Concise and original, this engaging book is an antidote to the behemoth art history textbooks from which we were all taught. As he demonstrates so persuasively, there can never be one story of art. Cultures have their own stories - about themselves, about other cultures - and to hear them all is one way to hear the multiple stories that art tells. But each of us also has our own story of art, a kind of private art history made up of the pieces we have seen, and loved or hated, the effects they had on us, and the connections that might be drawn among them.Elkins opens up the questions that traditional art history usually avoids. What about all the art not produced in Western Europe or in the Europeanized Americas? Is it possible to include Asian art and Indian art in 'the story?' What happens when one does? To help us find answers, he uses both Western and non-Western artworks, tables of contents from art histories written in cultures outside the centre of Western European tradition, and strangely wonderful diagrams of how artworks might connect through a single individual. True multiculturalism may be an impossibility, but art lovers can each create a 'story of art' that is right for themselves.

    It is written for the person new to Hellenismos, and for the person who has been practicing for years, as well as for people outside of the religion who are interested in learning more. It covers not only the basics of worship, but also how make the ancient religion relevant to modern times, cultivate relationships with the gods and other divinities, and create a deeply satisfying spiritual life. The emphasis of this book is on the concept of kharis, the reciprocity so implicit in the practice of Hellenic polytheism. From the simplest devotional act, to prayer, to divination, to mysticism, the principle of reciprocal favor governs the heart of this religion and lets each worshipper encounter the gods on a real and profound level.

    His letters to various churches scattered throughout the Roman Empire articulated, for the first time, the beliefs that make up the heart of Christian practice and faith. In this extraordinary biography, Bruce Chilton explains the changing images of Paul, from the early Church period when he was regarded as the premiere apostle who separated Christianity from Judaism to more recent liberal evaluations, which paint him as an antifeminist, homophobic figure more dedicated to doctrine than to spiritual freedom. By illuminating Paul’s thoughts and contributions within the context of his time, Chilton restores him to his place as the founding architect of the Church and one of the most important figures in Western history. Rabbi Paul is at once a compelling, highly readable biography and a window on how Jesus’ message was transformed into a religion embraced by millions around the world. Drawing on Paul’s own writings as well as historical and scholarly documents about his life and times, Chilton portrays an all-too-human saint who helped to create both the most beautiful and the most troublesome aspects of the Church. He shows that Paul sought to specify the correct approach to such central concerns as sexuality, obedience, faith, conscience, and spirit, to define religion as an institution, and to clarify the nature of the religious personality—issues that Christians still struggle with today.

    The stories range from the initial stages of mythos to the final, mature state. Includes 32 illustrations by Abanindro Nath Tagore & others.PrefaceIllustrationsMythology of the Indo-Aryan races The Ramayana The MahabharataKrishna Buddha Shiva Other stories from the Puranas, epics & vedasConclusion

    Far from being meek and mild, they were violent, ruthless and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth and the light but that, by extension, every single other way was wrong and had to be destroyed. From the 1st century to the 6th, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces and their priests killed. It was an annihilation.Authoritative, vividly written and utterly compelling, this is a remarkable debut from a brilliant young historian.

    From all across the continent come tales of creation and love, of heroes and war, of animals, tricksters, and the end of the world. Alfonso Ortiz, an eminent anthropologist, and Richard Erdoes, an artist and master storyteller, Indian voices in the best folkloric sources of the nineteenth century to make this the most comprehensive and authentic volume of American Indian myths available anywhere.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Yet how much of this is mis- or even disinformation? A lot of it is, and your search engine can't tell the difference. As a result, an avalanche of misinformation threatens to overwhelm the discourse we so desperately need to address complex social problems such as climate change, the food and water crises, biodiversity collapse, and emerging threats to public health. This book provides an inoculation against the misinformation epidemic by cultivating scientific habits of mind. Anyone can do it--indeed, everyone must do it if our species is to survive on this crowded and finite planet.This survival guide supplies an essential set of apps for the prefrontal cortex while making science both accessible and entertaining. It will dissolve your fear of numbers, demystify graphs, and elucidate the key concepts of probability, all while celebrating the precise use of language and logic. David Helfand, one of our nation's leading astronomers and science educators, has taught scientific habits of mind to generations in the classroom, where he continues to wage a provocative battle against sloppy thinking and the encroachment of misinformation.

    As Aeneas journeys closer to his goal, he must first prove his worth and attain the maturity necessary for such an illustrious task. He battles raging storms in the Mediterranean, encounters the fearsome Cyclopes, falls in love with Dido, Queen of Carthage, travels into the Underworld and wages war in Italy.

    Identifies the gods, goddesses, heroes, and monsters of Greek mythology, recounts the most famous stories, and briefly describes Greek history and culture.

    It reviles her doctrines, mocks her moral teachings and invents lies about her history. In every age, but especially in our modern day, historians and political powers have distorted the facts about her past (or just made up novel falsehoods from scratch) to make the Church, and the civilization it fostered, seem corrupt, backward, or simply evil. In Seven Lies about Catholic History, Diane Moczar (Islam at the Gates) tackles the most infamous and prevalent historical myths about the Church popular legends that you encounter everywhere from textbooks to T.V. and reveals the real truth about them. She explains how they got started and why they're still around, and best of all, she gives you the facts and the arguments you need to set the record straight about The Inquisition: how it was not a bloodthirsty institution but a merciful (and necessary) one, Galileo's trial: why moderns invented a myth around it to make science appear incompatible with the Catholic faith (it's not), The Reformation: why the 16th-century Church was not totally corrupt (as even some Catholics wrongly believe), and how the reformers made things worse for everybody and other lies that the world uses to attack and discredit the Faith. Written in a brisk style that's fun and easy to read, Seven Lies about Catholic History provides the lessons that every Catholic needs in order to defend and explain not just apologize for the Church's rich and complex history.

    Bush, September 11th 2001 Evil! Like a zombie back from the grave, it has arisen--a word many of us had long ago relegated to Sunday sermons, video games and horror flicks. But of course, evil is not old fashioned, nor has it ever gone away, and may be as robust as ever. So what is evil? Does it exist? Veteran journalist Bill Hart tries to drag evil out of the darkness and hold it up to the light. In doing so, he has written a very readable account of 5,000 years of philosophy, theology and human history as it reflects and refines its notion of evil. More than an explanation of why bad things happen, "Evil: A Primer" is a tour through the nether regions in search of what we really know.

    The ideas presented in this Bible reference book are based on the teachings of Jesus Christ and are presented in a cross-denominational format.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In fact, as this illuminating study demonstrates, psychedelics have been used by human societies in every part of the world for ritual and spiritual purposes for millennia. As Paul Devereux points out, our modern culture is eccentric in its refusal to integrate the profound experiences offered by these natural substances into our own spiritual life and traditions. Modern Western culture's recent experimentation with psychedelic drugs raised the awareness of archaeologists and anthropologists, leading them to recognize the use of hallucinogens in surviving traditional societies and in the archaeological record. Devereux reveals dramatic new evidence - from linguistics, ethnobotany, biology, and other fields - for the psychedelic experiences of various prehistoric cultures, and ponders the implications and effects of psychedelic revelations on our contemporary worldview, linking them to out-of-body and near death experiencs, shamanic trances, even memory and dreaming.

    One of the great classics of world literature, it has inspired such diverse thinkers as Henry David Thoreau, Mahatma Gandhi, and T.S. Eliot; most recently, it formed the core of Peter Brook's celebrated production of the Mahabharata.