It is not the cool breeze and the scent of pine that whispers your name.No, these things within the forest will rip out your heart and devour your soul. You will tremble as they revel in your madness, taking everything from you and leaving you with nothingDelve inside this anthology of what truly lurks within the shadows of the trees. Created by award-winning horror and fiction authors around the world. We dare you to take this journey with us and find out what horrors await you.The Forest Is Calling. Will you answer?24 terrifying tales ripped straight from your nightmares. There is evil in the forest, and it wants you dead.

    "Robert Aickman was a master of what he called 'strange stories,' and though his fiction has been categorized as horror, it's actually its own beast.As we move further away from the horror boom of the last century and its focus on the mainstream appeal of small town horrors, we are encountering successive generations of writers open to exploring new avenues of the subtly bizarre, an area Aickman frequently mastered.This book is a sampler of how Robert Aickman's work has beoome a significant source of inspiration for contemporary writers."

    Sometimes they are just like ours—except landlocked countries may disappear overnight, marriages to camels are the norm, and the dead turn into musical instruments. Sometimes there is horror, and dreams fulfilled and squandered, of true love. They do the same things different there.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    Contains stories such as "The Goose Girl", "Hansel and Grethel", "Cinderella", "The Golden Goose", "The Frog Prince" and many more.

    Some of the stories are inspired by true events. Find out which ones inside this scary collection. “Night Visitors” Once or twice a year, dark creatures show up at the foot of Annie`s bed and take her with them and conduct grisly experiments on her. This is happening for years now. She doesn’t understand who they are and why they do this. But this, last time, it's different. This time she gets the answers, and nothing on Earth will be the same afterward. “Agatha” A man falls in love with a mysterious timid red-haired girl. As he begins to know more about her, he finds out that her secrets are more complicated than he fathoms. A series of abnormal accidents begin to happen in her presence. Who is she and why does she have these paranormal powers? "Grandpa Jesse" Three months have passed since the death of their grandfather, and sisters Jen and Kim are struggling to cope with the loss. As Jen and Kim spend more time at their grandmother’s house, they slowly begin to realize some specter is visiting her on a daily basis and he means no good.

    In the big white house on the hill angels are said to appear. A forgotten tenant in an isolated building becomes addicted to milk. A strange goddess is worshipped by a home-invading disciple. The least remembered gods still haunt the oldest forests. Cannibalism occurs in high society at the end of the world. The sainted undead follow their prophet to the Great Dead Sea. A confused and vengeful presence occupies the home of a first-time buyer . . . In ghastly harmony with the nightmarish visions of the award-winning writer's novels, these stories blend a lifelong appreciation of horror culture with the grotesque fascinations and childlike terrors that are the author's own. Adam Nevill's best early horror stories are collected here for the first time.

    Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.” Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

    A gripping, chilling collection of 47 stories and six poems, dating back to Shelley and Stevenson, but also including modern masters.

    So, it's no wonder he's doesn't hear Mr. Fitches' warnings about a local homicidal hobgoblin-too bad for him.Praise for the Author:"...master of mid-grade horror, M.J.A. Ware's tales are told in a pleasantly chatty first-person style, the voice convincingly that of a young teen put-upon by sisters, brothers, parents, friends and the rest of the world... until the rest of the world jumps in with scares aplenty." -Sheila Deeth, Author, blogger, and reviewer."Writing for (a) younger audience can be tricky, but Michael Ware knows the tricks." - Author, Laura Lund

    of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle.The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.Preface to Hauntings (1890) -- Amour dure (1887, 1890) -- Dionea (1890) -- Oke of Okehurst (1886, 1890) -- A wicked voice (1887, 1890) -- Prince Alberic and the snake lady (1896) -- A wedding chest (1904) -- Preface to The virgin of the seven daggers (1927) -- The virgin of the seven daggers (1896, 1909,1927) -- Appendix A: From Algernon Charles Swinburne, "Notes on designs of the old masters at Florence" (1868, 1875) -- Appendix B: From Walter Pater, "Pico della Mirandula" (1871, 1873) -- Appendix C: From Walter Pater, "Lionardo da Vinci" (1869, 1873) -- Appendix D: Vernon Lee, "Faustus and Helena: notes on the supernatural in art" (1880, 1881) -- Appendix E: A. Mary F. Robinson, "Before a bust of Venus" (1881) -- Appendix F: Eugene Lee-Hamilton, "The mandolin" (1882) -- Appendix G: A. Mary F. Robinson, "The ladies of Milan" (1889) -- Appendix H: Eugene Lee-Hamilton, "On a surf-rolled torso of Venus" (1884, 1894) -- Appendix I: Vernon Lee, "Out of Venice at last" (1925).

    Poe The Girl by Lola St Vil Rest For The Wicked by Cate Dean Drowning Mermaids by Nadia Scrieva I Bring the Fire: Part I Wolves by C. Gockel The Witch Hunter by Nicole R Taylor Beyond the Fortuneteller's Tent by Kristy Tate Nolander by Becca Mills The Medium by C.J. Archer Dream Student by J.J. DiBendetto Deception by Stacy Claflin The Black Parade by Kyoko M The Thought Readers by Dima Zales

    These stories are explorations of the extreme in human behaviour, where the bizarre chills the spine, and few authors can match Grabinski's depiction of seething sexual frenzy. The Dark Domain will introduce to English readers one of Europe's most important authors of literary fantasy.

    Women have always written exceptional stories of horror and the supernatural. This anthology aims to showcase the very best of these, from Amelia B. Edwards's 'The Phantom Coach', published in 1864, through past luminaries such as Edith Wharton and Mary Elizabeth Braddon, to modern talents including Muriel Gray, Sarah Pinborough and Lilith Saintcrow. From tales of ghostly children to visitations by departed loved ones, and from heart-rending stories to the profoundly unsettling depiction of extreme malevolence, what each of these stories has in common is the effect of a slight chilling of the skin, a feeling of something not quite present, but nevertheless there. If anything, this showcase anthology proves that sometimes the female of the species can also be the most terrifying . . .

    Collected in this chilling volume are some of the famous Japanese mystery writer Edogawa Rampo's best stories—bizarre and blood-curdling expeditions into the fantastic, the perverse, and the strange, in a marvelous homage to Rampo's literary 'mentor', Edgar Allan Poe.