Written as a result of the author's Greek travels and studies, Cassandra speaks to us in a pressing monologue whose inner focal points are patriarchy and war. In the four accompanying pieces, which take the form of travel reports, journal entries, and a letter, Wolf describes the novel's genesis. Incisive and intelligent, the entire volume represents an urgent call to examine the past in order to insure a future.

    The key to A Theater of Envy is Rene Girard's novel reinterpretation ofmimesis. For Girard, people desire objects not for their intrinsic value, but because they are desired by someone else--we mime or imitate their desires. This envy--or mimetic desire--he sees as one of the foundations of the human condition. Bringing such provocative and iconoclastic insights to bear on Shakespeare, Girard reveals the previously overlooked coherence of problem plays like Troilus and Cressida, and makes a convincing argument for elevating A Midsummer Night's Dream from the status of a chaotic comedy to amasterpiece. The book abounds with novel and provocative interpretations: Shakespeare becomes a prophet of modern advertising, and the threat of nuclear disaster is read in the light of Hamlet. Most intriguing of all, perhaps, is a brief, but brilliant aside in which an entirely new perspectiveis brought to the chapter in Joyce's Ulysses in which Stephen Dedalus gives a lecture on Shakespeare. In Girard's view only Joyce, perhaps the greatest of twentieth-century novelists, comes close to understanding the greatest of Renaissance playwrights. Throughout this impressively sustained reading of Shakespeare Girard's prose is sophisticated, but contemporary, and accessible to the general reader. Anyone interested in literature, anthropology, or psychoanalysis will want to read this challenging book. And all those involved in theatricalproduction and performance will find A Theater of Envy full of suggestive new ideas.

    The Letters of J.R.R Tolkien sheds much light on Tolkien's creative genius and grand design for the creation of a whole new world: Middle-earth. Featuring a radically expanded index, this volume provides a valuable research tool for all fans wishing to trace the evolution of THE HOBBIT and THE LORD OF THE RINGS.

    Now available in a smaller, more convenient format, the astonishingly in-depth and widely praised Oxford History of the Classical World offers the general reader the definitive companion to the Graeco-Roman world.The first volume, Classical Greece and the Hellenistic World, covers the period from the eighth to the first centuries B.C., a period unparalleled in history for its brilliance in literature, philosophy, and the visual arts. It also treats the Hellenization of the Middle East by the monarchies established in the area conquested by Alexander the Great. The second volume, Classical Rome, covers early Rome and Italy, the expansion of the Roman republic, the foundation of the Roman Empire by Augustus, its consolidation in the first two centuries A.D., and the later Empire and its influence on Western civilization. The editors, John Boardman, Jasper Griffen, and Oswyn Murray—all eminent classicists—intersperse chapters on political and social history with sections on literature, philosophy, and the arts, and reinforce the historical framework with maps and historical charts. The two volumes also offer bibliographies and a full index, as well as black and white photographs integrated into the text. The contributors—thirty of the world's leading scholars—present the latest in modern scholarship through masterpieces of wit, brevity, and style. While concentrating on the aspects essential to the understanding of each period, they also focus on those elements of the classical world that remain of lasting importance and interest to readers today. Together, these volumes provide both a provocative and entertaining window into our classical heritage.

    Here also are riveting you-are-there accounts of the milestone battles that defined the Hellenic world: Thermopylae, Marathon, and Salamis among them. An unparalleled storyteller, Everitt combines erudite, thoughtful historical analysis with stirring narrative set pieces that capture the colorful, dramatic, and exciting world of ancient Greece.Although the history of Athens is less well known than that of other world empires, the city-state's allure would inspire Alexander the Great, the Romans, and even America's own Founding Fathers. It's fair to say that the Athenians made possible the world in which we live today. In this peerless new work, Anthony Everitt breathes vivid life into this most ancient story.Praise for The Rise of Athens"[An] invaluable history of a foundational civilization . . . combining impressive scholarship with involving narration."--Booklist"Compelling . . . a comprehensive and entertaining account of one of the most transformative societies in Western history . . . Everitt recounts the high points of Greek history with flair and aplomb." --Shelf Awareness "Highly readable . . . Everitt keeps the action moving."--Kirkus ReviewsPraise for Anthony Everitt's The Rise of Rome"Rome's history abounds with remarkable figures. . . . Everitt writes for the informed and the uninformed general reader alike, in a brisk, conversational style, with a modern attitude of skepticism and realism."--The Dallas Morning News"[A] lively and readable account . . . Roman history has an uncanny ability to resonate with contemporary events."--Maclean's"Elegant, swift and faultless as an introduction to his subject." --The Spectator "An engrossing history of a relentlessly pugnacious city's 500-year rise to empire." --Kirkus Reviews "Fascinating history and a great read."--Chicago Sun-Times

