The Normandy coastal village of Caillons is under German occupation, its villagers struggling to survive. With her husband forced into compulsory service for the German Reich, Jeanne Dupré, mother of two adolescent daughters, risks everything to lead the local Resistance cell.Life becomes even more dangerous with the arrival of British agent Daniel Benedict. He needs Jeanne's help to complete his mission, vital to Operation Overlord, the D-Day landings. But Jeanne is suspicious that they are not fighting for the same outcome. Their joint foe is Jürgen Graf, a Nazi oberleutnant set on wiping out the local Resistance. Aware that a spy is at large, Graf is on a ruthless mission to hunt Benedict down. With the help of a network of Catholic priests, Benedict penetrates the heart of the Nazis’ defences against Allied invasion, the Atlantic Wall. As the lives of Jeanne and Benedict become increasingly intertwined can they stay true to themselves? Will they have to sacrifice all in their fight for freedom..? ‘Villa Normandie’ is a moving historical novel, presenting an accurate picture of life under Nazi occupation. It is thoroughly detailed, meticulously researched and vividly authentic - depicting the turbulent world of the French resistance and the struggle of the French people for freedom.

    With his characteristic raw and minimalist style, Charles Bukowski takes us on a walk through his side of town in Hot Water Music.  He gives us little vignettes of depravity and lasciviousness, bite sized pieces of what is both beautiful and grotesque.The stories in Hot Water Music dash around the worst parts of town – a motel room stinking of sick, a decrepit apartment housing a perpetually arguing couple, a bar tended by a skeleton – and depict the darkest parts of human existence.  Bukowski talks simply and profoundly about the underbelly of the working class without raising judgement. In the way he writes about sex, relationships, writing, and inebriation, Bukowski sets the bar for irreverent art – his work inhabits the basest part of the mind and the most extreme absurdity of the everyday.

    Frank wore a big fake head. Nobody outside his inner circle knew his true identity. This became the subject of feverish speculation during his zenith years. Together, they rode relatively high. Then it all went wrong.Twenty-five years later and Jon has co-written a movie, Frank, inspired by his time in this great and bizarre band. Frank is set for release in 2014, starring Michael Fassbender, Maggie Gyllenhaal, and Domhnall Gleeson and directed by Lenny Abrahamson.Frank: The True Story that Inspired the Movie is a memoir of funny, sad times and a tribute to outsider artists too wonderfully strange to ever make it in the mainstream. It tells the true story behind the fictionalized movie.

    Invaluable advice for the recently deflowered girl.

    Fry transforms the adventures of Zeus and the Olympians into emotionally resonant and deeply funny stories, without losing any of their original wonder.This stunning book features classical artwork inspired by the myths, as well as learned notes from the author. Each adventure is infused with Fry's distinctive wit, voice, and writing style. Connoisseurs of the Greek myths will appreciate this fresh-yet-reverential interpretation, while newcomers will feel welcome. Retellings brim with humor and emotion and offer rich cultural contextCelebrating the thrills, grandeur, and unabashed fun of the Greek myths, Mythos breathes life into ancient tales—from Pandora's box to Prometheus's fire.This gorgeous volume invites you to explore a captivating world with the brilliant storyteller Stephen Fry as your guide.

    A naïve young secretary, fresh out of Cleveland, tumbles headlong into a brave new world of laundromat Lotharios, pot-growing landladies, cut throat debutantes, and Jockey Shorts dance contests. The saga that ensues is manic, romantic, tawdry, touching, and outrageous—unmistakably the handiwork of Armistead Maupin.

    if it would just cut to the chase. Stripped of its arcane language and its interminable passages of poetry, genealogy, and law, every book of the Bible is condensed down to its core message, in no more than a few pages each. Written by Mark Russell with cartoons by New Yorker cartoonist Shannon Wheeler, God Is Disappointed in You is a frequently hilarious, often shocking, but always accurate retelling of the Bible, including the parts selectively left out by Sunday School teachers and church sermons. Irreverent yet faithful, this book is a must-read for anyone who wants to see past the fog of religious agendas and cultural debates to discover what the Bible really says.

    This publication from Boomer Books is specially designed and typeset for comfortable reading.

