"Christmas films" come in many shapes and sizes and exist across many genres. Some, like It's a Wonderful Life and A Christmas Story, are perennials, while others, such as Die Hard, have only gradually become yuletide favorites. But they all have one thing in common: they use themes evoked by the holiday period - nostalgia, joy, togetherness, dysfunction, commercialism, or cynicism - as a force in their storytelling.Turner Classic Movies: Christmas in the Movies showcases the very best among this uniquely spirited strain of cinema. Each film is profiled on what makes it a "Christmas movie," along with behind-the-scenes stories of its production, reception, and legacy. Complemented by a trove of color and black-and-white photos, Turner Classic Movies: Christmas in the Movies is a glorious salute to a collection of the most treasured films of all time.Among the 30 films included: The Shop Around the Corner, Holiday Inn, Meet Me in St. Louis, It's a Wonderful Life, Miracle on 34th Street, White Christmas, A Christmas Story, National Lampoon's Christmas Vacation, Home Alone, Little Women,and The Nightmare Before Christmas.

    Started in 1975, when five bright and brash employees of a creaky William Morris office left to open their own, strikingly innovative talent agency, CAA would come to revolutionize the entertainment industry, and over the next several decades its tentacles would spread aggressively throughout the worlds of movies, television, music, advertising, and investment banking. Powerhouse is the fascinating, no-holds-barred saga of that ascent. Drawing on unprecedented and exclusive access to the men and women who built and battled with CAA, as well as financial information never before made public, author James Andrew Miller spins a tale of boundless ambition, ruthless egomania, ceaseless empire building, greed, and personal betrayal. It is also a story of prophetic brilliance, magnificent artistry, singular genius, entrepreneurial courage, strategic daring, foxhole brotherhood, and how one firm utterly transformed the entertainment business.Here are the real Star Wars—complete with a Death Star—told through the voices of those who were there. Packed with scores of stars from movies, television, music, and sports, as well as a tremendously compelling cast of agents, studio executives, network chiefs, league commissioners, private equity partners, tech CEOs, and media tycoons, Powerhouse is itself a Hollywood blockbuster of the most spectacular sort.

    It contains : - Biography of the Holy Prophet (S.A.W.), his companions, his wives and children. - Belief. - Pillars of Islam. - Political, economic, ethical and legal system of Islam in brief. - Sources of law. - Fiqh. - Translation of selected Suras, Verses and Ahadith.

    Set against the splendor and barbarity of the Roman Empire in AD 180, Gladiator tells an epic story of courage and revenge: The great Roman general Maximus (Russell Crowe) has been forced into exile and slavery by the jealous heir to the throne, Commodus (Joaquin Phoenix). Trained as a gladiator, Maximus returns to Rome, intent on avenging the murder of his family by Commodus, now emperor. The one power stronger than that of the emperor is the will of the people, and Maximus knows he can attain his revenge only by becoming the greatest hero in all the Empire. Russell Crowe heads up an international cast that includes Joaquin Phoenix, Connie Nielson, Oliver Reed, Derek Jacobi, Djimon Hounsou, and Richard Harris. Directed by Ridley Scott from a script by David Franzoni and John Logan, Gladiator is produced by Franzoni, Douglas Wick, and Branko Lustig, with Walter F. Parkes serving as executive producer.This is the official full-color companion book, featuring excerpts from the screenplay, historical sidebars and illustrations, details on period costumes and epic set designs, behind-the-scenes photographs from the location filming, and interviews with the screenwriters, actors, and director.

    For the first time, one book unearths all the details of his turbulent adventures in Tinseltown. Based on extensive interviews with producers, screenwriters, cast members, and crew, Superman vs. Hollywood spills the beans on Marlon Brando’s eccentricities; the challenges of making Superman appear to fly; the casting process that at various points had Superman being played by Sylvester Stallone, Neil Diamond, Nicolas Cage, Ashton Kutcher, and even Muhammad Ali; and the Superman movies, fashioned by such maverick filmmakers as Kevin Smith and Tim Burton, that never made it to the screen.