    The play depicts an authoritarian regime and the play's central character, the young Antigone, mirrored the predicament of the French people in the grips of tyranny. One of the masterpieces of the modern French stage.

    the ancient world was torn apart by a conflict that was as dramatic, divisive, and destructive as the world wars of the twentieth century: the Peloponnesian War. Donald Kagan, one of the world’s most respected classical, political, and military historians, here presents a new account of this vicious war of Greek against Greek, Athenian against Spartan. The Peloponnesian War is a magisterial work of history written for general readers, offering a fresh examination of a pivotal moment in Western civilization. With a lively, readable narrative that conveys a richlydetailed portrait of a vanished world while honoring its timeless relevance, The Peloponnesian War is a chronicle of the rise and fall of a great empire and of a dark time whose lessons still resonate today.

    He was also a great wit and prose stylist, well known for his aphorisms. Between 1745 and 1755, Johnson wrote perhaps his best-known work, A Dictionary of the English Language. During the decade he worked on the Dictionary, Johnson, needing to augment his precarious income, also wrote a series of semi-weekly essays under the title The Rambler. These essays, often on moral and religious topics, tended to be more grave than the title of the series would suggest. They ran until 1752. Initially they were not popular, but once collected as a volume they found a large audience. Johnson's final major work was his Lives of the Poets (1781), comprising short biographies of about 50 English poets, most of whom were alive in the eighteenth century. Amongst his other works are The Idler (1758-1760), Rasselas, Prince of Abissinia (1759) and The Patriot (1774).

    E. Lendon surveys a millennium of warfare to discover how militaries change—and don’t change—and how an army’s greatness depends on its use of the past. Noting this was an age that witnessed few technological advances, J. E. Lendon shows us that the most successful armies were those that made the most effective use of cultural tradition. Ancient combat moved forward by looking backward for inspiration—the Greeks, to Homer; the Romans, to the Greeks and to their own heroic past. The best ancient armies recruited soldiers from societies with strong competitive traditions; and the best ancient leaders, from Alexander to Julius Caesar, called upon those traditions to encourage ferocious competition at every rank.Ranging from the Battle of Champions between Sparta and Argos in 550 B.C. through Julian’s invasion of Persia in A.D. 363, Soldiers and Ghosts brings to life the most decisive military contests of ancient Greece and Rome. Lendon places these battles, and the methods by which they were fought, in a sweeping narrative of ancient military history. On every battlefield, living soldiers fought alongside the ghosts of tradition—ghosts that would inspire greatness for almost a millennium before ultimately coming to stifle it.

    193,000 miles. 190 countries. One play. For the 450th anniversary of Shakespeare’s birth the Globe Theatre undertook an unparalleled journey, to take Hamlet to every country on the planet, to share this beloved play with the entire world. The tour was the brainchild of Dominic Dromgoole, artistic director of the Globe, and in Hamlet Globe to Globe, Dromgoole takes readers along with him.From performing in sweltering deserts, ice-cold cathedrals, and heaving marketplaces, and despite food poisoning in Mexico, the threat of ambush in Somaliland, an Ebola epidemic in West Africa and political upheaval in Ukraine, the Globe’s players pushed on. Dromgoole shows us the world through the prism of Shakespeare—what the Danish prince means to the people of Sudan, the effect of Ophelia on the citizens of Costa Rica, and how a sixteenth-century play can touch the lives of Syrian refugees. And thanks to this incredible undertaking, Dromgoole uses the world to glean new insight into this masterpiece, exploring the play’s history, its meaning, and its pleasures. Hamlet Globe to Globe is a highly enjoyable book about an unprecedented theatrical adventure.

