled through war-torn Europe during both the rise and the fall of Napoleon and saw the devastating aftermath of the Battle of Waterloo, where her son was gravely injured. Harriet, along with her sister, was one of the leading female political activists of her day; her charm allowed her to campaign noisily for Charles James Fox—while still retaining influence over supporters of his rival, William Pitt the Younger. Harriet survived Georgiana by fifteen years, living to see the coronation of George IV.Janet Gleeson’s elegant, page-turning style brings Harriet’s story vividly to life. Based on painstaking archival research, Privilege and Scandal gives readers an inside look at the lives of the British aristocracy during the decadent eighteenth century—while at the same time shining the spotlight on one of the era’s most fascinating women.From the Hardcover edition.

    It was once notorious for the haunt of thieves, con-men, pimps, prostitutes and murderers, most notably Jack the Ripper. This publication chronicles the rise and fall of this remarkable street, from its promising beginnings in the 17th century as the centre of the silk weaving industry, through its gradual descent into iniquity, vice and violence to its final demise in the hands of the demolition men.

    Our manufacturing base is a shadow of its former self; the Royal Navy has been reduced to a skeleton. In military, diplomatic and economic terms, we no longer matter as we once did. And yet there is still one area in which we can legitimately claim superpower status: our popular culture. It is extraordinary to think that one British writer, J. K. Rowling, has sold more than 400 million books; that Doctor Who is watched in almost every developed country in the world; that James Bond has been the central character in the longest-running film series in history; that The Lord of the Rings is the second best-selling novel ever written (behind only A Tale of Two Cities); that the Beatles are still the best-selling musical group of all time; and that only Shakespeare and the Bible have sold more books than Agatha Christie. To put it simply, no country on earth, relative to its size, has contributed more to the modern imagination.This is a book about the success and the meaning of Britain's modern popular culture, from Bond and the Beatles to heavy metal and Coronation Street, from the Angry Young Men to Harry Potter, from Damien Hirst toThe X Factor.

    Suzannah Lipscomb visits over fifty Tudor places, from the famous palace at Hampton Court where dangerous court intrigue was rife, to less well-known houses, such as Anne Boleyn's childhood home at Hever Castle or Tutbury Castle where Mary Queen of Scots was imprisoned. In the corridors of power and the courtyards of country houses we meet the passionate but tragic Kateryn Parr, Henry VIII's last wife, Lady Jane Grey the nine-day queen, and hear how Sir Walter Raleigh planned his trip to the New World. Through the places that defined them, this lively and engaging book reveals the rich history of the Tudors and paints a vivid and captivating picture of what it would have been like to live in Tudor England.

    This is a fascinating and unique guide to the capital that takes the reader off the beaten track and into unexplored territory. This book allows the reader to travel through time to six key periods in the history of London. From Shakespeare to the plague, medieval London to the swinging 60s, readers can totally immerse themselves in the sights, sounds and smells of our capital at each particular moment.It's vividly written, and after reading this book you'll never rush through the streets of Covent Garden or St Paul's again without pausing for at least a moment to think of all the mad characters and epic lives that ran through the same streets centuries before.Whether you are a tourist looking for an alternative way to see the city, or a Londoner that wants to learn more about the world around you, this is a must-have guide.

    The crucial players in this drama were the British, who invented both capitalism and imperialism and were incomparably the richest, most important investors in the developing world. In this sense, England's position has strong resemblances to America's in the late twentieth century.As one of our most accomplished biographers and novelists, A. N. Wilson has a keen eye for a good story, and in this spectacular work he singles out those writers, statesmen, scientists, philosophers, and soldiers whose lives illuminate so grand and revolutionary a history: Darwin, Marx, Gladstone, Christina Rossetti, Gordon, Cardinal Newman, George Eliot, Kipling. Wilson's accomplishment in this book is to explain through these signature lives how Victorian England started a revolution that still hasn't ended.

    The first two - the French Revolution and the Industrial Revolution - have inspired the greatest volume of literature. But the third - the romantic revolution - was perhaps the most fundamental and far-reaching.From Byron, Wordsworth, Coleridge and Burns, to Beethoven, Wagner, Berlioz, Rossini and Liszt, to Goya, Turner, Delacroix and Blake, the romantics brought about nothing less than a revolution when they tore up the artistic rule book of the old regime. This was the period in which art acquired its modern meaning; for the first time the creator, rather than the created, took centre-stage. Artists became the high priests of a new religion, and as the concert hall and gallery came to take the place of the church, the public found a new subject worthy of veneration in paintings, poetry and music. Tim Blanning's wide-ranging survey traces the roots and evolution of a cultural revolution whose reverberations continue to be felt today.