    The Music Corporation of America was founded in Chicago in 1924 by Dr. Jules Stein, an ophthalmologist with a gift for booking bands. Twelve years later, Stein moved his operations west to Beverly Hills and hired Lew Wasserman. From his meager beginnings as a movie-theater usher in Cleveland, Wasserman ultimately ascended to the post of president of MCA, and the company became the most powerful force in Hollywood, regarded with a mixture of fear and awe. In his signature black suit and black knit tie, Was-serman took Hollywood by storm. He shifted the balance of power from the studios—which had seven-year contractual strangleholds on the stars—to the talent, who became profit partners. When an antitrust suit forced MCA’s evolution from talent agency to film- and television-production company, it was Wasserman who parlayed the control of a wide variety of entertainment and media products into a new type of Hollywood power base. There was only Washington left to conquer, and conquer it Wasserman did, quietly brokering alliances with Democratic and Republican administrations alike. That Wasserman’s reach extended from the underworld to the White House only added to his mystique. Among his friends were Teamster boss Jimmy Hoffa, mob lawyer Sidney Korshak, and gangster Moe Dalitz—along with Presidents Johnson, Clinton, and especially Reagan, who enjoyed a particularly close and mutually beneficial relationship with Wasserman. He was equally intimate with Hollywood royalty, from Bette Davis and Jimmy Stewart to Steven Spielberg, who began his career at MCA and once described Wasserman’s eyeglasses as looking like two giant movie screens.The history of MCA is really the history of a revolution. Lew Wasserman ushered in the Hollywood we know today. He is the link between the old-school moguls with their ironclad studio contracts and the new industry defined by multimedia conglomerates, power agents, multimillionaire actors, and profit sharing. In the hands of Connie Bruck, the story of Lew Wasserman’s rise to power takes on an almost Shakespearean scope. When Hollywood Had a King reveals the industry’s greatest untold story: how a stealthy, enterprising power broker became, for a time, Tinseltown’s absolute monarch.From the Hardcover edition.

    Like a bizarro-world Norman Rockwell, he created magazine covers of Frankenstein, the Creature from the Black Lagoon. the Phantom of the Opera, and countless others in horrifying yet dazzling images throughout the 1960s and '70s. His intense colour and bold, impressionistic brushwork gave a unique sense of drama and sophistication to these iconic characters. Today, collectors fight over his original art--but, with this book, every fan can own glowing full-colour reproductions of his most famous work as well as many previously unpublished paintings and drawings.

    Some of the country s finest theatre and film talents all at key stages in their careers participated in its creation, but the journey was anything but smooth. Among other things, it involved bumping off disco killers and talking gorillas, finding air-conditioned rooms for dead rats, persuading a respected actor to stop sulking and eat his meals, and resisting the temptation to introduce logic into a madcap script. In the end, it was worth it.Kundan Shah s Jaane Bhi Do Yaaro is now a byword for the sort of absurdist, satirical humour that Hindi cinema just hasn t seen enough of. This is the story of how it came to be despite incredible odds and what it might have been. Jai Arjun Singh s engaging take on the making of the film and its cult following is as entertaining as the film itself.

    From Groucho Marx's first warblings with the singing Leroy Trio, this book brings to life the vanished world of America's wild and boisterous variety circuits, leading to the Marx Brothers' Broadway successes, and their alliance with New York's theatrical lions, George S. Kaufman and the 'Algonquin Round Table'.Never-before-published scripts, well-minted Marxian dialogue, and much madness and mayham feature in this tale of the Brothers' battles with Hollywood, their films, their loves and marriages, and the story of the forgotten brother Gummo.

    When he died recently, he left behind an incredible celluloid legacy. Sunset Boulevard, Some Like It Hot, Double Indemnity, The Apartment, The Lost Weekend, Sabrina and other Wilder films have become a part of our shared experience and collective memory. In Nobody's Perfect, Billy Wilder speaks for himself, in what is as close to an autobiography as there ever will be. Charlotte Chandler, author of authorized bios on Groucho Marx and Federico Fellini, met Wilder in the mid-1970s and began a friendship that continued until his death. Over the course of more than 20 years, she interviewed not only Wilder, but many of the actors and other creative people who worked with him. The result is this remarkable book, a very personal look at one of filmdom's true creative geniuses. In a life as dramatic as his films, Wilder survived World War I and escaped the Holocaust. His great gift as a screenwriter soon became apparent, as did his easy rapport with actors. As a writer-director, he worked with such stars as Greta Garbo, William Holden, Tony Curtis, Barbara Stanwyck, Marlene Dietrich, Ginger Rogers, Gloria Swanson, Audrey Hepburn, Gary Cooper, James Cagney, Jack Lemmon, Walter Matthau and Marilyn Monroe - most of whom were interviewed for this book. This revealing and vastly entertaining book is a wonderful, timely tribute to this great writer-director, a legacy of Wilder's wit, insight and remarkable wisdom.