    Pindar's Epinician Odes - choral songs extolling victories in the Games at Olympia, Delphi, Nemea and Korinth - cover the whole spectrum of the Greek moral order, from earthly competition to fate and mythology. But in C. M. Bowra's clear translation his one central image stands out - the successful athlete transformed and transfigured by the power of the gods.

    The constellations we recognize today were first mapped by the ancient Greeks, who arranged the stars into patterns for that purpose. In the third century BC Eratosthenes compiled a handbook of astral mythology in which the constellations were associated with figures from legend, and myths were provided to explain how each person, creature, or object came to be placed in the sky. Thus we can see Heracles killing the Dragon, and Perseus slaying the sea-monster to save Andromeda; Orion chasesthe seven maidens transformed by Zeus into the Pleiades, and Aries, the golden ram, is identified flying up to the heavens. This translation brings together the later summaries from Eratosthenes lost handbook with a guide to astronomy compiled by Hyginus, librarian to Augustus. Together with Aratuss astronomical poem the Phaenomena, these texts provide a complete collection of Greek astral myths; imaginative and picturesque, they also offer an intriguing insight into ancient science and culture.ABOUT THE SERIES: For over 100 years Oxford Worlds Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxfords commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

    Tolkien written by Lin Carter. It was 1st published in paper by Ballantine in 3/69 & went thru numerous additional printings. It was among the earliest full-length critical works devoted to Tolkien's fantasies, the 1st to set his writings in their proper context in the history of fantasy. It was the earliest of three studies by Carter devoted to fantasy/horror writers & the history of fantasy, being followed by Lovecraft: A Look Behind the Cthulhu Mythos ('72) & Imaginary Worlds: The Art of Fantasy ('73), establishing him as an authority on the genre, indirectly leading to his editorial guidance of the Ballantine Adult Fantasy series. Gollancz published a cloth edition updated by Adam Roberts in 8/03. The study serves as an introduction for those unfamiliar with Tolkien's work. An introduction briefly reviews the publishing phenomenon of The Lord of the Rings & its popularity in the wake of the 1st paper editions in the '60s, after which he devotes three chapters to a short biography of the author thru the late '60s, including an account of how it was written. Four chapters explaining Middle-earth & summarizing the stories of The Hobbit & the three volumes of The Lord of the Rings follow, for the benefit of readers who may not have actually read the works. Carter next turns to the question of what the works are, a point of some confusion at the time. The then-current vogue for realistic fiction provided critics with few tools for evaluating an out-&-out fantasy on its own terms. Attempts to deconstruct it as a satire or allegory were rife. Carter firmly debunks these efforts, supporting his argument by drawing on Tolkien's own published ruminations on fantasy's functions & purposes. He then contextualizes the works by sketching the history of written fantasy from its earliest appearance in the epic poetry of the ancient world thru the heroic poetry of the Dark & the prose romances of the Middle Ages, down to the fairy tales, ghost stories & gothic novels of the early modern era & the rediscovery of the genre by writers of the 19-20th centuries prior to & contemporary with Tolkien. The origins of the modern genre are discovered in the writings of Wm Morris, Lord Dunsany & E.R. Eddison & followed thru the works of authors they influenced, including H.P. Lovecraft, Fletcher Pratt, L. Sprague de Camp & Mervyn Peake. Carter next highlights some of Tolkien's particular debts to his predecessors, tracing the motifs & names he utilizes back to their beginnings in Norse mythology & highlighting other echoes in his work deriving from legend & history. Finally noted is Tolkien's influence on contemporary fantasy, which was just beginning to make itself felt, primarily in the juvenile fantasies of Carol Kendall, Alan Garner & Lloyd Alexander.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.