E. Housman is being ferried across the river Styx, glad to be dead at last. The river that flows through Tom Stoppard's The Invention of Love connects Hades with the Oxford of Housman's youth: High Victorian morality is under siege from the Aesthetic movement, and an Irish student named Wilde is preparing to burst onto the London scene. On his journey the elder Housman confronts the younger version of himself and his memories of the man he loved his entire life, Moses Jackson -- the handsome athlete who could not return his feelings.

    Shortly after, he came back to Stratford to play Richard III – a breakthrough performance that would transform his career, winning him the Olivier and Evening Standard Awards for Best Actor. Sher’s record of the making of this historic theatrical event, Year of the King, has become a classic of theatre writing, a unique insight into the creation of a landmark Shakespearean performance.More than thirty years later, Antony Sher returned to Lear, this time in the title role, for the 2016 RSC production directed by Gregory Doran. Sher’s performance was acclaimed by the Telegraph as ‘a crowning achievement in a major career’, and the show transferred from Stratford to London’s Barbican. Once again, he kept a diary, capturing every step of his personal and creative journey to opening night.Year of the Mad King: The Lear Diaries is Sher’s account of researching, rehearsing and performing what is arguably Shakespeare’s most challenging role, known as the Everest of Acting. His strikingly honest, illuminating and witty commentary provides an intimate, first-hand look at the development of his Lear and of the production as a whole. Also included is a selection of his paintings and sketches, many reproduced in full colour.Like his Year of the King and Year of the Fat Knight: The Falstaff Diaries, this book, Year of the Mad King, offers a fascinating perspective on the process of one of the greatest Shakespearean actors of his generation.'One of the finest books I have ever read on the process of acting' Time Out on Year of the King'Antony Sher's insider journal is a brilliant exploded view of a great actor at work – modest and gifted, self-centred and selfless – a genius capable of transporting us backstage' Craig Raine, The Spectator (Books of the Year) on Year of the Fat Knight

    A knife flashes in the fog. A madman has begun the most notorious and shocking series of murders in history. With each new discovery of a woman's mutilated body, the citywide panic grows. The police seem unable to stop the killer, even when he taunts them with letters. Letters signed. . .Jack the Ripper. — In another part of London, the reign of terror has touched a young writer and theater manager named Bram Stoker. The police have closed his theater's production of Dr. Jekyll and Mr. Hyde and suspect its star of being Jack the Ripper. His livelihood endangered, Stoker sets out on his own to find the real killer. But Jack wants just as badly to find Stoker. When the madman and the author meet face to face, a new chapter will be written in the annals of horror

    It is hard to believe that over 25 years have passed since A Chorus Line first electrified a New York audience. The memories of the show's birth in 1975, not to mention those of its 15-year-life and poignant death, remain incandescent and not just because nothing so exciting has happened to the American musical since. For a generation of theater people and theatergoers, A Chorus Line was and is the touchstone that defines the glittering promise, more often realized in lengend than in reality, of the Broadway way. This impressive book contains the complete book and lyrics of one of the longest running shows in Broadway history with a preface by Samuel Freedman, an introduction by Frank Rich and lots of photos from the stage production.

    Prior is a man living with AIDS whose lover Louis has left him and become involved with Joe, an ex-Mormon and political conservative whose wife, Harper, is slowly having a nervous breakdown. These stories are contrasted with that of Roy Cohn (a fictional re-creation of the infamous American conservative ideologue who died of AIDS in 1986) and his attempts to remain in the closet while trying to find some sort of personal salvation in his beliefs.

    "In your case, though, I will be your FBI handler, taking care of you and getting you anything that you need to get the job done."Get the complete series - all 8 books of the Cryptid Assassin - for one low, low price!​---Special Agent Niki Banks paused, narrowing her eyes at Taylor. "What?" Banks asked. "No lewd remarks about that? Something about handling, or how I'm going to take care of you?""Nah, I thought you would do a better job of it than I ever could," Taylor replied. "Besides, I'm only after empty relationships that have no meaning, where we'll go away happy, so there's no need for any handling like that. From you, anyways.""So, what does that make me?"Taylor paused to take a bite from his food, which consisted of some bacon and syrup-covered waffles. "A toxic attitude with delusions of awesomeness in high heels and a need to feel dominant all wrapped up in an attractive gift package that smells like a body that's been left out to rot in the Zoo for a week."Banks' eyebrows shot up."Excuse you?"Another bite of his food from his plate was taken before he continued. "I'm sorry, do you need me to make it more specific? Here, try this one then. You look like Eva Longoria, except more brawn than brains, probably can't spell Latina and obviously you don't care about showers. Which is okay; the government only wants you for your brawn anyway."Banks narrowed her eyes. "Yeah, I smell like the three cretins you needed me to get rid of for you. Between the stench of fear and gasoline, I guess that does make for a pretty foul smell."Taylor shrugged. "I showered at least."Banks scowled at him. "You're a jackass.""Correction," Taylor said with a grin. "I'm a jackass that can kill - what did you call them? Cryptids. A jackass that can kill Cryptids that's living here in the US, no less."Oh, great," Banks grumbled. "And here I am, stuck with a Jason Momoa wannabe Cro-Magnon Neanderthal with slightly better dental hygiene and a god-complex."She sighed. "I don't get paid enough for this shit."His name is Taylor McFadden, survivor of 83 trips into the ZOO. Now, he's retired, and yet his country needs his skills to save people in the country he calls home.Can he build a company, put down roots and still bring the pain when the FBI calls?When they tag him as The Cryptid Assassin, they weren't wrong. For monsters that go bump in the night, he is death incarnate.This complete boxed set includes:Hired KillerSilent DeathSacrificial WeaponHead HunterMc'MercsThis is B.S.Learn to LiveMonster in MeGo up and click 'Read for Free' or 'Buy Now' and learn how one messed up soldier is America's greatest asset in the ongoing war against the Alien Goop.---NOTE: There is cussing in the book. In fact, there is a LOT of cussing in this book. There are consenting adults having sex (mostly behind closed doors) and a cynical ex-soldier just wanting to build a business in Sin City.

