She wasn't on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson's house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. "That's when I started making lists," she says. She added the houses of Virginia Woolf and Charles Darwin in the English countryside and Sigmund Freud's final home, in London, but most of the places on the lists were American. The work became more ambitious as Leibovitz discovered that she wanted to photograph objects as well as rooms and landscapes. She began to use more sophisticated cameras and a tripod and to travel with an assistant, but the project remained personal.Leibovitz went to Concord to photograph the site of Thoreau's cabin at Walden Pond. Once she got there, she was drawn into the wider world of the Concord writers. Ralph Waldo Emerson's home and Orchard House, where Louisa May Alcott and her family lived and worked, became subjects. The Massachusetts studio of the Beaux Arts sculptor Daniel Chester French, who made the seated statue in the Lincoln Memorial, became the touchstone for trips to Gettysburg and to the archives where the glass negatives of Lincoln's portraits have been saved. Lincoln's portraitists--principally Alexander Gardner and the photographers in Mathew Brady's studio--were also the men whose work at the Gettysburg battlefield established the foundation for war photography. At almost exactly the same time, in a remote, primitive studio on the Isle of Wight, Julia Margaret Cameron was developing her own ultimately influential style of portraiture. Leibovitz made two trips to the Isle of Wight and, in an homage to the other photographer on her list, Ansel Adams, she explored the trails above the Yosemite Valley, where Adams worked for fifty years.The final list of subjects is perhaps a bit eccentric. Georgia O'Keeffe and Eleanor Roosevelt but also Elvis Presley and Annie Oakley, among others. Figurative imagery gives way to the abstractions of Old Faithful and Robert Smithson's Spiral Jetty. Pilgrimage was a restorative project for Leibovitz, and the arc of the narrative is her own. "From the beginning, when I was watching my children stand mesmerized over Niagara Falls, it was an exercise in renewal," she says. "It taught me to see again."

    This collection presents fifty large-scale artworks from the American master's color field period (1949–1970) alongside essays by Rothko's son, Christopher Rothko, and San Francisco Museum of Modern Art curator of painting and sculpture Janet Bishop. Featuring illuminating details about Rothko's life, influences, and legacy, and brimming with the emotional power and expressive color of his groundbreaking canvases, this essential volume brings the renowned artist's luminous work to light for both longtime Rothko fans and those discovering his work for the very first time. A textured case and large-scale tip-on on the front cover round out this sumptious package.

    The book also includes a special sneak peek at season five of the TV show. It's everything kids need to master the world of Spinjitzu.

    Seuss as an iconic American artist. Illustrator by day, surrealist by night, Dr. Seuss created a body of little-known work that he called his “Midnight Paintings.” For sixty years, this work allowed Geisel to expand his artistic boundaries outside the confines of commercial influences and deadlines.A handsome slipcase holds the cloth-covered edition of The Cat Behind the Hat, along with four lithographs ready for framing. The book exuberantly juxtaposes Geisel’s “Midnight Paintings” with his best-loved children’s books. Though he fiercely protected his “Midnight Paintings” from criticism during his lifetime, his intention all along was for these works to be seen when he was gone. This comprehensive look at the art that he created over his lifetime is an eye-opening peek behind the public persona into the real story of the man who was Dr. Seuss.

    But the dot, though perfect in every way, only had eyes for a wild and unkempt squiggle. All of the line's romantic dreams were in vain, until he discovered...angles! Now, with newfound self-expression, he can be anything he wants to be--a square, a triangle, a parallelogram....And that's just the beginning!First published in 1963 and made into an Academy Award-winning animated short film, here is a supremely witty love story with a twist that reveals profound truths about relationships--both human and mathematical--sure to tickle lovers of all ages.

    But when the moon disappeared for a few nights each month, she worried about her father and how he would find his way home from the sea in the deep darkness. When the sun finds her sobbing one night, he takes one of his rays and shatters it onto the ground, creating the stars and giving the girl the task of putting them into the dark night sky. This beautifully illustrated story gives us a new folk tale, and a new way to look up at the night sky.

