Also includes the novella Sole Sacrifice.The Kinshield Legacy (book 1)A mysterious stone tablet with five magical gems has sat abandoned in a cave for two hundred years. The kingdom is in ruins, with only warrant knights to keep the peace. But then, the gems in the tablet, one by one, disappear.Warrant knight Gavin Kinshield is a man of many secrets. He's the one deciphering the runes in the tablet. Unless he can find a suitable replacement, he'll be Thendylath's next king. All he really wants is the letter written by his ancestor Ronor Kinshield, champion to King Arek, confessing the truth of how the king perished... a letter he must earn by tracking down a common thief.But when Gavin saves a woman's life, what should have been a simple task draws him face-to-face with his nightmarish past... and the truth of King Arek's demise.The Wayfarer King (book 2)Beyonders, evil beings that materialize without warning from the realm of chaos, continue to invade the world of men, destroying everything -- and everyone -- in their path. The most powerful of them all, Ritol, has been confined for two hundred years inside the palace in Thendylath, trapped by King Arek's magic.Having newly claimed the right to rule Thendylath as king, Gavin Kinshield has no money or army, but he's determined to protect his people from the beyonder attacks. With his new power of Wayfarer, Gavin has the ability to journey to all seven realms. To end the invasion, he must travel to the realm of chaos and summon Ritol. But can he escape before the beyonder champion kills him, devours his soul and takes his place as Wayfarer?If wizard Brodas Ravenkind has his way, Gavin will never make it that far. Not only does Ravenkind want the throne for himself, he wants revenge for his cousin's murder too. After all, he made a promise the first time Gavin crossed him…

    The novel is set at some indeterminate time in a post-nuclear holocaust future, where science and sorcery co-exist and the Dark Empire of Granbretan (Great Britain) is expanding across Europe.

    a land of medieval forests, stonewalled cities, and railways reaching into the mountains where the old gods dwell. A country where life is harsh, dreams are gentle, and people feel torn by powerful forces and fight to remain whole. In this enchanting collection, Ursula K. Le Guin brings to mainstream fiction the same compelling mastery of word and deed, of story and character, of violence and love, that has won her the Pushcart Prize, and the Kafka and National Book Awards.

    NASA scientists warn of the possible effects of heightened solar activity, but the threat is downplayed until it's far too late.After #1: The Shock- Rachel Wheeler flees the dangers of Charlotte to seek her grandfather's remote compound in the Blue Ridge Mountains. She is joined by several other survivors as they fight back against a hostile world.After #2: The Echo- The survivors discover the mutant Zapheads are evolving by imitating human speech and behavior, but the threat of savage violence remains.After #3: Milepost 291- As Rachel and the others near her grandfather's compound, new dangers emerge, including a military unit that has established its own harsh laws.

    Tom, a contemporary historian, and his theoretical physicist girlfriend Sharon, become interested. Tom indeed becomes obsessed. By all logic, the town should have survived, but it didn't and that violates everything Tom knows about history. What's was special about Eifelheim that it utterly disappeared more than 600 years ago? Father Dietrich is the village priest of Oberhochwald, the village that will soon gain the name of Teufelheim, in later years corrupted to Eifelheim, in the year 1348, when the Black Death is gathering strength across Europe but is still not nearby. Dietrich is an educated man, knows science and philosophy, and to his astonishment becomes the first contact between humanity and an alien race from a distant star when their interstellar ship crashes in the nearby forest. It is a time of wonders, in the shadow of the plague.Tom and Sharon, and Father Dietrich, have a strange and intertwined destiny of tragedy and triumph in this brilliant SF novel by the winner of the Robert A. Heinlein Award.

    As our story opens, a mysterious plague has fallen upon the quiet English village of Meryton—and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she’s soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield. Can Elizabeth vanquish the spawn of Satan? And overcome the social prejudices of the class-conscious landed gentry? Complete with romance, heartbreak, swordfights, cannibalism, and thousands of rotting corpses,

    Each sought his own brand of happiness. But none could have guessed what awaited them. Not even in a million years....

    It’s a miracle that he’s friends with Pico della Mirandola, the Count of Concordia. It’s a miracle that when Girolamo visits the deathbed of Lorenzo “the Magnificent,” the dying Medici is wreathed in celestial light, a surprise to everyone, Lorenzo included. It’s a miracle that when Charles VIII of France invades northern Italy, Girolamo meets him in the field, and convinces him to not only spare Florence but also protect it. It’s a miracle than whenever Girolamo preaches, crowds swoon. It’s a miracle that, despite the Pope’s determination to bring young Girolamo to heel, he’s still on the loose… and, now, running Florence in all but name.That’s only the beginning. Because Girolamo Savanarola is not who—or what—he thinks he is. He will discover the truth about himself at the most startling possible time. And this will be only the beginning of his many lives.

