Whether he's dropping into the lives of two teachers―and their love lost and found―in "Nine Inches", documenting the unraveling of a dad at a Little League game in "The Smile on Happy Chang's Face", or gently marking the points of connection between an old woman and a benched high school football player in "Senior Season", Perrotta writes with a sure sense of his characters and their secret longings.Nine Inches contains an elegant collection of short fiction: stories that are as assured in their depictions of characters young and old, established and unsure, as any written today.

    Like her extraordinary novel, McCracken's stories are a delightful blend of eccentricity and romanticism. In the title story, a young man and his wife are intrigued and amused when a peculiar unknown aunt announces a surprise visit—only the old woman can't be traced on the family tree. In "What We Know About the Lost Aztec Children," the "normal" middle-class son of a former circus performer (the Armless Woman) must suddenly confront his mother's pain. In "It's Bad Luck to Die," a young woman discovers that her husband's loving creations—he's a tattoo artist—make her feel at home in her skin for the first time. Daring, offbeat, and utterly unforgettable, Here's Your Hat What's Your Hurry is the work of an unparalleled young storyteller who possesses a rare insight and unconventional wisdom far beyond her years. Her stories will steal your heart.It's bad luck to die --Some have entertained angels, unaware --Here's your hat what's your hurry --The bar of our recent unhappiness --Mercedes Kane --What we know about the lost Aztec children --June --Secretary of State --The goings-on of the world

    Each of the portraits in Close Range reveals characters fiercely wrought with precision and grace. These are stories of desperation and unlikely elation, set in a landscape both stark and magnificent.The half-skinned steer --The mud below --55 miles to the gas pump --The bunchgrass edge of the world --A lonely coast --Job history --Pair a spurs --People in Hell just want a drink of water --The governors of Wyoming --The blood bay --Brokeback Mountain

    This is a world of lost fathers and redemptive con men, of meth tweakers on desperate odysseys and men committing suicide by fishing.In "Thief," an aluminum worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. Also included are the stories "Don't Eat Cat" and "Statistical Abstract of My Hometown, Spokane, Washington," both of which achieved a cult following after publication online.

    It also began Coover's now-trademark riffs on fairy tales and bedtime stories. In these riotously word-drunk fictional romps, two children follow an old man into the woods, trailing bread crumbs behind and edging helplessly toward a sinister end that never comes; a husband walks toward the bed where his wife awaits his caresses, but by the time he arrives she's been dead for three weeks and detectives are pounding down the door; a teenaged babysitter's evening becomes a kaleidoscope of dangerous erotic fantasies-her employer's, her boyfriend's, her own; an aging, humble carpenter marries a beautiful but frigid woman, and after he's waited weeks to consummate their union she announces that God has made her pregnant. Now available in a Grove paperback, Pricksongs & Descants is a cornerstone of Robert Coover's remarkable career and a brilliant work by a major American writer.

    A Curtain of Green both introduced and established Eudora Welty as in instinctive genius of short fiction, and in this groundbreaking collection, which includes "Powerhouse" and "Keela, the Outcast Indian Maiden," are the first great works of a great American writer.

     In Magical Mr. Goat, a young girl's imaginary friend yearns to become "more than friends." In Unprotected, an unused prophylactic recalls his years spent trapped inside a teen boy's wallet. The stories in Simon Rich's new book are bizarre, funny, and yet...relatable. Rich explores love's many complications-losing it, finding it, breaking it, and making it-and turns the ordinary into the absurd. With razor-sharp humor and illustrations, and just in time for Valentine's Day, Rich takes readers for an exhilarating, hilarious ride on the rollercoaster of love.

    The Lines that Make Us is a collection of thirty stories and thirty photographs by Seattle bus driver Nathan Vass (The View from Nathan’s Bus).“Read this beautiful book about junkies and hookers and bankers and lawyers in the last place in America they can’t avoid each other.”—Paul Currington, Fresh Ground StoriesNathan “...describes the riders—often poor, often not white, often going to bad news, often just being in the world—with a prose that’s at once elegant, rhythmical, and clear.”—Charles Tonderai Mudede, writer, editor, filmmaker, cultural criticWith an introduction by Paul Constant

    The journey is the thing as Pinsker weaves music, memory, technology, history, mystery, love, loss, and even multiple selves on generation ships and cruise ships, on highways and high seas, in murder houses and treehouses. They feature runaways, fiddle-playing astronauts, and retired time travelers; they are weird, wired, hopeful, haunting, and deeply human. They are often described as beautiful but Pinsker also knows that the heart wants what the heart wants and that is not always right, or easy.

    "Another""What It Means When a Crowd in a Faraway Nation Takes a Soldier Representing Your Own Nation, Shoots Him, Drags Him from His Vehicle and Then Mutilates Him in the Dust""The Only Meaning of the Oil-Wet Water""On Wanting to Have Three Walls Up Before She Gets Home""Climbing to the Window, Pretending to Dance""She Waits, Seething, Blooming""Quiet""Your Mother and I""Naveed""Notes for a Story of a Man Who Will Not Die Alone""About the Man Who Began Flying After Meeting Her""Up the Mountain Coming Down Slowly""After I Was Thrown in the River and Before I Drowned"From the Trade Paperback edition.