     “This is an important as well as an entertaining story and should be a must-read for those bored with traditional Victorian fiction, those concerned with the unfolding historical role of women and those who just love a great story based on truth and told with utter believability and real compassion.“ Crime Review January 1822: A child is found dead on wasteland in London's Liberty of Norton Folgate. Adah Flint, the Liberty's Searcher, must examine the little girl's body to determine her identity and discover the cause of death. MEET ADAH FLINT AND DISCOVER THE UNTOLD STORY OF THE SEARCHERS Adah's search for the truth takes her through the cosmopolitan backstreets of early 19th century London, with its inns and prisons, street markets and prostitution, cruelty and compassion. Written by Australian history professor T.J. Alexander and based on real characters and a true crime. This novel takes readers into the long-forgotten world of the women searchers who once played an important role in the solving of crimes, and eventually into the twenty-first century, where mysteries are resolved and new enigmas unfold. A MYSTERY WHICH WILL ENTRANCE AND HAUNT YOU.

    The dowager, no less, has invited her for a season in London, where she will attempt to catch a husband.Thus begins our heroine’s tale as she attempts to tackle the London season with all her rustic finesse. Unfortunately, her rustic finesse turns out to be as delicate as a fat bear trying to rip apart a honeycomb infested with buzzing bees.What follows is a series of misadventures, love affairs, moonlit balls, fancy clothes, fake moustaches, highwaymen, sneering beauties, pickpockets, and the wrath of a devilishly handsome duke.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    Also living in Zurich at this time was a British consula official called Henry Carr, a man acquainted with Joyce through the theater and later through a lawsuit concerning a pair of trousers. Taking Carr as his core, Stoppard spins this historical coincidence into a masterful and riotously funny play, a speculative portrait of what could have been the meeting of these profoundly influential men in a germinal Europe as seen through the lucid, lurid, faulty, and wholy riveting memory of an aging Henry Carr.

    In this hilarious book of tongue-in-cheek poetry, the author of the internationally syndicated comic strip Sally Forth helps cats unlock their creative potential and explain their odd behaviour to ignorant humans. With titles like Who Is That on Your Lap?, This Is My Chair, Kneel Before Me, Nudge, and Some of My Best Friends Are Dogs, the poems collected in I Could Pee on This perfectly capture the inner workings of the cat psyche. With photos of the cat authors throughout, this whimsical volume reveals kitties at their wackiest, and most exasperating (but always lovable).

    It had been an extraordinary career. When he first started out in the late sixties, Billy played the banjo in the folk clubs of Scotland. Between songs, he would improvise a bit, telling anecdotes from the Clyde shipyard where he'd worked. In the process, he made all kinds of discoveries about what audiences found funny, from his own brilliant mimes to the power of speaking irreverently about politics or explicitly about sex. He began to understand the craft of great storytelling. Soon the songs became shorter and the monologues longer, and Billy quickly became recognised as one of the most exciting comedians of his generation.Billy's routines always felt spontaneous. He never wrote scripts, always creating his comedy freshly on stage in the presence of a live audience. A brilliant comic story might be subsequently discarded, adapted or embellished. A quick observation or short anecdote one night, could become a twenty-minute segment by the next night of a tour.Billy always brought a beautiful sense of the absurd to his shows as he riffed on his family, hecklers, swimming in the North Sea or naked bungee jumping. But his comedy can be laced with anger too. He hates pretentiousness and calls out hypocrisy wherever he sees it. His insights about the human condition have shocked many people, while his unique talent and startling appearance on stage gave him license to say anything he damn well pleased about sex, politics or religion. Billy got away with it because he has always had the popular touch. His comedy spans generations and different social tribes in a way that few others have ever managed. Tall Tales and Wee Stories brings together the very best of Billy's storytelling for the first time and includes his most famous routines including, The Last Supper, Jojoba Shampoo, Incontinence Pants and Shouting at Wildebeest. With an introduction and original illustrations by Billy throughout, it is an inspirational, energetic and riotously funny read, and a fitting celebration of our greatest ever comedian.

    In many places there was no trail at all, and I encountered difficulties, but in the end without much loss of time I entered the narrow rugged entrance of the canyon I had named Surprise Valley. Sight of the great dark cave thrilled me as I thought it might have thrilled Bess and Venters, who had lived for me their imagined lives of loneliness here in this wild spot. With the sight of those lofty walls and the scent of the dry sweet sage there rushed over me a strange feeling that 'Riders of the Purple Sage' was true. My dream people of romance had really lived there once upon a time. I climbed high upon the huge stones, and along the smooth red walls where Pay Larkin once had glided with swift sure steps, and I entered the musty cliff-dwellings, and called out to hear the weird and sonorous echoes, and I wandered through the thickets and upon the grassy spruce-shaded benches, never for a moment free of the story I had conceived there. . . .