She’s single, addicted to sugar and super heroes, her family are officially bonkers, and she sees dead people. Is it any wonder no-one’s swiping right on Tinder? Waking up lonely on her twenty seventh birthday, Melody finally snaps. She can’t carry on basing all of her life decisions on the advice of her magic 8 ball; things have got to change. Fast forward two months, and she’s now the proud proprietor of her very own ghostbusting agency - kind of like in the movies but without the dodgy white jumpsuits. She’s also flirting with her ex Leo Dark, fraternising with her enemy in alleyways, and she’s somehow ended up with a pug called Lestat. Life just went from dull to dynamite and it’s showing no sign of slowing up anytime soon. Melody’s been hired to clear Scarborough House of its incumbent ghosts, there’s the small matter of a murder to solve, and then there’s the two very handsome, totally inappropriate men hoping to distract her from the job… Welcome to Chapelwick, home of the brand new and hilarious Girls Ghostbusting Agency series, where things really do go bump in the night.

    “F. Scott Fitzgerald said that there are no second acts in American lives. I have no idea what that means but I believe that in quoting him I appear far more intelligent than I am. I don’t know about second acts, but I do think we get second chances, fifth chances, eighteenth chances. Every day we get a fresh chance to live the way we want.” FINBAR DOLAN is lost and lonely. Except he doesn’t know it. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he’s a bit of a mess and closing in on forty. He’s recently called off a wedding. Now, a few days before Christmas, he’s forced to cancel a long-postponed vacation in order to write, produce, and edit a Super Bowl commercial for his diaper account in record time. Fortunately, it gets worse. Fin learns that his long-estranged and once-abusive father has fallen ill. And that neither of his brothers or his sister intend to visit. It’s a wake-up call for Fin to reevaluate the choices he’s made, admit that he’s falling for his coworker Phoebe, question the importance of diapers in his life, and finally tell the truth about his past. Truth in Advertising is debut novelist John Kenney’s wickedly funny, honest, at times sardonic, and ultimately moving story about the absurdity of corporate life, the complications of love, and the meaning of family.

    As the wait for his father stretches unforgivably into months, a local girl, whose own mother died a brutal death, captures his heart and imagination, reminding Wes that hope always floats to the surface.When buried truths come to light in the spring thaw, wounds are exposed and violence erupts, forcing Wes to embark on a search for his missing father, the truth about his mother, and a future he must claim for himself—a quest that begins back at that frozen lake.A powerful, page-turning coming-of-age story, Winter Loon captures the resilience of a boy determined to become a worthy man by confronting family demons, clawing his way out of the darkness, and forging a life from the shambles of a broken past.

    Containing more than fifty new poems and a generous gathering from his collections of the past decade-Horoscopes for the Dead, Ballistics, The Trouble with Poetry, and Nine Horses-Aimless Love showcases the best of his poetic maneuvers: the everyday ends in the infinite, playfulness is paired with empathy, irony gives way to wonder. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.

    In fact, he would say he is extraordinary…Synaesthesia paints the sounds of his world in a kaleidoscope of colours that no one else can see. But on Friday, he discovered a new colour – the colour of murder.He’s sure something has happened to his neighbour, Bee Larkham, but no-one else seems to be taking it as seriously as they should be. The knife and the screams are all mixed up in his head and he’s scared that he can’t quite remember anything clearly.But where is Bee? Why hasn’t she come home yet? Jasper must uncover the truth about that night – including his own role in what happened…

    Today is my birthday. Today I am fifteen. Today I buried my parents in the backyard. Neither of them were beloved.Marnie and her little sister Nelly are on their own now. Only they know what happened to their parents, Izzy and Gene, and they aren’t telling. While life in Glasgow’s Hazlehurst housing estate isn’t grand, they do have each other. Besides, it’s only one year until Marnie will be considered an adult and can legally take care of them both.As the new year comes and goes, Lennie, the old man next door, realizes that his young neighbors are alone and need his help. Or does he need theirs? But he’s not the only one who suspects something isn’t right. Soon, the sisters’ friends, their other neighbors, the authorities, and even Gene’s nosy drug dealer begin to ask questions. As one lie leads to another, dark secrets about the girls’ family surface, creating complications that threaten to tear them apart.Written with fierce sympathy and beautiful precision, told in alternating voices, The Death of Bees is an enchanting, grimly comic tale of three lost souls who, unable to answer for themselves, can answer only for each other.

    Amanda Wakes Up takes off as Amanda feels for the first time that she can make her mom and her best friend proud and think about an actual future with her boyfriend, Charlie. But she finds her journalistic ideals shredded as she struggles to keep up with the issues in a ratings-crazed madhouse—battling for hair and makeup time, coping with her sexist (but scathingly handsome) coanchor, Rob, mixing up the headlines with pajama modeling on the street, and showing Benji Diggs, her media maestro boss, that she’s got what it takes.As the news heats up in a hotly contested election season and a wild-card candidate, former Hollywood actor Victor Fluke, appears on the scene, Amanda’s pressure-cooker job gets hotter as her personal life unravels. Walking a knife’s edge between ambition and survival, and about to break the biggest story of her career, Amanda must decide what she’s willing to give up to get ahead—and what she needs to hold on to save herself.