    In Gilgamesh, science fiction Grand Master Robert Silverberg gives us a vivid portrait of a courageous, lusty, sometimes reckless ruler of men. It is the majestic tale of a man haunted by gods, tormented by his passion for a woman who was his greatest rival, and driven by a thirst for immortality.

    The country's at war, and professional baseball needs able-bodied men. Danny's headed for Highbridge, Georgia - home of the Goober Pride peanut butter factory and the Highbridge Hellbenders, a Class C farm club in the Chattahoochee Valley League. He's a scrappy player with one minor quirk: a violent encounter on the train to Georgia has rendered him mute, his vocal cords tied up in knots. Danny's idiosyncrasy, however, is nothing compared to that of his new Hellbender roommate, an erudite seven-foot giant by the name of Jumbo Hank Clerval. With his yellow eyes, strangely scarred face, and sausage-sized fingers, Hank seems to have been put together in a meat-packing plant. But he plays a mean first base and can hit the ball a mile. With the Hellbenders in a pennant race as hot as the relentless Georgia sun, the eloquent Clerval forms a special kinship with the speechless kid from Oklahoma. Danny soon realizes that Hank is not an ordinary man but something more complex...more mysterious than he'd imagined. These two very different ballplayers forge a bond as the season moves inexorably toward its dramatic, and ultimately violent, conclusion. Both want a shot at the major leagues and both want to know what it's like to be a man. But they are about to discover how ambition and desire can turn even the gentlest soul into the worst kind of monster. At turns funny, tragic, and ultimately uplifting, Brittle Innings is a brilliant evocation of a uniquely American drama: a season-long contest in which fantasies are engaged, heroes are created and destroyed, and innocence is lost forever.

    Dark forces are pitted against him, and each ally must be watched in turn, as treachery leads to deceit and back again in a race against time, the Church, and the mysterious Kli Kodesh, who is more ancient, even, than Montrovant's sire.Only persistence, luck and the power of his own will can see him through to his goal, and any mistake could mean his destruction.The Dark Ages Engulf UsThis novel is the first book of The Grails Covenant, a trilogy of novels set in the world of Vampire: The Dark Ages, which in itself is set in a larger series World of Darkness. While complete unto itself, the trilogy involves characters and plots that continue into The Trilogy of the Blood Curse, a trilogy for Vampire: The Masquerade that begins with The Devil's Advocate.

    At the turn of the twentieth century, a former spy is called into service to hunt down a vampire killer...Once a spy for Queen Victoria, James Asher has fought for Britain on every continent, using his quick wits to protect the Empire at all costs. After years of grueling service, he marries and retires to a simple academic’s life at Oxford. But his peace is shattered one night with the arrival of a Spanish vampire named Don Simon. Don Simon can disappear into fog, move faster than the eye can see, and immobilize Asher—and his young bride—with a wave of his hand. Asher is at his mercy, and has no choice but to give his help. Because someone is killing the vampires of London, and James Asher must find out who—before he becomes a victim himself. This ebook features an illustrated biography of Barbara Hambly, including rare photos and never-before-seen documents from the author’s personal collection.

    This official prequel will be plotted and written in close collaboration with the film team. The movie's stars include Andy Serkis as the ape Caesar, Judy Greer as Caesar's wife Cornelia, and Woody Harrelson as "the Colonel."

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Each book in the series wraps up the conflict within the book, but the overall story continues on to the next book. I also want to direct you to my website where you can download and print out the charts that can be difficult to read on electronic devices (http://infiniteseries.net/charts/). That way you can keep it nearby as you read. Happy reading! Maya’s shocked to discover it’s not the heaven she imagined; in fact, a life of adventure begins the moment you die. Zachariah, her faithful spirit guide, explains the rules of the dead: in order to regain complete awareness and reunite with loved ones all souls must review their previous lives. Maya plunges warily into her turbulent pasts as a sociopathic High Priest in ancient Egypt; an independent mother protecting a dangerous secret in glorious Sparta; an Irish boy kidnapped and enslaved by Vikings; and a doctor’s wife forced to make an ethical stand in plague-ridden England. All the while, Maya yearns to be with those she cares about most and worries that she hasn’t learned all of heaven’s most vital lessons. Will she be forced to leave the tranquility of heaven to survive yet another painful and tumultuous life? Or worse, accept the bitter reality of having to go back alone?