It premiered in London, in 1980 and won the Society for West End Theatres (SWET) award for Best Comedy of the Year. It was made into a highly successful film with Michael Caine and Julie Walters and won the 1983 BAFTA award for Best Film.Commentary and notes by Steve Lewis.

    

    To say the least. She calls Sweet Meadow, Georgia, home, where she works for her father doing auto repairs. She also drives the tow-truck, although Sweet Meadow's rather colorful denizens tend to treat Bertie more like the local, free taxi service. You know, someone has to get to a doctor's appointment or pick something up at the dry cleaners. Bertie's favorite day of the week is Friday, when she leaves the wrecker with her father for the whole weekend and joins her friends at the Dew Drop Inn for a night of dancing. Her best friend, Mary Lou, sometimes fixes her up with dubious dates, although Bertie has to remind her friend not to tease her hair too high for those occasions. Like the time when they went to Carrie Sue's open house, and a ceramic cow with angel wings hanging from a ceiling fan locked its hooves into Bertie's big hair and refused to let go. She had to wear it all night, dangling chain and all. Bertie's nearly perfect life is about to take a downhill turn, however. It starts when her landlord, Pete, currently a resident in a nearby nursing home, starts showing up at her house. In his birthday suit. A very badly wrinkled birthday suit. And then she goes to her mailbox, a rubber large mouth bass, and finds a notice from the zoning commission saying she can no longer park the wrecker in her driveway. The notice is signed by George Bigham. But when she goes to the courthouse to take care of her little problem, it is only to discover George Bigham is deceased. And Mary Lou's pregnancy test just came up positive. Can it get any worse? In a word... yes.

    And as the boys grow into young men, they discover in the other a lost spiritual brother, and a link to an unexplored world that neither had ever considered before. In effect, they exchange places, and find the peace that neither will ever retreat from again. . . .

    A satirical poem that intentionally over-dramatizes an incident in which a lock of a woman's hair is cut without her permission.

    Because of his inability to remember things for more than a few minutes, he uses notes and tattoos to keep track of new information.

    1,091 and dwindling) is eating Gilbert Grape, a twenty-four-year-old grocery clerk who dreams only of leaving. His enormous mother, once the town sweetheart, has been eating nonstop ever since her husband's suicide, and the floor beneath her TV chair is threatening to cave in. Gilbert's long-suffering older sister, Amy, still mourns the death of Elvis, and his knockout younger sister has become hooked on makeup, boys, and Jesus--in that order, but the biggest event on the horizon for all the Grapes is the eighteenth birthday of Gilbert's younger brother, Arnie, who is a living miracle just for having survived so long. As the Grapes gather in Endora, a mysterious beauty glides through town on a bicycle and rides circles around Gilbert, until he begins to see a new vision of his family and himself.

    Sadie’s lover calls her as he drives to meet his wife at marriage counseling. Gwen pines for her roommate, a man who will hold her hand but then tells her that her palm is sweaty. And Sasha agrees to have a drink with her married lover’s wife and then immediately regrets it. These are the women of Single, Carefree, Mellow, and in these eleven sublime stories they are grappling with unwelcome houseguests, disastrous birthday parties, needy but loyal friends, and all manner of love, secrets, and betrayal. In “Cranberry Relish” Josie’s ex—a man she met on Facebook—has a new girlfriend he found on Twitter. In “Blue Heron Bridge” Nina is more worried that the Presbyterian minister living in her garage will hear her kids swearing than about his finding out that she’s sleeping with her running partner. And in “The Rhett Butlers” a teenager loses her virginity to her history teacher and then outgrows him. In snappy, glittering prose that is both utterly hilarious and achingly poignant, Katherine Heiny chronicles the ways in which we are unfaithful to each other, both willfully and unwittingly. Maya, who appears in the title story and again in various states of love, forms the spine of this linked collection, and shows us through her moments of pleasure, loss, deceit, and kindness just how fickle the human heart can be.