    Denmark is changing, shaking off its medieval past. War with Norway is on the horizon. And Hamlet - son of the old king, nephew of the new - becomes increasingly entangled in a web of deception - and murder.Struggling to find his place in this strange new order Hamlet tries to rekindle his relationship with Ophelia - the daughter of Elsinore's cunning spy master, a man with plots of his own. Hamlet turns for advice and support to the one person he can trust -- Young Yorick, the slippery, unruly jester, whose father helped Hamlet through a difficult childhood. And all the while the armed forces of Fortinbras, prince of Norway, start to assemble, threatening to bring down Elsinore forever.Beautifully performed by actor Richard Armitage ("Thorin Oakenshield" in the Hobbit films), Hamlet, Prince of Denmark takes Shakespeare's original into unexpected realms, reinventing a story we thought we knew.

    On Prince Philip Playing Fields. He crossed the dew-soaked grass toward what he took to be a bundle of clothes, but then he came across a discarded shoe, and then t’ mutilated body. her name wor Wilma McCann.’Leeds, late 1975 and a body has been found on Prince Philip Playing Fields. Ricky, teenage delivery van boy for Corona pop, will be late for The Matterhorn Man. In the years that follow until his capture, the Yorkshire Ripper and Rick’s own life draw ever closer with unforeseen consequences. Set in a time in England's history of upheaval and change – both personal and social – this is a story told in an unforgettable voice.'An incredible debut novel: a coming of age tale set against the backdrop of the Yorkshire Ripper murders, ‘full of daring, authenticity and wit’ (Rachel Cusk).

    Refusing to cave in to society's rules, Eleanor's exuberant style, wavering voice and lack of Hollywood beauty are fodder for the media.First Lady for thirteen years, Eleanor redefines and exploits this role to a position ofpower. Using her influence she champions for Jews, African Americans and women. Living through two world wars Eleanor witnesses thousands of graves, broken bodies and grieving families. After visiting troops in the Pacific she says:"If we don't make this a more decent world to live in I don't see how we can look these boys in the eyes."She defies a post-war return to status quo and establishes the Universal Declarationof Human Rights within the U.N. She earns her way to being named "First Lady of the World." The audacity of this woman to live out her own destiny challenges us to do the same. After all, it's not about Eleanor. Her story is history.  It's about us.

    He's your son. You wave goodbye to him one morning as he disappears into the swirling fog. And then he is gone. Forever. This gripping historical crime fiction novel, based on fact, is set in Bradford, England,1888. It explores the horrific murder of Johnny Gill; a murder and mutilation so gruesome, it stuns a nation. Even hardened detectives are affected by its savagery, swiftly comparing it to the work of Jack the Ripper. "Who Killed Little Johnny Gill?" is Kathryn McMaster's debut novel. It is a noir page-turner that immediately immerses you in a maelstrom of emotions, keeping you in suspense as Chief Detective Constable Withers and his dedicated team of British detectives try and gather sufficient evidence to bring a conviction against their suspect. In 1888, police procedures and knowledge of Forensic Science are rudimentary and juries are exposed to persuasive newspaper reports and public opinion. Will justice prevail, or will the guilty walk free? This is one crime fiction novel you won't be able to put down until the last page is turned!

    A first hand account of my tour of duty in Vietnam.

    But never has he blended these disparate elements into such a brilliantly cohesive whole as he has in Lips Together, Teeth Apart,hailed by Frank Rich of the New York Times as McNallys"most ambitious and most accomplished play yet."At the heart of this haunting play is a dramatically incisive portrait of two married couples - the Trumans and the Haddocks. Uncomfortable with themselves and each other, they are forced to spend a Fourth of July weekend at the Fire Island house that the brother of one of the women left his sister when he died of AIDS. Though the house is beautiful, it is as empty as their lives and marriages have become, a symbol of their failed hopes, their rage, their fears, and of the capricious nature of death. Acerbic and haunting, Lips Together, Teeth Apart probes the stifledlives of people and their prejudices with a stunning clarity that resonates long after.

    But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home.A programme text edition which was published to coincide with the world premiere at Theatre503, London, on 27 October 2015

    The bad news is there might be something wrong with you.

    A heartrending story. A barrier-breaking fusion of morality, sexuality, and rock&roll. No wonder "Spring Awakening" has awakened audiences like no other musical in years.Based on the infamous 1891 Frank Wedekind play and featuring an original score by Grammy-nominated recording star Duncan Sheik and Steven Sater, "Spring Awakening" is a story of uncontrollable emotions and undeniable passions, of first loves and lasting regrets. Haunting and electrifying, the show celebrates the unforgettable journey into adulthood with a power and a poignancy that you will never forget."Spring Awakening: In the Flesh" is more than just a companion book -- it's a new opportunity to experience the show. Designed to resemble a vandalized book, this beautiful volume offers more than one hundred photographs, handwritten drafts of hit songs, original sketches of costumes and sets, an annotated, unabridged libretto, and unprecedented access to the hit show, making "Spring Awakening: In the Flesh" a must-have for fans of all ages.