    Born into the pleasant middle-class world of Kansas City, Missouri, in 1911, Harlow (nee Harlean Carpenter) was the daughter of a solid, if dull, dentist, whose wife had unfulfilled aspirations to a career in films. The family was hardly prepared for what came next. Jean became a bride at sixteen, was separated at eighteen, a film goddess at twenty, a wife again at twenty-one, and a widow within a few months of the wedding. Her husband, top MGM executive Paul Bern, committed suicide (it was widely and mistakenly believed) out of despair over impotence.Bern's suicide threatened to plunge Jean Harlow into a scandal that might have ended her career. But, driven by her irresistible sparkle, glamour, and sensuality, the young star's fortunes continued to skyrocket in unforgettable films like Red Dust, Dinner at Eight, Bombshell, Reckless, China Seas, and Libeled Lady as she appeared with the likes of Clark Gable, John and Lionel Barrymore, Mary Astor, Marie Dressler, Wallace Beery, Rosalind Russell, Spencer Tracy, and William Powell.She married a third time in 1933, was divorced a year later, only to become engaged to her sometime costar William Powell. Noting that the extremely well-paid Blonde Bombshell was perpetually on the ragged edge of bankruptcy, Powell hired a private detective to investigate Harlow's stepfather, Marino Bello, who - it turned out - had long been defrauding her. Despite this and the on-again, off-again engagement to Powell, Harlow seemed unstoppable. Then, in the midst of filming Saratoga in 1937, the twenty-six-year-old Platinum Girl succumbed to kidney failure.In this, the first biography of Harlow since Irving Shulman's sensationalistic and often inaccurate 1964 book, Eve Golden explores the woman behind the legends and the scandals. The world evoked here is at once glamorous, nostalgic, poignant, and tragic. Yet, in its way, the brief life of Jean Harlow is a story of success, of a triumphal struggle with Hollywood and the consequences of rapid fame. Golden's deeply researched narrative is lavishly illustrated with rare film stills, posters, and exclusive photographs from family archives. Harlow emerges not as an oversexed mannequin, but as a vulnerable, hard-working, and tremendously likable woman who molded herself into a remarkable actress. This is an important book about one of Hollywood's most extraordinary personalities.

    But fortunately — not her stories. The year before her death, Miss Rutherford invited author Phillip Done to her Beverly Hills home where she shared decades of heartening memories from her fascinating life in the golden age of Hollywood. Like a scene out of Sunset Boulevard, Done wrote it down in this masterful tribute and shrewdly crafted memoir.With never-before-seen photographs from Miss Rutherford's private collection, The Charms of Miss O'Hara takes readers on a guided tour through Ann Rutherford's rich career, including such roles as Polly Benedict in the Andy Hardy pictures, Lydia in Pride and Prejudice, and Carreen in Gone With the Wind. Oft told in Miss Rutherford's sharp and engaging voice, readers will discover delicious behind-the-scenes stories and anecdotes about Clark Gable, Vivien Leigh, Olivia de Havilland, Lana Turner, Mickey Rooney, Judy Garland, Ava Gardner, Debbie Reynolds, David Selznick, Louis B. Mayer, and many others. Much more than a celebrity memoir, The Charms of Miss O'Hara will delight Gone With the Wind fans and classic movie buffs with valuable life lessons from a movie star.