    But all her secrets are about to be laid bare… Four years ago, Jocelyn left her tragic past behind in the States and started over in Scotland, burying her grief, ignoring her demons, and forging ahead without attachments. Her solitary life is working well—until she moves into a new apartment on Dublin Street where she meets a man who shakes her carefully guarded world to its core. Braden Carmichael is used to getting what he wants, and he’s determined to get Jocelyn into his bed. Knowing how skittish she is about entering a relationship, Braden proposes an arrangement that will satisfy their intense attraction without any strings attached. But after an intrigued Jocelyn accepts, she realizes that Braden won’t be satisfied with just mind-blowing passion. The stubborn Scotsman is intent on truly knowing her… down to the very soul.

    Perfect for fans of Rupi Kaur and Elizabeth Acevedo, Jasmin Kaur’s stunning debut novel is a collection of poetry, illustrations, and prose.screamso that one daya hundred years from nowanother sister will not have todry her tears wonderingwhere in historyshe lost her voiceThe six sections of the book explore what it means to be a young woman living in a world that doesn’t always hear her and tell the story of Kiran as she flees a history of trauma and raises her daughter, Sahaara, while living undocumented in North America.Delving into current cultural conversations including sexual assault, mental health, feminism, and immigration, this narrative of resilience, healing, empowerment, and love will galvanize readers to fight for what is right in their world.

    Brings together three hilarious pieces by America's comic genius: Without Feathers, a secret journal that addresses life's "big" questions; Getting Even, Woody as psychologist, historian, and philosopher; and Side Effects, Woody's take on UFOs and more.

    Daly, Christina Marsden Gillis, Don Moser, Tom Quirk, B. Ruby Rich, R.J.R. Rockwood, Larry Rubin, Gretchen Schulz, Marie Mitchell Oleson Urbanski, Joyce M. Wegs, Marilyn C. Wesley, and Joan D. Winslow.

    What she doesn't know is that Nick's family home happens to look like a palace, that she'll ride in more private planes than cars, and that with one of Asia's most eligible bachelors on her arm, Rachel might as well have a target on her back.Initiated into a world of dynastic splendor beyond imagination, Rachel meets Astrid, the It Girl of Singapore society; Eddie, whose family practically lives in the pages of the Hong Kong socialite magazines; and Eleanor, Nick's formidable mother, a woman who has very strong feelings about who her son should—and should not—marry.Uproarious, addictive, and filled with jaw-dropping opulence, Crazy Rich Asians is an insider's look at the Asian JetSet; a perfect depiction of the clash between old money and new money; between Overseas Chinese and Mainland Chinese; and a fabulous novel about what it means to be young, in love, and gloriously, crazily rich.

    Popular Irish comedian Brendan O'Carroll chronicles the comic misadventures of this large and lively family with raw humor and great affection. Forced to be mother, father, and referee to her battling clan, the ever-resourceful Agnes Browne occasionally finds a spare moment to trade gossip and quips with her best pal Marion Monks (alias "The Kaiser") and even finds herself pursued by the amorous Frenchman who runs the local pizza parlor. Like the novels of Roddy Doyle, The Mammy features pitch-perfect dialogue, lightning wit, and a host of colorful characters. Earthy and exuberant, the novel brilliantly captures the brash energy and cheerful irreverence of working-class Irish life.

    Case in point:- As the son of Hollywood royalty, Derek Edwards is pretty much prince of the school--not that he deigns to acknowledge many of his loyal subjects.- As the daughter of the new principal, Elise Benton isn't exactly on everyone's must-sit-next-to-at-lunch list.When Elise's beautiful sister catches the eye of the prince's best friend, Elise gets to spend a lot of time with Derek, making her the envy of every girl on campus. Except she refuses to fall for any of his rare smiles and instead warms up to his enemy, the surprisingly charming social outcast Webster Grant. But in this hilarious tale of fitting in and flirting, not all snubs are undeserved, not all celebrity brats are bratty, and pride and prejudice can get in the way of true love for only so long.