One of the most significant writers of the New York School—which unofficially included John Ashbery, Frank O'Hara, and Kenneth Koch, among others—Schuyler was strongly influenced by both art and music in his work, often incorporating rapid shifts in sound, shape, and color within his poems that almost gave his work the effect of a collage and engendered comparisons with Whitman and Rimbaud.

    Eliot, Elizabeth Bishop, John Ashbery -- and Jorie Graham. The New Yorker places Ms. Graham in this distinguished line of poets, heralding the Pulitzer Prize winner as a profound voice in American poetry. Now, in her eighth collection, she further enhances her reputation with a book-length sequence of verse that is a stunning work of grandeur.The New Republic writes, "for 'swarm,' in other words...read 'be born again.' Graham is writing about a spiritual turning point, a new beginning.... Beauty -- that is, the pure sense-perception which has long been a concern for Graham -- is no longer the most important criterion. Now goodness is...[and] the idea of submission, of obedience, without understanding: one must 'yield' before 'hearing the reason' for yielding."

    The Blue Estuaries contains her five previous books of verse along with a section of uncollected work, fully representing a unique and distinguished contribution to modern poetry over five decades.

    It’s a battle for identity he is slowly and inevitably losing. Ex-army PTI Tom knows all about battles—the real ones that break soldiers. When he volunteers to help with the Oliver situation, Ollie hears more in the offer than Tom apparently intends, for Tom quickly informs Ollie that he’s married. Which is absolutely fine, because Ollie isn’t gay—that’s Oliver. Tom and Ollie discover fairly swiftly that there is often a very fine dividing line between fact and fiction.

    Paps and Ma are from Brooklyn — he’s Puerto Rican, she’s white — and their love is a serious, dangerous thing that makes and unmakes a family many times.Life in this family is fierce and absorbing, full of chaos and heartbreak and the euphoria of belonging completely to one another. From the intense familial unity felt by a child to the profound alienation he endures as he begins to see the world, this beautiful novel reinvents the coming-of-age story in a way that is sly and punch-in-the-stomach powerful.Written in magical language with unforgettable images, this is a stunning exploration of the viscerally charged landscape of growing up, how deeply we are formed by our earliest bonds, and how we are ultimately propelled at escape velocity toward our futures.

    In A Ghost in the Closet, dark-haired, muscular Frank and his lovable kid brother Joe return from a gay trip to Europe to find that their parents -- world-famous detective Fennel P. Hardly and his wife, Mrs. Hardly -- have been kidnapped! Even worse, so have six poodles from the Lake Merrimen Dog Show! Pals Nancy Clue, Cherry Aimless, R.N., and Police Detective Jackie Jones help the Hardly boys track down the criminals -- and in the meantime, pick up useful tips on fingerprinting, evidence retrieval, and the laundering of sporty twill slacks. Like her beloved camp classics, The Case of the Not-So-Nice Nurse and The Case of the Good-For-Nothing Girlfriend, Mabel Maney's A Ghost in the Closet brilliantly parodies 1950s boys and girls adventure series. Pull on a casual rayon shirt and join the queer caper!

    They know there are whole worlds out there that have never been seen, some as distant as the Amazon rain forest, others as close as a neighbor’s house, the curtains left open. Laura van den Berg helps us discover these worlds, blending the mundane and routine with the strange and unexpected. The search won’t always end with the stories—these restless narrators will always be left with mysteries unsolved, questions unanswered and hidden aches not quite healed—but what they see along the way will be nothing short of marvelous.Order here.

    Teare provides us with poems that insist on the simultaneous physical embodiment of tactile pleasure—that which is found in the textures of thought and language—as well as the action of syntax. Partly informed by an ecological imagination that leads him back to Emerson and Thoreau, Teare's method and fragmented style are nevertheless up to the moment. Remarkable in its range, Sight Map serves at once as a cross-country travelogue, a pilgrim's gnostic progress, an improvised field guide, and a postmodern "pillowbook," recording the erotic conflation of lover and beloved, deity and doubter.

    Too bad he's not as good at spotting such behavior in himself.What else could explain his passionate affair with Benjamin, a very unavailable married man? Richard suggests birthday presents for Benjamin's wife and vacation plans for his kids, meets him for "lunch" at a sublet apartment, and would never think about calling him after business hours."In the three years I'd known Benjamin, I'd come to think of him as "my husband." He was, after all, "a "husband, and I saw it as my responsibility to protect his marriage from a barrage of outside threats and bad influences. It was the only way I could justify sleeping with him."Since Richard is not entirely available himself--there's Conrad, his adorable if maddening partner to contend with--it all seems perfect. But when cosmopolitan Conrad starts spending a suspicious amount of time in Ohio, and economic uncertainty challenges Richard's chances for promotion, he realizes his priorities might be a little skewed.With a cast of sharply drawn friends, frenemies, colleagues, and personal trainers, "Insignificant Others "is classic McCauley--a hilarious and ultimately haunting social satire about life in the United States at the bitter end of the boom years, when clinging to significant people and pursuits has never been more important--if only one could figure out what they are.

    Josh Moore lives with his family on the 'wrong side' of Hamilton, a gritty industrial city in southwestern Ontario. As a young boy, Josh plots an escape for a better life far from the steel mills that lined the bay. But fate has other plans and Josh discovers his adult life in Toronto is just as fraught with as many insecurities and missteps as his youth and he soon learns that no matter how far away he might run, he will never be able to leave his hometown behind.

    The man Andrew loves will die without proper medical treatment. To save his life, Andrew makes a choice that could destroy not just his future but his life.

    The city's sizzling -- especially at the Kitsch-Inn, where the girls are mounting an all-female production of A Streetcar Named Desire.

    Instead, everything he always counted on comes crashing down at the same time, and his whole life is like one blazing hot corner—full of deadly line drives and crazy "bad hops."Scott can't believe the awful stuff coming his way, but it's time to find out whether he has what it takes to play the hot corner—on the baseball diamond and off it.

    At the best of times, his social life consists of work, role-playing games at a local toyshop, and making YouTube videos with his Teddy Bear hamsters. The arrival of the holidays—with the annoying music, Christmas shopping, and all the reminders of how he disappointed his father—just reinforces his reclusive nature.When James Olsen, a gorgeous daddy bear who frequents the bathhouse, notices him, Brian is at a loss. He’s not proud of his own bear status or his struggle with weight. The idea that James has interest in him beyond an easy hookup is more than Brian can fathom. But with a little bit of holiday magic, James might help Brian learn to accept Christmas again—and himself.

    Moving between a childhood marked by love and abuse and the breaking marriage of that adult child, Donika Kelly charts memory and the body as landscapes to be traversed and tended. These poems construct life rafts and sanctuaries even in their most devastating confrontations with what a person can bear, with how families harm themselves. With the companionship of “the oracle”—an observer of memory who knows how each close call with oblivion ends—the act of remembrance becomes curative, and personal mythologies give way to a future defined less by wounds than by possibility.In this gorgeous and heartrending second collection, we find the home one builds inside oneself after reckoning with a legacy of trauma—a home whose construction starts “with a razing.”