    His family worked in the theater for generations, and he knew from the very start that he would join them.  In his fifty-year career, Vaughn has made his mark in roles on stage, in film, and on television the world over. In A Fortunate Life, he describes some of the one-of-a-kind experiences he’s enjoyed in his celebrated career.             A Fortunate Life reveals the details of his early years in Hollywood, when he found himself appearing as often in the gossip magazines as on screen, and he recounts insider stories about such legendary figures as Judy Garland, Bette Davis, Charlton Heston, Oliver Reed, Jason Robards, Richard Harris, Yul Brynner, Elizabeth Taylor, and many more. Vaughn’s work in The Young Philadelphians, The Magnificent Seven, Superman III, and many other films won kudos from critics and peers alike. Worldwide recognition came when he starred in the smash hit series The Man from U.N.C.L.E., and he vividly describes the extraordinary experience of becoming, quite suddenly, one of the world’s brightest stars.             Vaughn warmly recalls his romances with stars like Natalie Wood and his adventures with friends like Steve McQueen and James Coburn, but equally important was his involvement in the politics of the 1960s. The first actor to publicly speak out against the war in Vietnam, he served as national chairman of Dissenting Democrats, the largest antiwar organization in the U.S. He gave hundreds of speeches denouncing the war, debated William F. Buckley on national TV, and helped persuade his friend Robert F. Kennedy to run for president in 1968---only to see the race end in tragedy.           With a wealth of moving, wonderfully entertaining and often jaw-dropping stories from the worlds of acting and politics, A Fortunate Life is a must-read for fans of Robert Vaughn and anyone who wants a glimpse behind the scenes of classic Hollywood.

    He died two years later and his fiery widow, Eleanor, wanted nothing more than to keep his memory alive. With her forceful will, she and the irascible producer Samuel Goldwyn quickly agreed to make a film based on Gehrig's life, The Pride of the Yankees. Goldwyn didn't understand -- or care about -- baseball. For him this film was the emotional story of a quiet, modest hero who married a spirited woman who was the love of his life, and, after a storied career, gave a short speech that transformed his legacy. With the world at war and soldiers dying on foreign soil, it was the kind of movie America needed. Using original scrips, letters, memos, and other rare documents, Richard Sandomir tells the behind-the-scenes story of how a classic was born. There was the so-called Scarlett O'Hara-like search to find the actor to play Gehrig; the stunning revelations Elanor made to the scriptwriter Paul Gallico about her life with Lou; the intensive training Cooper underwent to learn how to catch, throw, and hit a baseball for the first time; and the story of two now-legendary Hollywood actors in Gary Cooper and Teresa Wright whose nuanced performances endowed the Gehrigs with upstanding dignity and cemented the baseball icon's legend. Sandomir writes with great insight and aplomb, painting a fascinating portrait of a bygone Hollywood era, a mourning widow with a dream, and the shadow a legend cast on one of the greatest sports films of all time.

    Pearson Moore goes to the heart of LOST, uncovering and explaining the fascinating core concepts: Faith versus Science, the Numbers, the nature of good and evil, and the struggle between free will and destiny. He will lead you to ideas and conclusions you never imagined, opening the world of LOST in fresh and exciting ways.Whether you understood LOST or were completely baffled, whether you loved it or hated it, Moore will show you concepts and ways of thinking about LOST you will find nowhere else.Moore's innovative thoughts and vibrant prose will keep you engaged as he explores the Island and its characters. He approaches LOST from four "nonlinear" points of view: Disorientation, Metadrama, Literary Analysis, and Chaos Theory. This is in-depth analysis that never lets go, keeping you immersed in the LOST world from cover to cover.There's no filler here. No interviews with stars about the cars they drive or the planes they fly. No weird theories. Just solid, thoroughly-researched, rapid-fire analysis from one of the most cited LOST authorities on the Internet. You may feel exhausted after a chapter. You may be shocked. You may become upset. But you will never be bored.This in-depth exploration spans nineteen chapters across roughly 350 pages. The first chapter sets up the problem, focussing on the complexities of LOST and identifying the means Moore will use to make the concepts accessible. The second chapter defines the thesis of LOST, which acts as a guide to understanding the major themes. Chapters Three through Nine cover major "linear" topics.The heart of the book begins with Chapter Ten. It is here that Moore unleashes the four "nonlinear" tactical devices to reveal the hidden meanings of LOST. He discusses the need for disorientation, and how this is essential to understanding LOST. He proposes the idea that LOST is metadrama, and he explains how understanding LOST in this way is useful to unraveling its secrets. He makes fresh use of literary theory, in ways never before applied to LOST. Finally, Moore brings an astounding, completely new perspective on television analysis with his concept of the Strange Attractor, an idea borrowed from chaos theory. It is here that Moore's analysis shines, allowing a depth of understanding never before achieved.For less than the cost of a cup of coffee, you can explore the stimulating world of LOST with an animated, engaging, thought-provoking guide. The Island awaits. Prepare to get LOST.