    The detective assigned to the case, Conor Reid, swore to protect the sisters from then on.Beth moved on, throwing herself fully into the art world, running the family gallery, and raising a beautiful daughter with her husband Pete. Kate, instead, retreated into herself and took to the skies as a pilot, always on the run. When Beth is found strangled in her home, and Moonlight goes missing again, Detective Reid can’t help but feel a sense of déjà vu.Reid immediately suspects Beth’s husband, whose affair is a poorly kept secret. He has an airtight alibi—but he also has a motive, and the evidence seems to point to him. Kate and Reid, along with the sisters’ closest childhood friends, struggle to make sense of Beth’s death, but they only find more questions: Who else would have wanted Beth dead? What’s the significance of Moonlight?Twenty years ago, Reid vowed to protect Beth and Kate—and he’s failed. Now solving the case is turning into an obsession . . .

    Bitter rivalries. Jealousy. Betrayals. Star-crossed lovers. When you consider all these plot points, it's pretty surprising William Shakespeare didn't write Mean Girls. But now fans can treat themselves to the epic drama--and heroic hilarity--of the classic teen comedy rendered with the wit, flair, and iambic pentameter of the Bard. Our heroine Cady disguises herself to infiltrate the conniving Plastics, falls for off-limits Aaron, struggles with her allegiance to newfound friends Damian and Janis, and stirs up age-old vendettas among the factions of her high school. Best-selling author Ian Doescher brings his signature Shakespearean wordsmithing to this cult classic beloved by generations of teen girls and other fans. Now, on the 15th anniversary of its release, Mean Girls is a recognized cultural phenomenon, and it's more than ready for an Elizabethan makeover.

    The university was mourning the loss of one of its own: Nicole Werner, a blond, beautiful, straight-A sorority sister tragically killed in a car accident that left her boyfriend, who was driving, remarkably—some say suspiciously—unscathed.Although a year has passed, as winter begins and the nights darken, obsession with Nicole and her death reignites: She was so pretty. So sweet-tempered. So innocent. Too young to die.Unless she didn’t.Because rumor has it that she’s back.

    Simultaneously hilarious and heartbreaking, this sensational debut will appeal to fans of David Nicholls, Nick Hornby, Nora Ephron and Lorrie MooreGraham Cavanaugh’s second wife, Audra, is everything his first wife was not. She considers herself privileged to live in the age of the hair towel, talks non-stop through her epidural, labour and delivery, invites the doorman to move in and the eccentric members of their son’s Origami Club to Thanksgiving. She is charming and spontaneous and fun but life with her can be exhausting.In the midst of the day-to-day difficulties and delights of marriage and raising a child with Asperger’s, his first wife, Elspeth, reenters Graham’s life. Former spouses are hard to categorize – are they friends, enemies, old flames, or just people who know you really, really well? Graham starts to wonder: How can anyone love two such different women? Did he make the right choice? Is there a right choice?

    Natalie is headstrong, manipulative—and beautiful; Alice is a dreamer who loves books and birds. During their family’s summer holiday at the lake, Alice falls under the thrall of a struggling young painter, Thomas Bayber, in whom she finds a kindred spirit. Natalie, however, remains strangely unmoved, sitting for a family portrait with surprising indifference. But by the end of the summer, three lives are shattered.Decades later, Bayber, now a reclusive, world-renowned artist, unveils a never-before-seen work, Kessler Sisters—a provocative painting depicting the young Thomas, Natalie, and Alice. Bayber asks Dennis Finch, an art history professor, and Stephen Jameson, an eccentric young art authenticator, to sell the painting for him. That task becomes more complicated when the artist requires that they first locate Natalie and Alice, who seem to have vanished. And Finch finds himself wondering why Thomas is suddenly so intent on resurrecting the past.In The Gravity of Birds histories and memories refuse to stay buried; in the end only the excavation of the past will enable its survivors to love again.

    Not only has he heartlessly tricked his young ex-wife, Jenny, out of her art gallery inheritance, but he has also abandoned his son, Kevin, to die in the middle of the Kenyan savanna.It doesn’t occur to Victor that Kevin might be rescued and adopted by a Maasai medicine man, or that he might be expected to undergo the rituals expected of all new Maasai warriors – which have him running back to Stockholm as fast as you can say circumcision without anaesthetic.Back in Stockholm, Kevin’s path crosses with Jenny’s – and they have an awful lot to talk about, not least a shared desire to get even with Victor. So it’s convenient when they run into a man selling revenge services, who has an ingenious idea involving Victor’s cellar, a goat, some forged paintings, four large boxes of sex toys, and a kilo of flour …

    He is blessed with an extraordinary white moustache, an appreciation for craft cocktails – and a most unique magical talent. He can cast spells with magically enchanted ink and he uses his gifts to protect our world from rogue minions of various pantheons, especially the Fae.But he is also cursed. Anyone who hears his voice will begin to feel an inexplicable hatred for Al, so he can only communicate through the written word or speech apps. And his apprentices keep dying in peculiar freak accidents. As his personal life crumbles around him, he devotes his life to his work, all the while trying to crack the secret of his curse.But when his latest apprentice, Gordie, turns up dead in his Glasgow flat, Al discovers evidence that Gordie was living a secret life of crime. Now Al is forced to play detective – while avoiding actual detectives who are wondering why death seems to always follow Al. Investigating his apprentice’s death will take him through Scotland’s magical underworld, and he’ll need the help of a mischievous hobgoblin if he’s to survive.

    In a desperate effort to find her, Charlotte joins forces with Max Cutler, a struggling PI who recently moved to Seattle after his previous career as a criminal profiler went down in flames—literally. Burned out, divorced and almost broke, Max needs the job.After surviving a near-fatal attack, Charlotte and Max turn to Jocelyn’s closest friends, women in a Seattle-based online investment club, for answers. But what they find is chilling…When her uneasy alliance with Max turns into a full-blown affair, Charlotte has no choice but to trust him with her life. For the shadows of Jocelyn’s past are threatening to consume her—and anyone else who gets in their way...