    What follows is a delightfully magical tale of art run amok as each newly drawn object becomes real, and fair game for the antics of the mischievous bird. Colorful chaos ensues as the resourceful bird takes pencil in beak and begins to reveal its own artistic talents. The beautifully detailed pictures invite children to observe carefully and tell the story themselves as the mesmerizing plot leads them to an astounding surprise ending. Along the way younger children will be introduced to the concept of color (eight are featured), older ones will discover the fascinating interplay between art and imagination, and all will be inspired to reach for their own drawing pencils.

    The next day - BLAM! - Pablo bursts through the canvas, paintbrush in hand, ready to paint something fresh and new."Pablo Picasso may have been one of the most famous artists of the 20th century, but that doesn't mean he painted what people wanted him to paint! In fact, some people hated his paintings, and called them "ugly!" and "terrible!" -- something many kids can relate to. But Picasso didn't listen to all those people, and kept on working the way he wanted to work, until he created something so new, so different... that people didn't know what to say!For every young artist who's drawn something other kids think is "ugly," this story of rebellion and creativity is sure to inspire.

    Readers will find very different worlds living side by side at a picnic, in the ocean, in the freezing Arctice, even inside the same two-story home! Award-winning illustrator Sue Redding's bold illustrations include lots of fun and mischief.

    "It's beautiful, " she said, but that was not what she was really thinking. "That's not how I remember it at all, " she said to herself.One day Emma bought paints and brushes and painted her village just the way she remembered it. This was the beginning of a whole new life for her.Wendy Kesselman's delightful story was inspired by the artist Emma Stern, who began late in life, and Barbara Cooney's exquisite illustrations are based on Emma Stern's paintings.

    Fun, Beautifully Illustrated Bedtime Story/Picture Book about Thoughtfulness and Good Manners for Beginner Readers, Ages 2-8

    

    Using video links, IP Factly's Amazing Animal series has been designed to encourage and bolster independent reading. The animals are accompanied by pictures and facts plus video links so children can see the animals and how they behave.

    Tony and his parents entertained Picasso at their home in England, and they went to visit Picasso and his family in France, too. Tony, when a child, really did bite Picasso. And Picasso bit him back! Filled with information about Picasso and his art, this book offers readers a rare glimpse into Picasso’s personal life and features more than sixty-five illustrations, including artworks by Picasso, photographs by Lee Miller, and specially commissioned drawings by contemporary children. Grown-up Tony, the son of photographer Lee Miller and painter-writer Sir Roland Penrose, shares his childhood memories of his remarkable playmate in this one-of-a-kind story. Praise for The Boy Who Bit Picasso.“A sparkling illustrated memoir. It is a wonderfully engaging glimpse of the creative life, as viewed from child-height”. –Wall Street Journal“It's a fascinating and highly personal vision of the artist.” –Publishers Weekly  “This intimate, child’s-eye view serves up a winning glimpse of the artist’s personality and unparalleled creative breadth.” –Kirkus Reviews  “In this delightful volume, the author recounts growing up with Pablo Picasso as a family friend. Appropriate for the topic, the book is a work of art in itself, featuring brightly colored pages and stunning black-and-white photos.” –School Library Journal

    Failure doesn't have to be scary for kids. And parents, guardians, and mentors play a crucial role in teaching kids that failure is just one step towards success. Thankfully, simple books with powerful language can help! With the help of "I Am Not Afraid To Fail", you and your child can work together to learn that failure is a normal and natural part of life. Help the child in your life build the confidence to take chances and go for it without fear of failure. Read the book and start this important conversation today!"I Am Not Afraid To Fail" is the third book in the Persistence Project Series. GET IT NOW The Persistence Project Series -Book One: I Am Not Afraid To Fail -Book Two: I Won't Give Up -Book Three: You Can Face Your Fears-Book Four: You Can Always Improve - Coming Fall 2020!