    A Czech immigrant who finds a paradoxical contentment on the harsh expanse of the Nebraska prairie. A solitary young painter spying raptly and guiltily on his exquisite neighbor. These are some of the lives that Willa Cather renders, with a fine balance of compassion and detachment, in these nineteen stories. Here are the great themes that Cather staked out like tracts of land: the plight of people hungry for beauty in a country that has no room for it; the mysterious arc of human lives; the ways in which the American frontier transformed the strangers who came to it, turning them imperceptibly into Americans. In these fictions, Cather displays her vast moral vision, her unerring sense of place, and her ability to find the one detail or episode that makes a closed life open wide in a single exhilarating moment.

    Wrapped in a spiritual atmosphere that expresses the yearnings of Kerouac to find himself, "Tristessa", translated by Jorge García- Robles, a specialist in the beat generation, is the story of the strange loving relationship that the author had with Esperanza, as well as the significant description of the atmosphere that surrounded it, which depicts some key places of Mexico City back then.Hero of the beat generation, the creator of a model of life that would be followed by thousands of young people in the entire world, a sui generis mystic, "Tristessa", which until recently was not known in Spanish and that was published in English, is one of his fresher and better achieved works. Tristessa es el nombre con el que Kerouac bautizó a Esperanza Villanueva, una joven mexicana católica, prostituta y adicta a ciertas drogas, de quien se enamoró durante una de sus estancias en México, país que visitaba con frecuencia, a mediados de los años cincuenta. Tristessa, en la traducción de Jorge García- Robles, especialista en la generación beat, es el relato de la extraña relación amorosa que tuvo con Esperanza, así como la significativa descripción del ambiente que la rodeaba, en la que aparecen retratos de algunos lugares clave de la Ciudad de México: Plaza Garibaldi, Niño Perdido, la colonia Roma. Escritor «al rojo vivo», como lo calificó Henry Miller, héroe de la generación beat, creador de un modelo de vida que seguirían miles de jóvenes en todo el mundo, místico sui géneris, Tristessa, que hasta hace poco no se conocía en español y que se publicó en inglés apenas hace diez años, es una de sus obras más frescas y mejor logradas.

    When you realize that the 33 stories are ordered chronologically, you begin to grasp the scale of Cordwainer Smith's creation. Regimes, technologies, planets, moralities, religions, histories all rise and fall through his millennia.These are futuristic tales told as myth, as legend, as a history of a distant and decayed past. Written in an unadorned voice reminiscent of James Tiptree Jr., Smith's visions are dark and pessimistic, clearly a contrast from the mood of SF in his time; in the 1940s, '50s, and '60s it was still thought that science would cure the ills of humanity. In Smith's tales, space travel takes a horrendous toll on those who pilot the ships through the void. After reaching perfection, the lack of strife stifles humanity to a point of decay and stagnation; the Instrumentality of Mankind arises in order to stir things up. Many stories describe moral dilemmas involving the humanity of the Underpeople, beings evolved from animals into humanlike forms.Stories not to be missed in this collection include "Scanners Live in Vain", "The Dead Lady of Clown Town", "Under Old Earth", "The Crime and the Glory of Commander Suzdal", "Mother Hitton's Littul Kittons", and the truly disturbing "A Planet Called Shayol". Serious SF fans should not pass up the chance to experience Cordwainer Smith's complex, distinctive vision of the far future.--Bonnie BoumanContents:- Introduction by John J. Pierce- Editor’s Introduction by James A. Mann• Stories of the Instrumentality of Mankind- No, No, Not Rogov! (1959)- War No. 81-Q (rewritten version) - Mark Elf (1957)- The Queen of the Afternoon (1978)- Letter to Editor, Fantasy Book (March 9, 1948)- Scanners Live in Vain (1950)- The Lady Who Sailed The Soul (1960)- When the People Fell (1959)- Think Blue, Count Two (1963)- The Colonel Came Back from Nothing-at-All (1979)- The Game of Rat and Dragon (1955)- The Burning of the Brain (1958)- From Gustible’s Planet (1962)- Himself in Anachron- The Crime and the Glory of Commander Suzdal (1964)- Golden the Ship Was — Oh! Oh! Oh! (1959)- The Dead Lady of Clown Town (1964)- Under Old Earth (1966)- Drunkboat (1963)- Mother Hitton’s Littul Kittons (1961)- Alpha Ralpha Boulevard (1961)- The Ballad of Lost C’Mell (1962)- A Planet Named Shayol (1961)- On the Gem Planet [Casher O'Neill] (1963)- On the Storm Planet [Casher O'Neill] (1965)- On the Sand Planet [Casher O'Neill] (1965)- Three to a Given Star [Casher O'Neill] (1965)- Down to a Sunless Sea (1975)• Other Stories- War No. 81-Q (original version) (1928)- Western Science Is So Wonderful (1958)- Nancy (1959)- The Fife of Bodidharma (1959)- Angerhelm (1959)- The Good Friends (1963)Cover art by Jack Gaughan

    Mysterious, funny, insightful, and heartbreaking, these are tales of expatriates and exiles, wise children and straying saints. Together they compose a secret history, at once intimate and panoramic, of modern times.